Nikonian72 wrote:
ward5311 wrote:
Sometimes people don't understand things that are said because they don't understand or wallow in the details.
Sometimes people shouldn't post because they do not understand the details.
And some could do with a good dose of humility..Whatever dude..Geez
wgold13 wrote:
I would appreciate an explanation of the following: When you use an FX lens on a DX camera body (Nikon for example) the crop factor of 1.5 comes into play. Thus an FX 50mm lens will give you the perspective of a 75 mm lens. Magnification stays the same and you do not get an increase in the magnification. The FX lens on a full frame camera body will naturally give you the 50mm focal length as well as the perspective of the 50mm lens. The question I have is when using a 50mm DX lens on a DX camera body (which lens is made specifically for the smaller sensor in the DX body) why do you get the perspective of a 75mm lens???? Example.The Tokina 11-16 DX lens tells you in its literature that it is the equivilent to a 17-24 lens in a 35mm. Why is it not a true 11-16 on a DX body in similar fashion to and FX lens on a full frame body???
I would appreciate an explanation of the following... (
show quote)
Hey people, a picture is worth a thousand word. Nikon has a lens simulator where you can select a lens focal length, select either a FX or a DX lens, a FX or a DX body and see what the effect is. It answered many of my questions.
http://imaging.nikon.com/lineup/lens/simulator/To determine if a lens is a DX or FX lens I use
http://www.neocamera.com/list_lenses.phpJust my two cents. :)
Another thing about FX lenses on a DX camera: improved performance. When you use only the central portion of the image circle of a lens, you are also "focusing in" on the best performance the lens has to offer. Lens design always features decreasing performance toward the edges of the image area. It can be a little or a lot, but the crop factor of an FX lens on a DX body crops out the decreasing performance, to a degree.
Nikonian72 wrote:
ward5311 wrote:
Sometimes people don't understand things that are said because they don't understand or wallow in the details.
Sometimes people shouldn't post because they do not understand the details.
Perhaps if some people were a little less arrogant and condescending, a good discussion could be enjoyed by even the non-op. what a concept! Perhaps we should add free speech to the constitution.
shopnascar wrote:
Nikonian72 wrote:
ward5311 wrote:
Sometimes people don't understand things that are said because they don't understand or wallow in the details.
Sometimes people shouldn't post because they do not understand the details.
Perhaps if some people were a little less arrogant and condescending, a good discussion could be enjoyed by even the non-op. what a concept! Perhaps we should add free speech to the constitution.
Hey Doc .... well said ...... there could be much more participation, and we know why there isn't.
Based on past experience, I'm sure Nikonian72 didn't mean to be condescending. Can we move past this now? Please!
"Take the prisoner downstairs." Now that's truly condescending...
I think the easiest way to understand it is that to make say a 4 x 6 photo, the image on a CMOS sensor must be magnified 1.5 times more than the image on a full frame sensor would.
Another thing that must be taken into consideration is that the field of view on a CMOS sensor will be from the center of the lens. As a result, the field of view will be narrower and give the perspective of a focal length 1.5 times as long.
wgold13 wrote:
I would appreciate an explanation of the following: When you use an FX lens on a DX camera body (Nikon for example) the crop factor of 1.5 comes into play. Thus an FX 50mm lens will give you the perspective of a 75 mm lens. Magnification stays the same and you do not get an increase in the magnification. The FX lens on a full frame camera body will naturally give you the 50mm focal length as well as the perspective of the 50mm lens. The question I have is when using a 50mm DX lens on a DX camera body (which lens is made specifically for the smaller sensor in the DX body) why do you get the perspective of a 75mm lens???? Example.The Tokina 11-16 DX lens tells you in its literature that it is the equivilent to a 17-24 lens in a 35mm. Why is it not a true 11-16 on a DX body in similar fashion to and FX lens on a full frame body???
I would appreciate an explanation of the following... (
show quote)
wgold 13,
It has been two days since you asked your question, so you may not even see this response, but I'm not sure anyone actually answered your question. Sorry, but some of the guys were having a little pis*ing contest. I don't think we have a "good" answer to your question, because the camera manufacturers (and lens manufacturers) seem to favor the "full framers," when it comes to marking lenses. I use Canons, so instead of FX vs DX, it's EF vs EF-S. Even though the EF-S lenses won't even work on a "full frame" Canon, they are still marked with 35mm numbers. I'm not really sure why. I've just gotten used to doing the conversion in my head, so it's just irritating, not a really serious problem.
[quote=ThomasS]
wgold13 wrote:
I would appreciate an explanation of the following: When I use Canons, so instead of FX vs DX, it's EF vs EF-S. Even though the EF-S lenses won't even work on a "full frame" Canon, they are still marked with 35mm numbers. I'm not really sure why. I've just gotten used to doing the conversion in my head, so it's just irritating, not a really serious problem.
It is because a lens is what a lens IS. The size of the sensor does not have a THING to do with it. A 135mm lens is a 135 on 35mm, EF, DX, FX, medium format, an 8x10 view camera. Whatever. Why would it be something else?
When 35mm was developed back in the early part of the last century, I seriously doubt view camera photographers thought that lens length on 35mm should be stated in terms of 8x10 film cameras.
And merely to add to what CaptainC said, a lens is labeled based on its focal length. That is the distance from the focal lens to the focal plane of the camera. If you look on your camera you'll see a circle with a line through it. That is your focal plane. That measurement never changes despite how a smaller sensor may alter the image.
Thanks guys, I get the message. As a long time 35mm user, I never thought about this issue until I switched to digital. Then I had to start multiplying everything by 1.6, since I bought a 50D and not a 5D. It's probably a good brain exercise anyway! HA!
ThomasS wrote:
wgold13 wrote:
I would appreciate an explanation of the following: When you use an FX lens on a DX camera body (Nikon for example) the crop factor of 1.5 comes into play. Thus an FX 50mm lens will give you the perspective of a 75 mm lens. Magnification stays the same and you do not get an increase in the magnification. The FX lens on a full frame camera body will naturally give you the 50mm focal length as well as the perspective of the 50mm lens. The question I have is when using a 50mm DX lens on a DX camera body (which lens is made specifically for the smaller sensor in the DX body) why do you get the perspective of a 75mm lens???? Example.The Tokina 11-16 DX lens tells you in its literature that it is the equivilent to a 17-24 lens in a 35mm. Why is it not a true 11-16 on a DX body in similar fashion to and FX lens on a full frame body???
I would appreciate an explanation of the following... (
show quote)
wgold 13,
It has been two days since you asked your question, so you may not even see this response, but I'm not sure anyone actually answered your question. Sorry, but some of the guys were having a little pis*ing contest. I don't think we have a "good" answer to your question, because the camera manufacturers (and lens manufacturers) seem to favor the "full framers," when it comes to marking lenses. I use Canons, so instead of FX vs DX, it's EF vs EF-S. Even though the EF-S lenses won't even work on a "full frame" Canon, they are still marked with 35mm numbers. I'm not really sure why. I've just gotten used to doing the conversion in my head, so it's just irritating, not a really serious problem.
quote=wgold13 I would appreciate an explanation o... (
show quote)
Thanks for actually answering the question that was asked wgold 13. A lot of pat answers were trotted out assuming the same old question was asked. It wasn't and the answers given were not relevant to the question asked. They may have been FAQ answers, but this wasn't an FAQ. Don't rag on posters for their question when you're superior photography knowledge is incapable of understanding a straight forward question. I'm done with the UHH photography forum. Tired of the same old discussions (e.g., PP is not photography, blah, blah, blah). Guess I'll stick to the photo galleries. The discussion forum is tedious. The experts in this topic owe the poster an apology!
mjp wrote:
ThomasS wrote:
wgold13 wrote:
I would appreciate an explanation of the following: When you use an FX lens on a DX camera body (Nikon for example) the crop factor of 1.5 comes into play. Thus an FX 50mm lens will give you the perspective of a 75 mm lens. Magnification stays the same and you do not get an increase in the magnification. The FX lens on a full frame camera body will naturally give you the 50mm focal length as well as the perspective of the 50mm lens. The question I have is when using a 50mm DX lens on a DX camera body (which lens is made specifically for the smaller sensor in the DX body) why do you get the perspective of a 75mm lens???? Example.The Tokina 11-16 DX lens tells you in its literature that it is the equivilent to a 17-24 lens in a 35mm. Why is it not a true 11-16 on a DX body in similar fashion to and FX lens on a full frame body???
I would appreciate an explanation of the following... (
show quote)
wgold 13,
It has been two days since you asked your question, so you may not even see this response, but I'm not sure anyone actually answered your question. Sorry, but some of the guys were having a little pis*ing contest. I don't think we have a "good" answer to your question, because the camera manufacturers (and lens manufacturers) seem to favor the "full framers," when it comes to marking lenses. I use Canons, so instead of FX vs DX, it's EF vs EF-S. Even though the EF-S lenses won't even work on a "full frame" Canon, they are still marked with 35mm numbers. I'm not really sure why. I've just gotten used to doing the conversion in my head, so it's just irritating, not a really serious problem.
quote=wgold13 I would appreciate an explanation o... (
show quote)
Thanks for actually answering the question that was asked wgold 13. A lot of pat answers were trotted out assuming the same old question was asked. It wasn't and the answers given were not relevant to the question asked. They may have been FAQ answers, but this wasn't an FAQ. Don't rag on posters for their question when you're superior photography knowledge is incapable of understanding a straight forward question. I'm done with the UHH photography forum. Tired of the same old discussions (e.g., PP is not photography, blah, blah, blah). Guess I'll stick to the photo galleries. The discussion forum is tedious. The experts in this topic owe the poster an apology!
quote=ThomasS quote=wgold13 I would appreciate a... (
show quote)
That's just it. You wouldn't get the perspective of a 75mm lens when puttig a DX 55mm lens on a DX body. I don't know where that came from, the last draw of the night?
SteveR wrote:
mjp wrote:
ThomasS wrote:
wgold13 wrote:
I would appreciate an explanation of the following: When you use an FX lens on a DX camera body (Nikon for example) the crop factor of 1.5 comes into play. Thus an FX 50mm lens will give you the perspective of a 75 mm lens. Magnification stays the same and you do not get an increase in the magnification. The FX lens on a full frame camera body will naturally give you the 50mm focal length as well as the perspective of the 50mm lens. The question I have is when using a 50mm DX lens on a DX camera body (which lens is made specifically for the smaller sensor in the DX body) why do you get the perspective of a 75mm lens???? Example.The Tokina 11-16 DX lens tells you in its literature that it is the equivilent to a 17-24 lens in a 35mm. Why is it not a true 11-16 on a DX body in similar fashion to and FX lens on a full frame body???
I would appreciate an explanation of the following... (
show quote)
wgold 13,
It has been two days since you asked your question, so you may not even see this response, but I'm not sure anyone actually answered your question. Sorry, but some of the guys were having a little pis*ing contest. I don't think we have a "good" answer to your question, because the camera manufacturers (and lens manufacturers) seem to favor the "full framers," when it comes to marking lenses. I use Canons, so instead of FX vs DX, it's EF vs EF-S. Even though the EF-S lenses won't even work on a "full frame" Canon, they are still marked with 35mm numbers. I'm not really sure why. I've just gotten used to doing the conversion in my head, so it's just irritating, not a really serious problem.
quote=wgold13 I would appreciate an explanation o... (
show quote)
Thanks for actually answering the question that was asked wgold 13. A lot of pat answers were trotted out assuming the same old question was asked. It wasn't and the answers given were not relevant to the question asked. They may have been FAQ answers, but this wasn't an FAQ. Don't rag on posters for their question when you're superior photography knowledge is incapable of understanding a straight forward question. I'm done with the UHH photography forum. Tired of the same old discussions (e.g., PP is not photography, blah, blah, blah). Guess I'll stick to the photo galleries. The discussion forum is tedious. The experts in this topic owe the poster an apology!
quote=ThomasS quote=wgold13 I would appreciate a... (
show quote)
That's just it. You wouldn't get the perspective of a 75mm lens when puttig a DX 55mm lens on a DX body. I don't know where that came from, the last draw of the night?
quote=mjp quote=ThomasS quote=wgold13 I would a... (
show quote)
Ignoring the fact that prespective was the wrong term and should have been field of view, the primary question, as I read it is "why doesn't a 50mm DX lens on a DX body give you the same field of view as a 50mm FX lens on an FX body."
I had the same question when buying the 35mm DX lens from Nikon.
The Nikon calculator mentioned above shows that a 50mm DX on a DX body has an equivalent angle of view to a 76.5mm FX lens on an FX body.
This discussion just reminded me of the Unix forums in the 80's -- telling people to search for the answer (it took hours to find the right answer in those days and still does when you hit threads like this), ragging on newbies (which is usually less of a problem here), etc. when a simple answer to the question asked would have saved everyone from a lot of wasted time. All of which is why I don't ask questions on forums and love Google.
Back to Lightroom in my office. Only started reading photo forums so I could be with my wife in the family room on a netbook and still get my photography fix.
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