jdubu wrote:
I find when shooting architecture on location with a client looking over my shoulder, fussing with a head to get my tilt shift lens level, I give the impression that I don't know what I am doing. Not the way I want to be viewed if I want future work.
When shifting or tilting a lens, being absolutely level is a priority in camera, NOT in post. Just too much distortion you have to contend with in PP.
For me, time is money... whether it is on location or in my studio. Using this nodal ninja for that little money (compared to all you spend on gear) is a god send.
In the field, I can see using a bowl leveler. For my needs, I like the quick, precise incremental adjustments the 3 wheel leveler provides.
I find when shooting architecture on location with... (
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