jenny wrote:
The glorious color ends, winter is about to claim us, there is one warm sunny day traditionally called Indian Summer.
Such was the day yesterday when...Haiku came to mind in a reverse order from what we have been seeing in this section. Words came to me to describe the day, I then stole a few minutes to go find the illustration in a hopefully somewhat poetical style if possible.
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Jenny,
You may notice That I posted your Haiga within the on-going thread here in FTC because I thought your diabolical desktop had thwarted all you efforts to do so.
Your image is, obviously, of a second-growth scrub-wetland in that unstable, middle-moment between warm autumn and winter...in its (presumed) last temperate gasp.
And your haiku fits well. There are more than a few among the haiku-cognoscenti who will, by knee-jerk decry your use of metaphor. They sternly proscribe metaphors and similes from use in haiku...but fie upon those nay-sayers..."Fie" I say! Although not commonly used, and often over-done by novice haijin, they are to be found -and not rarely - in haiku of most of the acknowledged masters of haiku since Basho in the 1600s.
"Ill on a journey; my dreams wander over a withered moor" (Basho)
"The invisible color that fades, in this world, of the flowers of the hearts of man." (Basho)
Certainly, trite similes and metaphors can be tiresome, but more subtly imaginative ones, such as yours, and these, are fair game!
Just a point of realism, here. Simply because I enjoy reading and writing haiku and haiga, that is in no way to construed as meaning that my opinion about those submitted is any more valid than anyone else's . They have been a widelypopular literary form in Japan for centuries. Many more people enjoy them than write them, but I'm told that everyone has an opinion on practically every haiku and Haiga they read.
The idea of haiku is based on simplicity. Simple words, brevity, an uncomplicated subject, one that most people can relate to, but haven't viewed it quite "that way before" Language with literary flourishes are beyond the pale. And combining haiku with an image? No rules. It works or it doesn't. In general the image sets a reasonable scene within which the haiku can be easily accepted as a complementary visual influence.
Which comes first? The haiku or the image? It can work either way. I have some favorite haiku that have been waiting years for an appropriate image...and some images waiting for the "just right" haiku.
Personally I like Jenny's haiga because the scene is clearly autumnal, but not over-bearingly so, and the haiku is an immediately applicable, novel, and easily understood metaphor.
How do others feel about it?
Dave