I took a few critiques from yesterdays post to heart and made a few adjustments to the original SHARK BAIT. This morning my wife suggested having some of the barracuda hanging from the sharks mouth ...
Your wife is blood thirsty!!!
:shock: :lol: :lol: :lol:
I like your wife!
:-)
:thumbup: :thumbup:
you definitely took the critiques well and made great improvements!
Bloodthirsty wife, notwithstanding! :D
GT
donolea wrote:
I took a few critiques from yesterdays post to heart and made a few adjustments to the original SHARK BAIT. This morning my wife suggested having some of the barracuda hanging from the sharks mouth ...
GTinSoCal wrote:
I like your wife!
:-)
:thumbup: :thumbup:
you definitely took the critiques well and made great improvements!
Bloodthirsty wife, notwithstanding! :D
GT
Thanks ... my wife wanted even more blood in the water.
You have told a compelling story from two points of view, in just one frame.
A humbling experience to look at your work. Richard Wagner comes to mind because only Wagner mastered all the 19-th C storytelling elements -- musical score, historical research, libretti, staging, design of instruments, finance,... and pulled them together in a way that people like, across time. Your story about shark bait strikes me as having the same kind of integration going on, but pointing the way with today's possibilities.
I like the divers' clinical appearance, seemingly as unfeeling as the shark and the bait that ties them together at a critical moment.
I'm just learning about composition; maybe you could share how you thought about composition as you worked.
forjava wrote:
You have told a compelling story from two points of view, in just one frame.
A humbling experience to look at your work. Richard Wagner comes to mind because only Wagner mastered all the 19-th C storytelling elements -- musical score, historical research, libretti, staging, design of instruments, finance,... and pulled them together in a way that people like, across time. Your story about shark bait strikes me as having the same kind of integration going on, but pointing the way with today's possibilities.
I like the divers' clinical appearance, seemingly as unfeeling as the shark and the bait that ties them together at a critical moment.
I'm just learning about composition; maybe you could share how you thought about composition as you worked.
You have told a compelling story from two points o... (
show quote)
Wow, Richard Wagner ... I'm not so sure about that, but I appreciate the compliment! :lol:
As far as the composition goes, initially, I just wanted to see if I could create a realistic looking, underwater background. After the BG was finished, I really liked the look and that night, my wife and I watch a program about the 72 most dangerous animals in Australia.
We left off at No. 24 where the Bull Shark was No. 1. So I created the shark first it is a bull shark. Then I needed to think about depth of field (to include the foreground). I went to my neighbor's house to shoot some of their tropical fish for use in the foreground.
The rusted hull is a royalty free image I found that I wanted to help create my DOF. It was actually on dry land and on blocks. I think it looks more at home under water.
I knew I wanted a diver or two, so I pulled a photo of me off the wall that was taken while I was diving off the Catalina Islands in So. California. I was actually feeding a moray eel and I was just trying to make sure I didn't loose a finger or two! ;-)
The barracuda (bait) was from a photo I shot of my niece catching and pulling it off the line while fishing down in Baja CA, Mexico.
Sometimes I have an idea that instantly comes to mind for a finished piece and I can set up a photo shoot with the end product in my. However, I would say that most of my work just develops as I move from phase to phase. This piece is a perfect example of this.
I hope this explains a few things for you and helps as you learn and work more with your compositions/compositing.
~ Don
donolea wrote:
I took a few critiques from yesterdays post to heart and made a few adjustments to the original SHARK BAIT. This morning my wife suggested having some of the barracuda hanging from the sharks mouth ...
Wow!! Composite to the max. Love it. I'd better go practice my Photoshop now. :D
donolea wrote:
Wow, Richard Wagner ... I'm not so sure about that, but I appreciate the compliment! :lol:
As far as the composition goes, initially, I just wanted to see if I could create a realistic looking, underwater background. After the BG was finished, I really liked the look and that night, my wife and I watch a program about the 72 most dangerous animals in Australia.
We left off at No. 24 where the Bull Shark was No. 1. So I created the shark first it is a bull shark. Then I needed to think about depth of field (to include the foreground). I went to my neighbor's house to shoot some of their tropical fish for use in the foreground.
The rusted hull is a royalty free image I found that I wanted to help create my DOF. It was actually on dry land and on blocks. I think it looks more at home under water.
I knew I wanted a diver or two, so I pulled a photo of me off the wall that was taken while I was diving off the Catalina Islands in So. California. I was actually feeding a moray eel and I was just trying to make sure I didn't loose a finger or two! ;-)
The barracuda (bait) was from a photo I shot of my niece catching and pulling it off the line while fishing down in Baja CA, Mexico.
Sometimes I have an idea that instantly comes to mind for a finished piece and I can set up a photo shoot with the end product in my. However, I would say that most of my work just develops as I move from phase to phase. This piece is a perfect example of this.
I hope this explains a few things for you and helps as you learn and work more with your compositions/compositing.
~ Don
Wow, Richard Wagner ... I'm not so sure about that... (
show quote)
Much obliged for the good wishes, donolea -- and for this feedback. You have made me think about something useful for business that I could do by composing with CC apps. If only I knew how ;>)
Wagner? Yeah, I know. Still, you have something Wagner did not, an interest in others' input. And van Gogh died with no idea...
RicknJude wrote:
Wow!! Composite to the max. Love it. I'd better go practice my Photoshop now. :D
Thanks. Practice makes perfect!
If you want to reply, then
register here. Registration is free and your account is created instantly, so you can post right away.