Im liking this new section. It feels nice and free, like a kaffeeklatsch. So I was thinking about how I got into photography, and wondered how you did, too.
My dad was a full-time professional photographer pretty much all his working life. After high school he went to work for Acme Newspictures, which much later was absorbed into UPI. He was too nearsighted to be drafted but Acme sent him to the European Theater as a war correspondent. After the war he and four other fellows from Acme started a commercial business called Camera Associates in New York City.
Unfortunately, Dad died when I was just 10. I was marginally interested in photography because he was, but just didnt get into it. I was in the army from 1961-1964, posted to Germany, and did not have a camera (long silly story, nother time :? )
1965 found me out of the service and living in Oakland, California. That year Polaroid came out with the Swinger, with an extinction metering system and roll film that developed outside the camera. Priced at $19.95 it was affordable (although thats supposed to be almost $150 in todays dollars), so I bought one.
WOW WHAT A BLAST!
I was hooked, gainfully employed and single, so it wasnt long before I stepped up to a better Polaroid, then another one, and I was involved in a church youth group at the time and found myself agreeing to make some pictures for the newsletter. In no time at all I found the Polaroids beyond inadequate, so I bought a Yashica TL Super, 35mm, Pentax mount, with a 50mm /1.8 (I think it was). BUT IT WASNT ENOUGH! For one thing, processing was spendy! So in the same photo store where I bought the camera they had a little B&W processing kit with an instruction book, Bakelite tank with adjustable reel, thermometer, some chemicals, some trays, a 7-watt red bulb and a little plastic horizontal enlarger. I got some black plastic sheeting and duct-taped it over the kitchen window. One thing led to another...
Well, looooooong story a little shorter, I met and married my bride, she urged me to go back to school on the GI bill plus she was working. I studied photography (and anthropology with emphasis on archaeology but thats nother long silly story for nother time :? ). I emerged with two degrees and quickly discovered that there were no real jobs for photographers OR anthropologists, so I hung a shingle and started freelancing, which was entertaining. I also found work in a camera store (hafta eat) and freelanced as much as I could, learning new things daily. In 1978 I heard about a photographer who was selling his studio. Very, very foolishly we bought it. We lasted 16 years before she developed too many leaks and went under. (If you want advice, I recommend two things: have enough money in the bank for a full year of all expenses; and own your building and the ground it sits on.)
Yeah, so... :cry: I pretty much refused to pick up a camera until 2007, when we were going on vacation and my wife begged me to take a camera and I balked cuz I didnt wanna. I was overpacked. The bag was heavy. Yada, yada. So she bought me a $100 Nikon L12.
WOW WHAT A BLAST! (And one thing led to another...) :lol:
So thats my too-long story. Whats yours? :mrgreen:
Chuck_893 wrote:
...
So thats my too-long story. Whats yours? :mrgreen:
This will be fun! Thank you for sharing! S-
Chuck_893 wrote:
Im liking this new section. It feels nice and free, like a kaffeeklatsch. So I was thinking about how I got into photography, and wondered how you did, too.
My dad was a full-time professional photographer pretty much all his working life. After high school he went to work for Acme Newspictures, which much later was absorbed into UPI. He was too nearsighted to be drafted but Acme sent him to the European Theater as a war correspondent. After the war he and four other fellows from Acme started a commercial business called Camera Associates in New York City.
Unfortunately, Dad died when I was just 10. I was marginally interested in photography because he was, but just didnt get into it. I was in the army from 1961-1964, posted to Germany, and did not have a camera (long silly story, nother time :? )
1965 found me out of the service and living in Oakland, California. That year Polaroid came out with the Swinger, with an extinction metering system and roll film that developed outside the camera. Priced at $19.95 it was affordable (although thats supposed to be almost $150 in todays dollars), so I bought one.
WOW WHAT A BLAST!
I was hooked, gainfully employed and single, so it wasnt long before I stepped up to a better Polaroid, then another one, and I was involved in a church youth group at the time and found myself agreeing to make some pictures for the newsletter. In no time at all I found the Polaroids beyond inadequate, so I bought a Yashica TL Super, 35mm, Pentax mount, with a 50mm /1.8 (I think it was). BUT IT WASNT ENOUGH! For one thing, processing was spendy! So in the same photo store where I bought the camera they had a little B&W processing kit with an instruction book, Bakelite tank with adjustable reel, thermometer, some chemicals, some trays, a 7-watt red bulb and a little plastic horizontal enlarger. I got some black plastic sheeting and duct-taped it over the kitchen window. One thing led to another...
Well, looooooong story a little shorter, I met and married my bride, she urged me to go back to school on the GI bill plus she was working. I studied photography (and anthropology with emphasis on archaeology but thats nother long silly story for nother time :? ). I emerged with two degrees and quickly discovered that there were no real jobs for photographers OR anthropologists, so I hung a shingle and started freelancing, which was entertaining. I also found work in a camera store (hafta eat) and freelanced as much as I could, learning new things daily. In 1978 I heard about a photographer who was selling his studio. Very, very foolishly we bought it. We lasted 16 years before she developed too many leaks and went under. (If you want advice, I recommend two things: have enough money in the bank for a full year of all expenses; and own your building and the ground it sits on.)
Yeah, so... :cry: I pretty much refused to pick up a camera until 2007, when we were going on vacation and my wife begged me to take a camera and I balked cuz I didnt wanna. I was overpacked. The bag was heavy. Yada, yada. So she bought me a $100 Nikon L12.
WOW WHAT A BLAST! (And one thing led to another...) :lol:
So thats my too-long story. Whats yours? :mrgreen:
Im liking this new section. It feels nice and fre... (
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Hi, Chuck,
Check out the "bio" at my website:
http://davidleegraham.biz/davidleegraham/bio.html(Having a posted website IS a time saver!)
Dave
Wonderful story, Chuck! Very engaging! You are a master storyteller, as well.
Someone gave me a Brownie (?) camera for Christmas when I was eight years old. I don't recall any more than that :)
Boy, such credentials!!! My hat is off!!! :thumbup: :thumbup: :thumbup:
Linda From Maine wrote:
Wonderful story, Chuck! Very engaging! You are a master storyteller, as well.
Someone gave me a Brownie (?) camera for Christmas when I was eight years old. I don't recall any more than that :)
Aw. c'mon Linda; I know there's more to it than that! :mrgreen:
Linda From Maine wrote:
Wonderful story, Chuck! Very engaging! You are a master storyteller, as well.
Someone gave me a Brownie (?) camera for Christmas when I was eight years old. I don't recall any more than that :)
Wow! Now THAT'S Humility!
C'mon, Linda,.....somewhere along the line the SX50 snuck in there...and there have got to be a few more "gaps" you've left out...like where, along the line...was mastery being gained...and how...and why?
Dave
Uuglypher wrote:
Wow! Now THAT'S Humility!
C'mon, Linda,.....somewhere along the line the SX50 snuck in there...and there have got to be a few more "gaps" you've left out...like where, along the line...was mastery being gained...and how...and why?
Dave
Dave, I am flattered by yours and Chuck's interest! I truly don't have many memories of early years; however, in 1990 I took a year-long black and white film (and printing) class at a community college.
That experience made a lasting impression.
Someone gave me an SLR in 1986 and I took an evening adult-ed class on how to use it :)
That instruction was a great foundation for understanding exposure.
I was in a large, very active camera club in Virginia around the same time as my community college classes, and had great fun on outings and in the monthly club competitions. Learned lots and lots.
As for the SX50, I met someone a couple of years ago who was a bird/turned photographer. I couldn't get too many bird photos with an 18-55 mm lens, lol, and didn't want to pay big bucks to upgrade, or carry around all that weight.
The SX50 felt familiar in my hands, having used Canon SLR's always, and the opportunities here for photographing wildlife are plentiful. I have a great awe and appreciation for nature and it sure is fun to experience it with a super-zoom :)
Oh, and also in that 1988 - 1991 timeframe, I placed in top 3 in two photo contests: one at the National Zoo, and one sponsored by an army base.
Now you have my full resume :)
Linda From Maine wrote:
Dave, I am flattered by yours and Chuck's interest! I truly don't have many memories of early years; however, in 1990 I took a year-long black and white film (and printing) class at a community college. That experience made a lasting impression.
Someone gave me an SLR in 1986 and I took an evening adult-ed class on how to use it :) That instruction was a great foundation for understanding exposure.
I was in a large, very active camera club in Virginia around the same time as my community college classes, and had great fun on outings and in the monthly club competitions. Learned lots and lots.
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now THERE'S some great detail!
i'd be really interested in that "bird/ turned photographer" How did he or she contend with all that feather dander during the moult when changing lenses? Were there communication problems with language, or was he/she a parrot with a good English vocabulary?
(you jusy KNOW I couldn't let that pass....!!!!)
dave
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As for the SX50, I met someone a couple of years ago who was a bird/turned photographer. I couldn't get too many bird photos with an 18-55 mm lens, lol, and didn't want to pay big bucks to upgrade, or carry around all that weight.
The SX50 felt familiar in my hands, having used Canon SLR's always, and the opportunities here for photographing wildlife are plentiful. I have a great awe and appreciation for nature and it sure is fun to experience it with a super-zoom :)
Dave, I am flattered by yours and Chuck's interest... (
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thanks for filling in. Your consummate virtuosity with the SX50 should be an inspiration to all "bridge" aficianados!
Dave
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