An interview with willowpix,
1) How long have you been into photography and what got you started?
I've always had an interest in taking pictures and wanted to have pictures worthy of hanging on the wall. I shot film, but I didn't get really serious until I finally broke down and went digital with a Canon 40D. Once I bought the camera, I didn't have the cost barrier of film development any longer and it freed me to experiment and through the trial and error method, became a little better.
2) Do you have any formal training and what kind of photography do you do most?
I have no formal training. I started reading library books and then wanted my own books, so went to the bookstore. From there, I hit the "on line" stuff pretty heavily. Primarily I do people, but I really love landscape as well.
3) In your opinion, what makes a good picture stand out from the rest?
There are so many genres, that from a technical perspective, I don't think that's an easy answer. From a broad perspective, it's what I call the WOW factor. No matter the style, or subject, when you look and the picture and your response is WOW. It's beyond the technical and into the visceral. There is the creative aspect, which give us something beyond the norm. There is a story, and beneath it is the high technical quality. That's not to take away from the fact that sometimes everything falls together and you simply get delightfully surprise regardless of your intent.
4) What equipment did you use and was there any special setup?
Can you walk us through it? For this picture, I used a Canon 60D with two 580 EX speed lights remotely fired through umbrellas.
5) Do you post process your final images, and if so can you describe your workflow?
I shoot in RAW, so always post process. I use PS, so first, I get the color balance to where I want it, then start working the sliders, especially the blacks and highlights to get the base of what I'm looking for. Once I've made the RAW adjustments, I start removing blemishes, brightening the eyes, if they seem to be shadowed. In this instance, I thought the picture could benefit from post processing through Portrait Professional, but that software is not necessarily a part of my normal work flow.
6) Who or what has influenced your photography and what inspired you to take your winning shot?
That is a hard one to pin down, but I really enjoy the old Dutch Masters' style of lighting. I have no talent as a painter, but I know what I like. From an inspirational perspective, I was simply working to get some reasonably good pictures of my grandkids and my wife said, "Let's wrap the kids in our sheepskin. It might look cute." We did, and it worked.
7) Would you change anything if you could do it again, and if so what?
Nope, I would't change a thing. I'm pleased with the picture as it is.
8) What is the one thing you wish you knew when you started taking photos?
That's tough, because there is so much to learn from a technical perspective. But as a beginner, I wish I knew a really good photographer, who could guide me. With that in mind, I try to always be in a teaching mode when I'm with others who express an interest in photography. I hate to think of how many people have not delved into a delightful hobby because of some elitist attitudes of those who are part of the "in" crowd. I try to really watch my attitude and strongly encourage the "point and shoot" folks too.
9) What is your favorite photography accessory, other than your camera?
My pocket wizard and flash set up, which let's me fire an off camera flash.
10) If you had to choose one lens which one would it be and why?
That's tough. In events, my 70-200 f2.8 lens is the one I go to the most, because it allows me to be a part of what's going on, and yet be far enough away that I'm not a distraction. I also am quite fond of my 16-35 f2.8, which get me perspectives that are a bit more "artsy". Both are Canon.
11) What lighting equipment, if any, do you take on a shoot?
If am doing an on site shoot for some thing like senior pictures, I carry along a couple speed lights I put on stands. That make them easy to move. I fire remotely with Picket wizards. I put diffusers on them for a better quality of light. I also like using studio lights, because of the consistency once things are in place. So, the really important thing is to take my wife who is not only a good VAL (Voice Activated Lightstand), but is helpful in seeing shots I should take.
12) If you couldn't do photography what else would you do?
I also enjoy woodworking.
13) Do you have any funny or interesting stories about your experiences?
Actually, it's a caution to photographers. The military calls it Situation Awareness. Know where you are and where everyone and everything else is. It prevents you from tripping over wires, running into other people, falling down steps, or crashing into wedding decorations...
14) Is there somewhere we can see more of your work?
http://willowpixphotography.com15) Do you have any advice for the rest of us?
As with any other craft, Practice, Practice, Practice, and with that practice, keep trying new things.