An interview with erickter,
1) How long have you been into photography and what got you started?
Started in 1972. Original purpose was to capture images of buildings because I was an architectural college student, and I needed design ideas.
2) Do you have any formal training and what kind of photography do you do most?
Studied under two pros initially. Helped one of them build a color darkroom from scratch. The other was a wedding photographer. During the late 1970's, I took a 2 year correspondence photography course from New York Institute of Photography, which is Much like an online course today. However, they almost went under when NY went bankrupt in 1976-78. They pulled thru, and remain in business today.
3) In your opinion, what makes a good picture stand out from the rest?
First is lighting. Without that, you have nothing. Then tack sharp focus and the right amount of depth of field. Then unique camera angle and compelling composition. Not always in that order, but those are the main ingredients I strive to incorporate in my shots to make them tell a story in an interesting way.
4) What equipment did you use and was there any special setup? Can you walk us through it?
I use Nikon and Canon gear. Can't stand the camera bigots who insist one system is better than the other, so I use both. So many other good cameras too. But I am in love with what I use and stick with it.
I started out with two 35 mm Nikons; an FTN and an F2AS. That was followed by medium format using Hassablad 500cm, and a 6x7 bronica. Sold all the 2-1/4, but Still have the nikons and shot pictures with film all over the world with the blad and F2AS from 1972 until 2006. Went digital in 2007. Currently use Canon rebel 4ti and 5ti, and a Nikon D700. Lenses include Canon 10-22 super wide, canon 28-200, canon 70-300 L, Nikon 28 pc and 35 pc ai lenses with canon adapters, and Tamron 150-600. Also have a lot of Nikon ai/Ais lenses, and a sigma 15-30 - all of which will be used with a future full frame Nikon dslr eventually, since I sold the D700. I also use the Nikon 8200 point and shoot. What a fantastic Sony sensor it has.
5) Do you post process your final images, and if so can you describe your workflow?
I use Photoshop Elements, and Ps6 for PP. the image I submitted ironically had no PP, and was SOOC. But generally, I tweak lighting levels, especially highlights and shadow areas when needed.
Also use sharpen filter, distoration filter, and occasionally hue and saturation, but I am much more suttle with those two adjustments. I used to get carried away with over sharpening and over saturation, which my artist wife said looked unnatural. And she was so right. Now I strive to make PP not look like it never was PP.
6) Who or what has influenced your photography and what inspired you to take your winning shot?
My earliest major photographic influences were Time / Life photographers, which I studied profusely. The other two biggest influences were Ansel Adams for his lighting, depth of field, and composition, and Julius schulman's spectacular B&W photography of 20th century modern architecture.
The inspiration for the TransAmeric building was driven by the challenge to capture its icon status of San Francisco's famous skyline, but in a way that is seldom seen. I had to fight fog and walking fatigue this past week, while hunting for dramatic camera angles, and waiting for the fog to lift and sun to appear. It was a chance moment that I discovered this shot. while resting, looking back from China town, I saw a sliver of the pyramid building framed between two sky scrappers, with the sun lighting it perfectly. I followed that view on foot, shooting at various distances. Getting up close, framing it between two other bldgs, and pointing straight up using the 10-22 canon super wide finally did the trick.
7) Would you change anything if you could do it again, and if so what?
I would have tried to straighten out the bottom base of the structural building frame, to make it more parallel with the bottom picture edge. But, the top had to govern, since that was the focal point. It was very tight.
8) What is the one thing you wish you knew when you started taking photos?
That chemical dark room work was so laborious, and the equipment would eventually depreciate to zero. Between 1975 thru 1985' I invested quite a few thousands of dollars in a 4x5 Besler color enlarger, and other dark room equipment that is just collecting dust. But, I learned a tremendous amount of invaluable experience, so it's really part of my education cost. Anyone need a dark room film enlarger!
9) What is your favorite photography accessory, other than your camera?
Extra back-up batteries, and a tripod. I was shooting in Milan, Italy in 2007, when my new Canon battery died. And, I was too lazy to drag my tripod that day. Got some fair (backup) pics with my digital movie camera, but not the stellar quality I could have had of the interior of the Milan Cathedral and Galleria. That woke me up. DSLR's need to be fed lots of DC current. I was so used to film after 30 years, I came unprepared. Now, I have dual bodies, dual grips, and plenty of batteries and chargers. Tripod goes with me on most shoots too. I put up with the hassle of extra weight imposed by grips and tripods, in order to (hopefully) get dramatic, gallery worthy, photography. It's like any fine art....you have to practice constantly, work hard, and put up with some discomfort, in order to create beautiful results.
10) If you had to choose one lens which one would it be and why?
The Canon 10-22 EFS on a crop sensor,(or the Nikon 17-35 pro lens on a full frame).
I shoot interior and exterior architecture, and land/ sea / sky panoramas. The 10-22 lens is not rated as L grade, but it is in fact L quality glass. When mated with Canon's digi 4 and 5 APS-C sensors, the resulting image color, sharpness, contrast and angle of view is simply spectacular.
11) What lighting equipment, if any, do you take on a shoot?
None. Hate lugging and setting up lighting gear. So I use natural light, fill flash on the camera, and occasionally a white fill umbrella which can be folded, and doesnt require me to think too much. Today's DSLR sensor technology - especially Sony's and Canon's - are extremely good at mitigating dynamic range. Canon L glass and Nikon lenses (old and new) are excellent too. I am surprised that Sony sensors are what make some of Nikon's cameras so good, but it's true.
12) If you couldn't do photography what else would you do?
Build model HO train layouts, play latin jazz and classic rock guitar, and 3D renderings.
13) Do you have any funny or interesting stories about your experiences?
Got kicked by a security guard while sleeping on the grounds of a cathedral in Barcelona Spain, when I was studying architecture abroad as a butt poor college student. Can't remember where I ended up sleeping that night.
14) Is there somewhere we can see more of your work?
http://www.Esrdesignbuild.com and
http://www.generalcontractorlicenseschool.com15) Do you have any advice for the rest of us?
Get out, take lots of pictures, talk to the pros and experts, don't be afraid to ask questions. Read articles. Examine published ( and non published) work. That's a hugh way to learn. Don't worry about having the best gear. Just have excellent equipment that fits your budget, and then practice like mad and learn how to use it. Dont hesitate to Take tripods when shooting. They are you best defense when IS and high ISO run out if gas. If I get 1 or 2 pics that are winners, I usually had to shoot hundreds of shots. Not a problem anymore with digital. No more $ film costs, processing costs, or agonizing dark room work. I love digital. It's taken about 20 years, but digital has surpassed film in most cases. Easier on the environment (and pocket book) too.