Danilo wrote:
This kind of goes to the extreme, but the professional way of dealing with mixed lighting is to balance them with colored gels. If using 3200K incandescent lighting with daylight coming in from a window, a orange/yellow gel will cover the window, matching it to the incandescent lighting. For us "small time guys" it's better just to avoid these things unless we're dealing with a critical shot.
What colour gel would one use to balance fill flash with bright sunlight coming through a window? This was yesterday just shooting 'snapshots' at home with my D7100. The sunlight was actually greenish from bouncing off the tree just outside the window.