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Need Advice about Studio Lighting PLEASE???? :)
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Jan 3, 2012 07:49:42   #
LegendaryMedia Loc: Longview, TX
 
Continous lighting is essential for video and as someone stated earlier, you can see the results as you go on the LCD without flashing. Then again, of they're sensitive to light.then continuous are always on instead of just popping and going back to a modelling light.

Check out my posts from yesterday in resources for a review of a CowboyStudio continuous lighting kit and an Fstoppers entry for using strobes.

--Ray

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Jan 3, 2012 09:04:21   #
Dria Loc: Ohio
 
What camera are you using.
I have the 60D and I can trigger my 430EX (on a stand) with my camera-- no extra trigger needed (and it utilizes the ETTL)
Learn about he flash you have before buying anything else.

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Jan 3, 2012 09:07:05   #
Bekkie Loc: Ohio, USA
 
Lots of great advice here. I am working on learning studio lighting as well. Sure do appreciate all you experts jumping in here.

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Jan 3, 2012 09:18:18   #
LegendaryMedia Loc: Longview, TX
 
Dria wrote:
What camera are you using.
I have the 60D and I can trigger my 430EX (on a stand) with my camera-- no extra trigger needed (and it utilizes the ETTL)
Learn about he flash you have before buying anything else.


I agree 100% :thumbup:

I also think that a reflector is a wise choice. You can get a decent 5-in-1 off Amazon by Neewer for under $15.
http://www.amazon.com/Collapsible-Portable-Photographic-Lighting-Reflector/dp/B003UYILFE/

Here are the links to the videos I mentioned earlier (I was using my phone when I posted the comment)...
Continuous Lighting Kit: http://www.uglyhedgehog.com/t-18990-1.html
Using Strobes for Magazine Cover Shot: http://www.uglyhedgehog.com/t-18994-1.html

--Ray

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Jan 3, 2012 10:48:56   #
BOB Loc: Texas
 
Nice photo shots. could you show an example of you flash grid that you are using.

Thanks.
Bob

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Jan 3, 2012 12:09:01   #
digicamking Loc: Raleigh, NC
 
jazzyam wrote:
Hey Guys ... I missed several replies while gone for the New Year Holiday.... I DO APPRECIATE ALL/EVERYONE'S HELP ! I LOVE this column and have been watching, reading every forum everyday since Sept 2010 ! I just got brave enough to join . I always had a camera in my hand & have had several people encourage me to do more ... so I am slowly but surely " jumping in " ! For my external flash I ended up with the Canon 580 EX II...so wish me luck ... I have 1 more Christmas gift to receive and I am going to get a Studio Light Kit. I don't know whether to get continuous/strobe etc ...and I am now really unsure what I need since I got the Canon 580.In case I want to use this in with what kit I would purchase . I have made some space in my basement for now, but I plan by Spring to clear out a spare bedroom but want to play in the base ment during cold weather . My budget is about blown but will be around the 300-350 at the most ! I will take all help and advice !!! LOL MAYBE, just Maybe 1 day I can " run with the BIG Dogs " as they say !!! BUt I need the advice ....THANKS Jazzy a new photo pup
Hey Guys ... I missed several replies while gone f... (show quote)


Captain Cave somme very good advice. I vote for his reply to you

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Jan 3, 2012 12:13:26   #
BOB Loc: Texas
 
Hi Dria,
Can you trigger these flashes ( 530 ) with all these canon set up?

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Jan 3, 2012 13:23:18   #
Photo-Al Loc: Sonoma County, CA
 
CaptainC wrote:
Well, it is your choice, but strobes (Canon or Nikon Speedlights) are more powerful than continuous, far easier to modulate the power, easier to transport, have access to the TTL flash system, have access to an increasing number of really cool light modifiers - small to medium softboxes (rectangular, strips, octas) beauty dishes, bounce devices.

Continuous is cheaper. Can let you see the lighting effect before you fire the camera.


I have also been trying to figure out the pro/con of continuous vs strobe ... thank you for a succinct reply.

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Jan 3, 2012 13:42:44   #
jackinkc Loc: Kansas City
 
PhotoJosh wrote:
I actually looked around on eBay and amazon trying to find the perfect combination, and I ended up buying a fairly cheap one, which is always a compromise because they're never as good quality as they should be. The size I went for was 40 inches and that seems to be just right for me. They attach to the base of a flash unit, and you position them to stick through the hole in the back. If I were you, I would buy the best one I could afford (so that you're not buying it twice) and a solid lighting stand to go with it. While you're at it, get a couple sand bags for the base so that they don't blow over and hit the ground with all that extra weight.
I actually looked around on eBay and amazon trying... (show quote)


I recommend that you take a look at the Alien Bees line sold by Paul Buff. Not only are these fine flashes but they are attractively priced. More than that, Buff markets a complete line of flash modifiers - beauty dish, grids, flash boxes of all size - that are tailored to his line of flashes. These are also reasonably priced.

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Jan 3, 2012 16:34:45   #
kamoopsipooh Loc: Big Island
 
PhotoJosh wrote:
If you have a way of shooting your flash off camera then I would seriously recommend buying a beauty dish. They're extremely versatile depending on how you use them. I would also recommend getting one with a detachable grid on the front so that you can change the light even further. The first photo below was shot for a blog post of mine ( http://www.expertphotography.com/how-to-hold-a-camera ) without a grid, but I usually use one, and that looks more like my second photo. You can see more photos, mostly with a grid on here - http://www.facebook.com/media/set/?set=a.211467078906850.66723.172424169477808&type=3
If you have a way of shooting your flash off camer... (show quote)


Nice work, Josh! Beautiful!

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Jan 3, 2012 16:44:36   #
Scubie Loc: Brunswick Georgia
 
What a gorgeous shot of the woman and the fence...loved it...

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Jan 3, 2012 16:48:39   #
Scubie Loc: Brunswick Georgia
 
Could you share how you set the shot up with the lady and the fence.....Tell us how you made such a grand shot.....This is just toooooo good to be true...you are a true pro...

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Jan 3, 2012 17:16:14   #
DavidT Loc: Maryland
 
Continuous or flash in a studio? It all depends on your subject. For portraits, I use flash because incandescent bulbs get very hot. But, I shoot a lot of small products and jewelry. For those, I use incandescent lighting (I've never had a necklace complain about how hot the light is). With stationary subjects, you can afford to use longer shutter speeds (e.g., 2 seconds), and you can see the results before you shoot.

I'm uploading a couple shots using continuous (incandescent) lighting.





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Jan 3, 2012 17:39:45   #
Scubie Loc: Brunswick Georgia
 
This is just one example of how a pro works with images....The still life with the pearls is a grand slam of quality....This is what everyone should strive for............

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Jan 3, 2012 19:00:51   #
Photography2 Loc: Wi.
 
Love the beauty dish photos, but I have been ask to do more family portraits than single portraits. I use a medium softbox and a shoot throw umbrella for fill light. Sometimes I end up with the images a little flat. My studio is not wide enough to get 45 degree lighting unless it is really close, and my lights do not adjust down low enough; that is one of the drawbacks to the cheaper strobes. Maybe so one can give me some pointers too.
www.imagesbydalelonglake.com

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