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W/R A Portrait in the Gardens
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Jul 25, 2013 00:24:05   #
winterrose Loc: Kyneton, Victoria, Australia
 
You are photographing your model in the botanic gardens.
It is bright sunshine. She is sitting on the grass getting ready to pose. You take a white balance calibration in the usual way. You take several photographs which look fine then you decide to move your model for some photographs among a large bed of orange poppies and still in bright sunshine. Should you take another white balance calibration?

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Jul 25, 2013 00:57:51   #
Hal81 Loc: Bucks County, Pa.
 
winterrose wrote:
You are photographing your model in the botanic gardens.
It is bright sunshine. She is sitting on the grass getting ready to pose. You take a white balance calibration in the usual way. You take several photographs which look fine then you decide to move your model for some photographs among a large bed of orange poppies and still in bright sunshine. Should you take another white balance calibration?


First I never took my brides or bridle partys in the bright sunlight. I always looked for a shady spot than used some flash fill. Direct sun can be too harsh.

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Jul 25, 2013 01:30:10   #
winterrose Loc: Kyneton, Victoria, Australia
 
Hal81 wrote:
First I never took my brides or bridle partys in the bright sunlight. I always looked for a shady spot than used some flash fill. Direct sun can be too harsh.


Thank you very much, neither do I. Please don't assume that I am in need of advice because that is definitely the intent of this thread. This is a hypothetical scenario to present a point and in any case, where did you get the idea that there was a bride or BRIDAL party involved? Cheers, Rob.

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Jul 25, 2013 01:43:03   #
Ruthiel Loc: Las Vegas
 
Shoot raw ...no worries about white balance ..cheers R

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Jul 25, 2013 02:03:56   #
PalePictures Loc: Traveling
 
I would bring my 6 Einstein heads with my Paul C Buff PLM Giant 80inch umbrella. Overcome the daylight and relight the entire scene artificially.

No Pro photographer I know would attempt to do a natural light shot that way unless it's late in the evening or early in the morning or really cloudy without flash.

You could also use High speed sync on a speed light system.

Hal gave you an honest answer.

I wouldn't worry about a white balance at all.

If I decided to bring my speed lights I would shoot TTL with High-speed sync and wouldn't need to meter either.

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Jul 25, 2013 02:17:53   #
winterrose Loc: Kyneton, Victoria, Australia
 
PalePictures wrote:
I would bring my 6 Einstein heads with my Paul C Buff PLM Giant 80inch umbrella. Overcome the daylight and relight the entire scene artificially.

No Pro photographer I know would attempt to do a natural light shot that way unless it's late in the evening or early in the morning or really cloudy without flash.

You could also use High speed sync on a speed light system.

Hal gave you an honest answer.

I wouldn't worry about a white balance at all.

If I decided to bring my speed lights I would shoot TTL with High-speed sync and wouldn't need to meter either.
I would bring my 6 Einstein heads with my Paul C B... (show quote)


Hey, guys, I bring this up to enlighten newbies and maybe rekindle some lost awareness. You are introducing solutions to a problem which was not posed, which seems to be fairly common in UHH responses. Please just answer the question within the bounds of the information provided. Cheers, Rob.

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Jul 25, 2013 02:40:24   #
Hal81 Loc: Bucks County, Pa.
 
Sorry if we misunderstood what you wanted. Just thought we were trying to help.

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Jul 25, 2013 02:44:31   #
Pablo8 Loc: Nottingham UK.
 
No harm in doing another 'White Balance' reading.

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Jul 25, 2013 02:45:12   #
winterrose Loc: Kyneton, Victoria, Australia
 
Hal81 wrote:
Sorry if we misunderstood what you wanted. Just thought we were trying to help.


So Hal, and everybody all, the question is...yes or no? Cheers, Rob.

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Jul 25, 2013 02:45:57   #
winterrose Loc: Kyneton, Victoria, Australia
 
Pablo8 wrote:
No harm in doing another 'White Balance' reading.


But why?

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Jul 25, 2013 05:14:29   #
lighthouse Loc: No Fixed Abode
 
I don't take a white balance calibration. I eyeball it.

winterrose wrote:
You are photographing your model in the botanic gardens.
It is bright sunshine. She is sitting on the grass getting ready to pose. You take a white balance calibration in the usual way. You take several photographs which look fine then you decide to move your model for some photographs among a large bed of orange poppies and still in bright sunshine. Should you take another white balance calibration?

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Jul 25, 2013 05:29:50   #
winterrose Loc: Kyneton, Victoria, Australia
 
lighthouse wrote:
I don't take a white balance calibration. I eyeball it.


Yet another response that is not an answer to my question! Why can't somebody give me the answer I am looking for? I thought you were experts........................

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Jul 25, 2013 05:52:00   #
Pablo8 Loc: Nottingham UK.
 
No, W/R you are the expert.............. A second White Balance reading 'might' be necessary, if the red poppies are causing a colour cast onto the model.

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Jul 25, 2013 05:52:55   #
Pablo8 Loc: Nottingham UK.
 
winterrose wrote:
But why?


As above post from me.

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Jul 25, 2013 06:07:36   #
winterrose Loc: Kyneton, Victoria, Australia
 
Pablo8 wrote:
No, W/R you are the expert.............. A second White Balance reading 'might' be necessary, if the red poppies are causing a colour cast onto the model.


Again Pablo8, you have it spot on. Now have a look at "W/R White Bird Exposure". Cheers, Rob.

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