BigDen wrote:
Thanks for all the feedback. The comments were not as harsh as I expected.
good...that's a good sign.
Quote:
In the first photo, the computer monitors are essential to telling the story.
I agree...this is an environmental portrait, that's an essential part of the work (I'm assuming.)
Quote:
The lighting was from a window with an overcast sky. It was still bright as there was a lot of snow outside reflecting the light.
You might have softened it with a large sheet of plotter paper or a thin piece of white translucent cloth....just a thought.
Quote:
I did also use a silver reflector about 10 feet to the subject's left.
Silver is pretty harsh, but I applaud you for remembering to use fill...that's good. Possibly use the white side next time.
Quote:
It was a balancing act between getting the window light in the picture or cropping close to the head.
Or changing angle slightly :)
Quote:
I don't really understand what the phobia on UHH is with a close crop to the head. Many of the top photographers will crop the head as a standard process.
Yes...that's true. I don't have that phobia, I like close cropped portraits with the head cut off but this is an "environmental portrait" with LOTS of room around him...and so it appears that the top crop "doesn't go" with the rest of the shot...that's all.
Quote:
I recropped the photo to remove the cactus and show a little more above the head. Is this more appealing to you?
I shot at a maximum aperture for my lens (f4.5) and the subject was over ten feet away from the background. I had expected the background to be a little blurred as well. Any suggestions?
He was 10 feet in front of the background?
How close were you to him and what lens focal length did you use?
When you are trying to "get it all in" and use a short focal length...you aren't going to turn the background into cream...it's not going to happen.
It's not a bad thing, after all....you are showing his environment aren't you? It's just that you CAN straighten up and remove distracting objects and things from the photo to make it more pleasing, you aren't obligated (like a photojournalist) to record the scene exactly as is.
This seems like a very valuable article that you might like to read...I found it quite informative
http://www.professionalphotography101.com/portrait_lighting/environmental_portrait.html