Almost all Color Managment sets a standard color temp, usually 5000 or 5500K. Once your monitor is set to a specific brightness and is calibrated, you need to create a print viewing illumination with the same color temp and brightness. This is usually a neutral grey sided viewing box,usually illuminated with Macbeth fluorescent tubes (5000K). You need to view your prints with standard brightness and color from the same distance, every time. If you don't use identical lighting every time it is impossible to get repeatable results. Also, don't wear bright colored clothing at your viewing station as it can reflect and change the tint of the prints you are viewing. This is the set up used in high end photo labs and print shops to insure accurate color judgments. IM not "selling" X Rite. Macbeth and X Rite have been the leaders in Color Management for longer than I've been on this earth (70 or more years). X Rite introduced the ProPassport for Color Managment about 7 years ago. Now the Spyder 5 makers offer a copy of this system! Nothing against your product. I just go with the company "in the business" the longest, who develop the largest range of products. Their website has great information on Color Managment anyone can access and learn from.

Turn the brightness down on your screen. When calibrating your monitor, does it give you a luminous option? My ColorMunki gives me the option of 80 lumines, 100, 120. The 120 is brightest. But I use 80 and the brightness of my photos comes out like on screen. Also, you need to oversharpen large images before you print. I always sharpen my images. I shapen for the monitor, i.e. posting or emailing but viewed on a monitor, and I sharpen much more for printing. This is very common and should be included in your workflow.