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Jan 4, 2017 22:09:16   #
[quote=SharpShooter]Yes, we need to RING IN the new year with a good'ole fashioned UHH discussion! You know the one..., the one with raucous and colorful discourse!!!
So as the title says, why can't Nikon innovate on it's own? I don't mean natural evolution like a few more pixels or another f-stop of DR.
I mean like real innovation that changes the course of photography and camera design. Nikon sits and waits(conservatively) and then tries to improve it, sometimes winning, sometimes flailing awkwardly.
Examples:
The Canon T90. It changed the world of camera design and the way EVERY camera looked in the future, including Nikons.
Electronic coupling(EOS). EVERY brand went to it.
IS(VR), It's only been the last 5 years Nikon finally put it into its Super-Teles.
Anti Flicker, I was sure Nikon would have it in a year, it took two!!
These are a few reasons why in 2003, Nikon fell to number 2, and Canon has not looked back!!!

Canon has deeper pockets than Nikon and that is hurting Nikon. The real question is why can't Canon innovate like Sony? The answer may in part be the same but it's worth noting that Sony, besides having deep pockets, has been super aggressive in a market that is in serious flux where mobile phone cameras maybe the future in all but pro level cameras.

The cameras that are very interesting these days are things like Panasonic, Fuji and Olympus. These brands seem to have found their niche and are excelling at what they do best. However they stand the most chance of being replaced by cell phone cameras.
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Jan 2, 2017 22:48:58   #
mzee wrote:
First, I recently discovered this site and am very excited about the information shared. I feel like I learn something new with each visit. Like the original poster I also purchased a Nikon D5300 last year along with their 18-140mm and 35mm lenses. I am 5' 8" tall. I don't have the option to try out a wide variety of tripods first hand and I am looking for something that I can travel by plane with. Before finding this site I was looking at reviews of the 'best' tripods in general and for travel on thewirecutter.com. Their recommendation for travel is a Mefoto Roadtrip that folds down to 15" or so and weighs 3.6 pounds. Without ever seeing it the Roadtrip seemed a little spindly to me and some reviews I've read confirm this. I had been thinking of moving up to their Globetrotter for extra stability then discovered uglyhedgehog. The Benro TMA38CLV3 on this thread seems to have a lot going for it, however its folded length is listed as 27.4"...almost as tall as my tallest luggage! I realize size was not of the the original posters requirements. So how do people travel with a stable tripod? I've read carry on is hit or miss and the Benro might not even fit in my checked bag. If possible I'd like to have only one tripod. Thanks...
First, I recently discovered this site and am very... (show quote)


I have the Mefoto Globetrotter. I think it folds to 16 1/2 inches and has around six feet of height with the ball head on it. I love it but there's a couple reasons for that beyond the quality of the tripod itself. The first and foremost is that I travel by motorcycle to take my pictures about 70% of the time so I really need a compact tripod. The second consideration is that I have a mirrorless Sony A6000 which doesn't stress out the tripod easily so I can get away with a lot lighter tripod than some other folks. I also have a Sirui ball-head on it which I like much better than the original. I didn't have any problems with the original but the Sirui is better all way around and it use only two knobs with a screw adjustment to adjust the drag on the ball head that enables you to adjust it without worrying that you camera will fall over because on most inexpensive ball heads there is no way to stop it. With the Sirui it has an additional adjustment that allows you to set enough drag on the ball so that it will move easily enough to adjust the camera tilt but it will hold it in place until you can adjust the final large knob to lock it all in place.

There is a Sirui tripod and ball-head unit available at about $300.00 that I like but if I had to do this all over again I would buy the Benro that was recommended a few pages back or the Feisol that Gene51 recommends. The Feisol is more tried and true and Gene51 who really knows this stuff loves it but I feel pretty good about both though I have never seen the Benro in person.
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Dec 30, 2016 05:42:42   #
I looked at it close. It's very nice. It has the three detents to set the legs up at different angles which is the fist feature to be removed from less expensive units. You won't be disappointed and you will have it for years.
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Dec 29, 2016 22:34:43   #
If you can't afford more for a new one I would definitely consider a higher quality used unit rather than a new entry level model.
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Dec 29, 2016 22:30:52   #
I don't know that Gene actually dislikes Manfrotto but he has some qualifiers for the use of a few particular models.

I use to prefer Manfrotto myself but nowadays lean towards the Feisol, Sirui, Benro and probably Vanguard for quality yet affordable tripods and ball heads. I got onto the Sirui ball heads from Gene's advice and I agree with him that they are a "best buy" in their price/quality category. I love mine. For the most part Chinese tripods and ball heads are low quality copycat products but that is not true with Sirui. They are obviously trying to go their own way and create their own standards. I have only fooled with one of their tripods at the camera store and I was impressed with that as well. I would choose it over the more expensive Manfrotto I looked at at the same time.
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Dec 16, 2016 16:38:20   #
Lorendn wrote:
I certainly don't want to imply that the A7Rii is not a fantastic camera. It is great in low light, high ISO, and has unbelievable image resolution and good dynamic range. My issue with wildlife, action, or sports is the occasional slow focus and unacceptable 5 fps burst speed. Otherwise is is amazing and perhaps one of the best full-frame bodies on the market today.


I don't understand the 5 fps out of an A7Rii. I should be easily twice that high.
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Dec 16, 2016 10:14:00   #
jmsail365 wrote:
I was wondering if anyone has experience with both these camera's autofocus systems and what they thought of them? (The new a6500 apparently has not changed the AF system from the a6300.)
The a7rII states it has 399 phase detection points and 25 contrast detection points. The a6300 has 425 phase detection points and 169 contrast detection points.
I have the a6300. At times I have found it hunting for an object to focus on when it's readily apparent. With the additional phase detection and contrast detection points one might think the a6300 would have an advantage over the a7rII. So I'm wondering if that's really the case or is the a7rII superior since it's matched to a full frame sensor and apparently is a much better camera in many other areas??
I'd be interested to hear the opinions of the UHH folks.
I was wondering if anyone has experience with both... (show quote)


Is this with a Sony lens and what are the conditions. Is this in l
ow light. What focusing modes???
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Dec 12, 2016 12:32:49   #
mcveed wrote:
I have an Ex Officio vest that I just love. It is very light weight and mostly made of mesh that the wind blows right through. The pockets are nylon and there are lots of them. There are two large pockets in the rear where you can pack a sandwich or a beer. It is so light it does not add much to the clothing you wear so is ideal for warm days. It weighs 6.5 ounces.


This looks really nice.
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Dec 11, 2016 12:38:38   #
cabunit wrote:
Everyone--I think I have enough to go on. Thanks so much for all your thoughts, suggestions, and recommendations. I hope I replied to all of you individually, but if I missed anyone, my apologies.

Take care. Y'all are the best!

Al


What did you decide to do?
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Dec 11, 2016 12:10:48   #
cabunit wrote:
Yes, looks as if it's shaping up that way. I tried to ask the specific question about the a6000, but you're right, needed to spell it out better. Thanks for your input.


There is nothing wrong with the Sony 1650 kit lens. All kit lenses have a bad reputation but it is much less deserved with the 1650. It is very good for what it is and has a motorized zoom if you want to take videos. If you want better it will cost you. Maybe the new 30mm Sigma 1.4 at $350.000 or the Sony's FE 28mm at $450.00.

It's worth noting that the A6000 is a nice camera. If you can start with the basic camera with the kit lens you can always upgrade the lenses when you can afford more. The camera though is good to go.
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Dec 9, 2016 18:44:48   #
Gene51 wrote:
Thanks for the kind words and appreciation!

You've got his number it seems. I really can't be bothered with such nonsense - he is a bitter person, and his post is very revealing about his own character faults and feelings of inadequacy. Only a guy with this kind of baggage would put another person on his ignore list and continue to snipe at him. It kinda defeats the purpose, doesn't it?



I love this site but I still don't know all of the characters involved but I do understand that there are some people who are notorious for this sort of stuff. I really don't know why they bother.

Thank for ll of your help and constructive comments around here. I've long since taken our advice on tripods and ball heads and have recommended you comments to others.

I just looked up your Flickr site today and if I have the right Gene51 you have some beautiful pictures there. With the bird shots you have it is no wonder that you have trained yourself so well at getting the sharpest images possible.

Thanks again for your help around here.
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Dec 9, 2016 15:20:48   #
manofhg wrote:
Here is a 20 sec., 100 ISO shot taken on a cheap tripod and at least a light breeze. The picture isn't great, but I didn't have motion issues while using a light weight tripod. There is some blurred subjects in the grass at the bottom throwing a lighted Frisbee.
ldttps://www.flickr.com/photos/30090498@N05/20918321831/in/album-72157636975518243/



This may not be a great shot but it is pretty damn good as far as I can see. Most people would be thrilled with a photo that is this technically correct. Myself included.

I don't get why there seems to be two flares from a single lighted Frizbee.
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Dec 9, 2016 14:36:38   #
photoman022 wrote:
Last year I copied and pasted a night time exposure guide, unfortunately I did not copy and paste the website the guide was on. Their suggestions, which I've followed with great success, for a cityscape at night is f/16 ISO 100 @ 20 seconds. The aperture remains constant, but if you change the ISO: ISO 200 @ 10 seconds; ISO 400 @ 5 seconds. They have a variety of other night time exposure suggestions for other subjects as well. I use a remote trigger to minimize even a tiny bit of camera shake; I do not use live view/mirror lock up. I shoot Nikon so all of my VR/IS lenses will shake while on a tripod (so my VR is permanently off -- long, sad story).

As I've stated, the exposure guide works when I've used it.
Last year I copied and pasted a night time exposur... (show quote)


Any idea where the entire guide was originally posted?
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Dec 9, 2016 13:59:32   #
Jim Bob wrote:
Why do you feel the need to post your images as responses to all threads? You must be horribly insecure or in desperate need for validation of some sort. Geesus.


This is an incredibly inappropriate and plain mean spirited comment. It was clear that he posted the photos as a means of being instructive and helpful and I for one appreciate that.
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Dec 9, 2016 13:54:11   #
Gene51 wrote:
These two images were taken with a 30 sec exposure, no shutter delay, no mirror lockup, no remote cable release, no live view previewing. Finger on the shutter, arm draped on the lens, Feisol CT3472, Arca-Swiss Z1 ball head. Pretty solid platform though hardly monumental. The tripod collar on the lens is close to useless, which is why I stabilize the lens with my left hand/arm draped over the lens. In the second image you can see star trails.



Gene,

What does "arm draped over the lens" mean?
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