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Mar 17, 2018 08:04:38   #
Thank you for the reply Steve. Keep up the good work!
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Mar 16, 2018 16:41:24   #
steve1oshea wrote:
The first image has 5 stacked images 1/800sec iso 320 f 2.8, second 2 stack, the third has iso 3200 and 1/3200sec f5 hence poor quality, it is something I need to figure out and the last is a single image again at f2.8.


Steve may I ask what software you are using for your focus stacking?
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Mar 15, 2018 10:05:23   #
DJ Mills wrote:
I salute a life well lived and stand in awe of Stephen Hawking's ability to persevere and contribute to the betterment of us all in spite of challenges that would defeat nearly anyone else. That said, I am reluctant to embrace his every opinion as the final and absolute word on a subject. Especially a famous one such as:
“I regard the brain as a computer which will stop working when its components fail. There is no heaven or afterlife for broken-down computers; that is a fairy story for people afraid of the dark.” That may have worked for him, but just because he said it, does not mean I have to accept it. I do not have to believe in fairy stories or be afraid of the dark in order to believe in God.

This is not meant to start a theological discussion or to show disrespect to a great man, so please don't assume I intend either. I simply note that even a great man's opinion is still his personal opinion, no matter how well considered it may be.
I salute a life well lived and stand in awe of Ste... (show quote)

Well said DJ Mills, one small light can illuminate a lot of darkness!
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Mar 10, 2018 07:43:48   #
Gene51 wrote:
Yes. And the salesman was right on target. More pixels are for flexibility in cropping and fine detail capture for viewing at relatively short distances. You can make a very large print from as few as 6 mp, because the corresponding viewing distance increases and you simply cannot see the fine detail anyway, even if the image was produced from a 42 mp image.

For landscape, the extra pixels will minimize detail "clumping" which would make the higher mp camera better.

When viewed at 100%, the smaller pixels of a higher mp camera will be noisier, since individually they capture less light. But the image will be substantially larger. For a proper comparison, however, you would need to "downsample" the 42 mp image to 24 mp, which will produce an image with similar noise and slightly better fine detail, provided the cameras are in the same generation. Downsampling is merely resizing an image to a smaller pixel count, using interpolation. Noise is averaged among adjacent pixels, and the net result is less noise.
Yes. And the salesman was right on target. More pi... (show quote)


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Mar 10, 2018 07:35:38   #
rmalarz wrote:
From the rumors I've found, they are skipping the D6. Actually, it's more like scrapping the D6 step, as the improvements on the model to be released after the D6 came along quite well. FX sensor with 53MP color mode selectable modified CMOS-v. Apparently, a lot of copy/print houses were requesting a native CYMK RAW compatible output, as opposed to converting an RGB capture. It's also going to feature a voice actuated assistant, currently named Nikki. This assistant will be able to answer questions regarding settings, composition, point of focus, etc. The communication, which is satellite based, is intended to use the built in speaker, or can be used through iPhone earbuds and mic, for more private guidance. The camera also features a color analyzer which will detect the type of light and automatically set WB programmatically. The sensor is divided into segmented regions for WB. This will allow the regions of the scene to be individually balanced depending on the color temperature of the light source illuminating that portion of the scene which is projected onto a sensor segment.

Additionally, and this is still not clear, the camera will also suggest the appropriate lens to use based on its onboard subject analysis software. The rumor also has it that the camera will be priced in the range of USD $8,000-$8500. Of course, they are also co-releasing a compliment of lenses specifically designed for the new sensor. Due to its dual usage now as photographic and graphic, lenses will have specific coatings for the intended end use of the camera. The anticipated date of release is supposed to be later this year, in time for Christmas.
--Bob
From the rumors I've found, they are skipping the ... (show quote)

Yes Bob am I also understanding correctly that it will have a variable rpm gyroscopic anti gravity generator to adjust unit weight when attached to large lenses and tripods?
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Mar 9, 2018 22:39:00   #
I purchased a Nikon Coolscan 9000 on ebay to scan all my 35mm slides then when finished after switching to digital I sold it on ebay for about what I originally paid for it. Net cost to scan thousands of slides was minimal, however you would also need the vuescan software. But the scanner did an excellent job.
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Mar 9, 2018 22:18:53   #
1963mca wrote:
Started with a Canon F1, added an AE1. Then newer Canons came out and I couldn't use my collection of FD lenses on the new bodies. Ouch! Investigated Nikon, found much better lens compatibility between models, traded my Canon gear for a Nikon F4 and some lenses, and haven't looked back. Not dissatisfied with Canon, just the inability to upgrade bodies without losing use of all my existing lenses caused me to flip. Yes, I know Nikon has some new lenses that don't play well with my old cameras, but I'm now up to a D800 and can still use all my old lenses with the new bodies. Not ready to go to a D850, I'll wait and see what the D900 brings.
Started with a Canon F1, added an AE1. Then newer ... (show quote)


Well said 1963mca, I know of many others who made the same choice and dumped the Canon equipment and switched to Nikon when Canon decided incompatibility was in their best interest not the customers. I know for a fact Canon builds good equipment as does Sony, and I believe Sony will be right at the top when they develop a complete line of lenses. After using Nikon since the seventies and many years professionally in difficult environments I have been very satisfied with the reliability and quality of work their equipment produces. I would never consider investing thousands of dollars in equipment, and having to be concerned about it being devalued by engineered incompatibility. Any Nikon lens I ever purchased always mounted and worked on any body I owned from the seventies to present. I don't think an honest Canon user could say the same thing, and for many it would not matter, but to me it does.




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Mar 3, 2018 07:23:20   #
I believe some folks are not reading your original post. Recommendations to upgrade to a different body are not just for shooting jewelry, in the second reply dsmeltz accurately said " for your other needs." If the OP lives next to Glacier Park and likes to shoot landscape and nature work, in addition to action shooting in low light for his children, an upgrade to his current camera is appropriate. If you shoot landscapes with a D300 and shoot the same scene with a Nikon 810, or 850, or any other high end body with similar capabilities
the differences will be obvious. I would suggest you do yourself a favor and borrow or rent a D810 or D850 and shoot some landscapes and sports and the camera will sell itself. I only recommend the Nikon equipment because that is what I use and am familiar with, there are certainly others available from Canon, Sony etc. that would do a great job. If you look at the demand for the D850 that should tell you something.
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Mar 2, 2018 09:39:07   #
Electricbuffalo wrote:
I am looking to purchase equipment for the following types of pictures that I take. Up close shots of jewelry for my jewelry store (for posting online), landscape shots as I live next to Glacier National Park, indoor gymnasium shots as I have children that are active in sports. I have a budget of approx $6000. I do own a Nikon d300 with 18-200 nikon lens and 35mm 1.8 lens and a nice larger tripod. I have never really liked this camera body and not sure why so am considering trading/selling it. Thanks for any suggestions.
I am looking to purchase equipment for the followi... (show quote)


Since you are selling online, the quality of your photos is all your customers have to make a decision whether to buy from you or someone else. If I were you I would look at the Nikon D850, and either the 105mm, or 200mm micro lenses that Nikon offers. Those two lenses have a reputation for being some of the best macro lenses ever made. The 200mm will give you a little more working room, but you can't go wrong with either one. In addition to the lens I would recommend Helicon, or Zerene stacker software which will allow you to hold detail in much more of the subject matter than you could otherwise at the higher magnification ratio you will be shooting jewelry at. You can take multiple exposures of the piece your photographing and the software will stitch them together giving greatly increased depth of field. It just so happens this software could also be beneficial to you for your landscape work, however I would recommend a wider angle lens, either prime or zoom for that.
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Mar 2, 2018 08:30:14   #
co967 wrote:
I’m in Saint Maarten right now (on a cruise), and leave in 2 hours. One shop is offering a 850, body only for $1000. Claims it’s made in Japan, with us warranty. Too good to be true? Any thoughts.


I don't believe they are made in Japan, my D810 was not.
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Mar 2, 2018 08:26:00   #
CaptainBobBrown wrote:
Just returned to U.S. from Costa Rica bird shoot via LAX for connecting flight to Hawaii and was very surprised to have my bags singled out from the scanner by a TSA agent calling out "photography equipment"! I had 3 Nikon bodies and 4 lenses in my camera back pack and they took the pack to an inspection table and took all bodies and lenses out examining each one in detail. Even had to remove caps from both ends of the lenses so they could "see if they can see light through them". My question to traveling Hogs is has anyone else traveling recently through U.S. airports been subjected to this time consuming and detailed exam? Is it part of the new "getting tougher on security" policy announced late last year or have I just been lucky before not to have encountered such a probing inspection?
Just returned to U.S. from Costa Rica bird shoot v... (show quote)


I have experienced that treatment always courteous though for at least the past fifteen years, when carrying equipment on planes. I make it a point to get there early and am thankful they try to prevent evil people from hurting others.
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Feb 28, 2018 12:51:06   #
No there was no bad weather along his route that day at all.
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Feb 28, 2018 12:28:32   #
warrenrowephotography wrote:
I purchased an 85 f/1.8 lens from KEH late last week; it was set to be delivered by FedEx on Saturday but never was due to the dreaded "customer wasn't home or business was closed" message. Mind you, I WAS home and I never saw any FedEx vehicle drive by on my street. I called FedEx up and talked to a CSR explaining my issue. I filed a complaint and was expected to receive my delivery on Tuesday (today).

Fast forward to today. Following my package via FedEx's tracking page, I see that it was on its way. As it became later and later in the day, I wondered what was happening because once again, I saw no FedEx vehicles on my street at any time. Well, I checked the tracking page...and lo and behold, it wasn't being delivered to Address A where I was, but to Address B where I have a PO box 10 miles west of there. Let's just say that I wasn't happy.

I called FedEx again to complain and to ask why was my package not delivered to Address A like I requested; the CSR took my phone number and would have someone call me back to explain what happened (yeah, right) and I said that it had better be a driver supervisor. Furthermore, I sent an email to KEH's sales department telling them about the situation and to see what they say or what they can do to mitigate the problem. It's not the fault of KEH, but I wanted to let them know what was happening with my order.

I have noticed that it seems like most camera vendors seem to be using FedEx for shipping instead of USPS like I would like to use preferrably because I have a PO Box for a reason. Any thoughts from anyone concerning FedEx, or want to share their own experiences?
I purchased an 85 f/1.8 lens from KEH late last we... (show quote)

Recently ordered a piece of equipment to be sent Fedex, the day it was on truck to be delivered package never showed up, we stayed home all day to sign for it. I checked on computer and tracking said package not delivered because of inclement weather conditions. We had no bad weather at all, so I called and explained that and they were not pleased the driver wrote that down, the next day a Sat the package was delivered. I guess I'll never know the real reason of the late delivery.
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Feb 26, 2018 16:47:44   #
Saleavitt10 wrote:
So if you could choose between the latest generation of Nikon 400mm, 500mm and 600mm which would you choose? The 400 is an f2.8 while the 500 and 600 are f4's. The chosen one will be used on a D500 and D850 with or without a 1.4 TC III. While I won't say money is no object they are all within $2k of each other. I guess my main dilema is the 2.8 vs 4.

This lens will be used for wildlife; mammals and birds, mainly from a blind.

Thanks for any and all input.


I have used all three of the focal lengths in Nikon you mentioned and for the purposes you described. I have settled on the 400/2.8 to replace the three lenses you mentioned and I also use a 300/2.8 for much of the same subject matter. My Nikon 400/2.8 showed no discernible difference in sharpness with a 1.4 converter compared to either the 500 or 600. Without the converter the 400mm was the sharpest and by itself is the fastest. Working from a blind I use the 300mm and 400mm equally. The 400mm gives you a lot of versatility. I much prefer to work closer if I can safely do so rather than use a longer lens, and working from a blind will enable you to do so. I have often photographed song birds from a blind and needed an extension tube to focus close enough using the 300mm lens. Think about it this way, if your set up in a marsh with a 600mm shooting a small bird and a nice whitetail buck comes into view at half the distance or a softshelled turtle craws out on a log thirty or 40 feet away from your blind will you miss getting the shots you had not planned on because of too much magnification. I know from experience this can happen frequently when working from a blind. I really have not found using the 400/2.8 with a 1.4 converter when outside of a blind to be limiting either.
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Feb 24, 2018 07:47:37   #
EdJ0307 wrote:
It is a McKeen Motor Car that is located at the Nevada Railroad Museum in Carson City. It ran in the early part of the 20th century between Reno and Carson City. When it was retired from rail service it was sold and converted to a restaurant. After it was no longer wanted as a restaurant it was donated to the Railroad Museum where it was restored by the museum staff back to what it looked like when it was running between Reno and Carson City.


Thank you very much for that information, I find trains very interesting all the different specialized types. I never saw one quite like that!

Thanks again .................Glenn
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