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Posts for: Orson Burleigh
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Jul 22, 2020 08:00:04   #
EOS-R Grip?
Been using EOS cameras off and on for thirty years without having once thought that Canon’s perfection of auto-focus might have led to the establishment of a select in-group association of adepts with a ritualized fraternal handshake. Must be that I’ve been left off the list again
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Jul 22, 2020 07:32:53   #
Rusty69 wrote:
Many of you will have seen their other videos, but these bring joy in troubled times. Stay well!

http://www.youtube-nocookie.com/embed/44UC6muN8KY?rel=0


Bravo! When the thought of something Neapolitan pops into one’s mind in the supermarket it’s usually only ice cream.
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Jul 21, 2020 13:54:13   #
Blair Shaw Jr wrote:
Trasfusione di sangue: trasfondere , trasfondano , trasfondono....take your pick. "4's" probably never.


The classical reality might well have been something like “quia sanguis exhaurit.“
Of course, we have all heard that SPQR actually stood for "Sono Pazzi Questi Romani" (These Romans are crazy).
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Jul 21, 2020 13:23:29   #
ken_stern wrote:
You can bet ----
A 2050 American History book will contain a lengthy section on this sad insane period of our history


Here's to the hope that there will be 2050 editions of books on American History
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Jul 20, 2020 11:23:31   #
Lingen wrote:
Dear All,

My current 'establishment' consists of a Canon 60D with 50mm 1.8; EFS 55-250; EFS 18-135; Sigma 17-50 2.8; and also an Olympus OMD E M5 II with 14-150; and an Olympus TG5.

I live in the Caribbean, (= humidity, Sahara dust, sand, salt!), so zooms makes better sense than constant lens-changing. I am miles, and flight hours, from the nearest camera shop or service agent.

My lenses are stored in boxes with silica gel, and are free of dust and fungus. Only the Sigma is reasonably new: do lenses deteriorate with age or in the heat? I do not leave them in hot cars.

With the Canon, I only get reasonably sharp pictures with the 50mm, which I seldom use. The 18-135 is so reliably UN-sharp that I have given up using it, though it is exactly the focal range that I most use. The TG5 takes sharper pictures! Two years ago I went to the UK and had the Canon serviced in the hope that it would become sharper: minimal improvement. Both Olympuses outshine all the Canon lenses in sharpness. And now the Canon has developed an intermittent 'Error 20', which renders it effectively useless. I know other happy Canon users here and in England, and it seems that I have been 'unlucky'.

I need another camera, and was undecided between a Canon 90D, a Panasonic G9 or another Olympus. Since I have no intention of travelling, for obvious reasons, I shall have to have the camera and lens(es?) shipped from the USA.

Having read good reports about B&H on UH, I asked their advice. They were swift and sensible. In essence, they said that I should go for the 90D, and consider a sharper lens to go with it.

An arsenal of prime lenses would break my bank, and invite dust etc. damage. There is too much informtion on the internet for me to make a decision. I would not want a lens to cost substantially more than the camera body. B&H said I should look at the Canon L range, or Sigma Art. I have considered the 17-40 L f4, the 24-70 by both Canon and Sigma; but I have heard that the more recent 18-135's are better than my old one. Or should I ignore B&H's advice and abandon Canon altogether? I am reluctant to do that because of existing lenses.

I would be profoundly grateful if you could help me decide.
Dear All, br br My current 'establishment' consi... (show quote)


If you are able to receive goods directly from Canon USA you might check out their site. (shop.usa.canon.com/shop/en/catalog/cameras/refurbished-eos-interchangeable-lens-camera) They currently have refurbished 80D kits, one bundled with the EF-S 18~55 f/3.5-5.6 IS STM and the most current EF-S 55~250 f/4-5.6 IS STM lenses for U.S. $899, another bundled with the most current EF-S 18~135 f/3.5-5.6 IS USM and the EF-S 55~250 f/4-5.6 IS STM lenses for U.S $1079.10. Your Sigma 17~50 would make the EF-S 18~55 f/3.5-5.6 sort of redundant, but this newest IS STM version of the EF-S 55~250 f/4-5.6 lens is usually held to be a considerable improvement over earlier versions of that lens and, when discounted as part of a bundle, is a real bargain. The 80D is certainly not the equal of the 90D in capabilities, but it is still a reliable, well-spec’d omni-capable all-rounder.
When the refurbished 80D kits were discounted at $799 one year ago, just before the 90D announcement, I purchased a second 80D just to get a second 80D body and another discounted EF-S 55~250 f/4-5.6 IS STM lens: That gives me two 80D-based ‘grab-and-go’ kits or a fairly compact airline carry-on kit. The EF-S 18~55 f/3.5-5.6 IS STM tuned out to be a positive addition as well, rather better than I expected.
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Jul 16, 2020 08:20:58   #
jerryc41 wrote:
Right. This said it would be delivered on July 24, but it is also advertised as "One-Day Delivery."

Maybe it has something to do with where I live and where the item is coming from. I received eight items from Amazon yesterday, ordered on July 4, 6, and 8.


Well, July 24 is (or will be) ... 'one day'
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Jul 12, 2020 07:59:44   #
Cloudy Coast Photography wrote:
Okay Hedgehoggers, I need some help. I just bought a Pentax K1 Mk ii with battery grip. Beautiful camera but damn it’s heavy to be hanging around my neck all day on the chinsy strap that came with it. So, please suggest a better shoulder strap option. I’ve researched a bunch and it seems like a lot of them hang by the tripod mount-hole...this doesn’t seem like a great place to suspend all that weight. Thoughts? Thanks in advance, all.


Also a fan of Peak Design's Slide camera straps. I sometimes use the strap with one end attached to a Breakthrough Photography 60mm plate on the foot on a heavy lens and one end on the strap attachment of the camera. If one expects to have to move vigorously, it would seem that having one strap with both ends on the heavy lens and a second strap on the camera, so as to avoid sudden stresses on the lens mount, would be preferable. I use Breakthrough Photography's 40mm plates on the cameras' tripod sockets: The Breakthrough plates’ removable studs provide an additional margin of safety on the tripod. Peak Design's older style plates do fit Arca-Swiss system heads, but don't have those safety studs.
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Jul 11, 2020 17:25:41   #
Los-Angeles-Shooter wrote:
Canon Has Officially Stopped Using the Terms ‘Master’ and ‘Slave’

As protests against supposed "systemic racism" swept the globe this year, there have been calls by some photographers for ending the use of the terms “master” and “slave” in the industry. Now Canon has come forward as the first camera company to officially stop using those terms on its camera gear.

In photographic lighting, a “master” device is one that is able to control/trigger a “slave” device. While these terms have been standard in the industry for decades, some have argued that they’re unnecessary ones that could easily be replaced with alternatives (e.g. “transmitter” and “receiver”).

Photographer Jason Parnell-Brookes of Fstoppers reports that Canon began ending use of “master” and “slave” in 2017 and has officially discontinued their use moving forward across its product lines.

“Canon started to phase these [terms] out since the end of 2017,” a Canon Europe spokesperson tells Fstoppers. “[In] all new products and materials, these terms are no longer used.”

The change will only be found on new Canon gear, as the terms are permanently baked into existing gear.

“Products released before this time, and still available, will still have the term as it’s often a physical part of the LCD display so can’t be changed by firmware, etc,” Canon tells Fstoppers.

As Canon is the leading manufacturer in the camera industry, it seems likely that other brands, both big and small, will follow its lead, and that this change in naming conventions may be a permanent one in the industry moving forward.
Canon Has Officially Stopped Using the Terms ‘Mast... (show quote)


Would you believe 'Non-imperious suggestive hydraulic transmission unit and non-volitional receiving unit?'

The next area of linguistic chauvinism to be addressed will be the conventionally gendered descriptions of pipe fittings and electrical / data-carrying connectors. That should provide a vastly increased scope for dangerous confusion
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Jul 11, 2020 14:40:03   #
dennis2146 wrote:
That might work to put out the volcanos.

Dennis


Nah. The volcanoes get all steamed up and huffy and puffy
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Jul 6, 2020 10:57:09   #
larryepage wrote:
Our house has been the target of a lot of cleaning since Safer at Home started not quite four months ago. So far, none of it has threatened nor come close to any photographic equipment, but it has nevertheless set me thinking, especially in light of the question asked in a recent post around why photographers shave multiple cameras.

I have been fortunate to progress through a number of cameras since switching from film in 2006. That certainly doesn't take me back to the beginning of digital photography, but it does reach way back into the period of more rapid development and progress in the medium. My recent thinking has been this: If you were required to go forward with only one digital camera and one lens, which ones would you choose? I realize that some of us may have only one camera, and may have only had one camera. Others of us may have worked through more different models than were ever necessary (or even beneficial). As an example, here is a list showing the path that I have followed. I'm only going to list cameras, because my lens library is pretty typical. It covers 14mm - 500mm, with f/2.8 capability at 200mm and below. And there are some slower lenses also. Anyway... here is the camera list. I still have those below the solid line.

Nikon P3 (zoom point & shoot from somewhere around 2005 used at work)
Fuji S3 Pro
Nikon D200
Nikon D300
_________________
Nikon D300s
Nikon D810
Nikon D850
Nikon D500

These are listed in the order that I acquired them.

So here are the rules (or guidelines, for those of you who don't like rules) for responding.

--You don't have to provide a list like the one I made just above. It was meant to illuminate your thinking.
--The camera you choose must be one that you own or have previously owned.
--No salivating over some camera that has always been on your wishlist (although you can also tell us about it)
--Some statement validating your choice is required. Doesn't have to be a dissertation, just give us an idea.
--Keep it civil. This question is about what you would do. It does not require that you critique someone else's choice, especially mine.

One of the reasons that I am posing this to the group is that my choice was a little bit of a surprise to me. I would keep the D500 and my 24-120 mm f/4 Nikkor lens. The reasons are pretty simple...outstanding images, reasonable file sizes, durable construction, excellent performance, high "usability." The 24-120 lens provides a good mix of flexible performance, reasonable focal length range, and good quality images. Is the combination perfect? NO, but it is manageable and will cover a very high percentage of what I shoot with a little bit of accommodation. I'll have to adjust my approach to night sky photography, but will not have to give it up. Things will just require a little more work and time.

I'm curious if any of you make a surprising choice when you stop to think about it. I'm anxious to read what you would do.
Our house has been the target of a lot of cleaning... (show quote)


Canon EOS 80D and Canon EF 100~400mm f/4.5-5.6L IS II USM. The 80D provides a balance of all around competencies. The EF 100~400mm is superb: its ability to bring the far near is as expected, and its short-range focusing capability was a happy surprise - it is not really a macro lens, but it is something very close to that.

If the totally notional, completely theoretical you-can-pick only one of each thought-experiment was seen as a couples two-fer, my good wife would come along carrying the other 80D with the Canon EF-S 17~55mm f/2.8 IS USM Lens attached. Canon's EF-S 17~55mm f/2.8 IS ain't an 'L' lens but it's still an 'ell of a good lens.
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Jul 3, 2020 12:22:43   #
thom w wrote:
And you believe that's where we currently are?


No, I don't believe that at all.

Even in countries where lip service is paid to the notion that individuals have rights, those individual rights need to be constantly asserted and actively guarded if they are to be maintained. Even societies where the generally accepted mores and myths are benign, societies that prize generosity to the poor and protection for the weak, often fall short. Sometimes societies produce charismatic individuals whose cruelty is more appalling than mere murder.

I am now an old man, and I have seen much. Not everything, but much. I have seen enough to have become wary of easily used superlatives like 'last' and 'best.' Those superlatives are unnecessarily limiting; there is no benefit to be derived from confining hope, or from limiting the reach of aspiration. To be a nation which exemplifies hope requires arduous work and something like a quiet, resilient pride, a willingness to demonstrate rather than boast.
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Jul 2, 2020 06:58:58   #
jerryc41 wrote:
Good one.



My Great-Grandmother, who had been born in Georgia, told me stories about alligators when I was a wee small child. My take on those ‘gators was that they lived under my bed, but could not come out when the lights were on. The solution was to leave the bed by leaping so as to hit the light-switch before touching the floor. I expect that Meth-Gators’ jumps would have been higher and faster than small-boy leaps were, and that I would never have survived into my forties, when I explained the reason for each morning’s bumping and crashing to my [still] worried parents.
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Jul 2, 2020 06:38:50   #
Bill 45 wrote:
"My dream is of place and time where America will once again be seen as the last best hope of earth" --- Abraham Lincoln


President Lincoln would not, I’m quite certain, have been disappointed by a world where allowing for ‘the best hope’ was a fundamental principle and a reasonable aspiration in all nations.
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Jul 2, 2020 06:03:43   #
Architect1776 wrote:
See if you can remember some.
"Like I would walk a mile for a Camel"


'Western Airlines : The only way to fly.'
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Jun 19, 2020 09:08:56   #
jerryc41 wrote:
I like to watch movies that are made in foreign languages, with closed captions, of course. I like seeing life in other countries, and I like hearing the languages. What surprises me is that the speakers will occasionally throw in a sentence in English, "Have a nice day." "See you later." Sometimes it's just an English sentence thrown in randomly. Another thing I noticed is that Asians tend to call older people "uncle" and "auntie." It's worth watching foreign movies just to see how different societies work. Laughter and humor are the same, though.

I occasionally surprise myself by turning up the volume.
I like to watch movies that are made in foreign la... (show quote)


A few favorites:

Paheli (पहेली ) 2005 - Director: Amol Palekar
Stars: Shahrukh Khan, Rani Mukherji, Anupam Kher, Amitabh Bachchan, Juhi Chawla, Sunil Shetty (fantasy/love story costumer) - This perfectly polished jewel of a film is the story of a neglected bride and a ghost who falls for her.

Devdas (देवदास ) 2002 - Directed by: Sanjay Leela Bhansali
Stars: Aishwarya Rai, Madhuri Dixit, Shahrukh Khan, Jackie Shroff, Kiron Kher, Smita Jaykar
This 2002 version is an opulent remake, Dramatically choreographed, lavishly staged and lushly photographed.
The 1955 version of Devdas, which starred Dilip Kumar and Suchitra Sen, is also worthy of a viewing.

Tawi Pob (ทวิภพ - English title in IMDB : The Two Worlds) 1990 version - Director: Cherd Songsri
Stars: Janjira Jujang, Chatchai Plengpanich (fantasy/historical love story costumer) - Twentieth-century Thai women (Janjira) time-travels via a cracked mirror, supports efforts of a Nineteenth-century Thai official (Chatchai) to blunt the impact of acquisitive European imperialism.
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