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Posts for: joel.photography
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Jan 26, 2018 19:43:20   #
I use Lowe pro flipsside 400 for your exact configuration. Easy on off, almost as easy as a sling bag, much easier on my creaky back. I can get a 200-500 in it (not at same time).

What's great is, you pop off straps, it swings around and protrudes straight out in front of you. Great and safe for changing lenses and filters. You can fit a second regular size lens in easily. Lots of pockets and padded well.
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Jan 26, 2018 19:36:36   #
tdekany wrote:
If you leave out the best low light cameras, the Sony a7s a7sII, i guess you can call the D850 the best. Lol!


I have an a7rii - you're kidding, right, when you call this line a sports/action camera, right? How do you follow fast moving action with an EVF that goes black between frames? Do you guess?
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Jan 26, 2018 11:19:00   #
BBF, the only way to go. Try in manual with auto iso.
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Jan 26, 2018 11:17:40   #
This post says it all. Don't shoot just jpg!

Joe Blow wrote:
1) Shoot RAW, in color. That allows processing in post. Forget colored filters, the only filter you may want to use is a Circular Polarizer (CP) filter or maybe a neutral density (ND) filter.

Color is all the various light wave frequencies reflected. In B&W you remove those various light waves and just use the intensity. In post, when you convert a color photo to B&W, you are just removing the various light wave frequency intensity and keeping the light intensity.

With film, the red wave lengths were usually harder to capture chemically. So most B&W photographers would add a red filter to reduce the green and blue wave lengths. (That is also why red lights were used in B&W dark rooms.) Film also used a lot of other filters to reduce ultra-violet, haze, etc. That is not required with digital photography. Digital sensors catch all wave lengths equally and the camera processor removes unwanted UV, etc.

2) Shoot simple. Since B&W can't use color to differentiate elements in your photo, each element must stand on its own. Use as few elements as possible and make each stand out. B&W is much more favorable to textures, lines, silhouettes, and side lighting.

3) I suggest searching the internet on shooting B&W. There are hundreds of people smarter than I offering ideas with samples. There is no one trick to B&W with all others being wrong. Many things I think wouldn't work, someone else will make it work. Get ideas from others and try to make them work your way. Experiment and play in post.

Good luck and show us what you've done.
1) Shoot RAW, in color. That allows processing in... (show quote)
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Jan 26, 2018 10:08:56   #
joer wrote:


BTW being a professional by definition only means paid for work, good or bad.

Yeah, there was a guy on here, clearly not a pro, was all peeved because he's referred to as an amateur, crying about how good his work was.
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Jan 16, 2018 20:39:54   #
Apaflo wrote:
... from someone who simply knows nothing about photography... there are no unmanipulated photographs...


as he said.
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Jan 13, 2018 19:53:28   #
Indiana wrote:
It just shows that there is beauty everywhere...we just need to look.

I try, but I don't think I'd have seen this. It's a great shot.
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Jan 13, 2018 19:51:56   #
.
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Jan 13, 2018 18:58:36   #
The problem is you didn't wipe off your window or you'd see what's out there.
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Jan 10, 2018 20:12:56   #
RWR wrote:
As with any other type of filter, I do my utmost to avoid their use.

If you tend to drop them, that would be a good reason to avoid them. Otherwise, no.
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Jan 10, 2018 20:08:12   #
Here? Why?
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Jan 10, 2018 19:15:50   #
Gene51 wrote:
the Nikkor 70-200 F2.8 VR II zoomed to the max... barely recording an image similar in field of view to a 135mm lens.


I have one. You made me say Wha? with that comment.
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Jan 10, 2018 12:15:54   #
Best 4 word jokes:
Jewish dilemma : Free Ham

Take my wife. Please.

(I'm Jewish, spare me the political correctness lecture)
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Jan 7, 2018 21:55:15   #
If you like Cleese, look for "ministry of silly walks". I would right now, but I just had stomach surgery.
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Jan 4, 2018 12:48:53   #
gvarner wrote:
What's the desired product - a work of art or a photograph that captures a moment in time? Each can be achieved with or without post processing.

I'd like to see the last work of art achieved without post processing.

Actually, it's impossible. In your camera, you've captured a lot of data. How is that data turned into a photograph, if it's not post processed? So, you're happy with the way your Nikon or Canon engineer likes to post process. I like to post process the way I want.
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