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Sep 16, 2018 10:36:50   #
gvarner wrote:
For discussion:
When planning shots outdoors with natural light, would the light be the most controlling factor or is it the composition, or both? I suppose it depends a lot on the intended subject, whether or not it's more dramatic in certain lighting situations. I'm asking because I want to hear from those who have experience with this, who plan ahead, so I can learn to be more deliberative in my shooting and get out of the snapshooter mode.


I don’t think you can fully disentangle these since the light is inescapably part of the composition and of whatever we see. That said, as far as I can tell I respond to the quality of the light and often go out because of the light, looking for a good scene for composition or thinking “that subject is/will be wonderful in this light”. Of course when I’m traveling I want to record what I see and try for the best picture in whatever light I’m in, but even then I think of the light as a major part of the experience.
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Sep 14, 2018 08:43:22   #
bobishkan wrote:
Hi Everyone: I have several current Nikon DSLRs and lens and have been caught up in all talk lately about the new mirror less cameras. Then I realized I have a Fuji FinePix S9450W, which I bought years ago refurbished for only $150 and realized that it too is a mirror less. So I started to play with it after sitting in my closet for two years and found it to be fun. It has a wonderful long lens and makes no noise when you take a picture. It has all kinds of features and will do a whole lot of cool but useless things. HOWEVER it has a point and shoot sensor. So my question is, in general, unless I enlarge larger than 8X10, will I notice a big, not slight, difference in my photos. I realize that it will not focus or expose as well as the $5000 new models coming out from Canon and Nikon, but this thing is mirror less and cost me next to nothing. Can I be happy with this mirror less? Bob
Hi Everyone: I have several current Nikon DSLRs an... (show quote)


You seem to cut out a lot of options between your refurbished FinePix and the new Nikon mirrorless cameras. Fuji, Sony, Olympus, Panasonic and Cannon all make interchangeable lens mirrorless cameras that are well under $1000 new and under $500 used. You could probably find a discontinued Nikon 1” sensor mirrorless in that range as well. Just saying that you’re not limited to choosing between a refurbished point-and-shoot and a $5000 full frame mirrorless kit.
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Aug 29, 2018 09:19:08   #
safeman wrote:
Weird thoughts come to old people with too much time on their hands.

Should we continue to call ourselves photographers? Photographers record analog images on film, process and print the images creating photographs and if you are a professional sell these little pieces of reality as a source of income. I suggest that we have become collectors and manipulators of electrons. For many, if not most of us, the great majority of our electron collections remain just that--electrons. I sent my last roll of film in for processing and what did I get back, a link to a web site so I could retrieve my electron collections. I have begun thinking of my images stored on my computer as Electron Collections and the prints stored in my photo albums and files as pictures. Electron collections only become images when they are viewed or printed.

Before I change my mind I am going to send this and see what happens
Weird thoughts come to old people with too much ti... (show quote)


Of course you can think of your images or of taking picture however you want, but if you want to communicate with other people about it I think you need to stick with photographer, etc. Also, calling your computer images an electron collection is not helpful. Why not call negatives chemical collections? You never see electrons, and film or digital, the camera is recording photons.
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Aug 28, 2018 18:36:09   #
rwww80a wrote:
I have been taking pictures for 50 years (started with a Nikkormat FTn) with candids at the many weddings I have attended through the years.

This was a first!

In the ceremony program there was a statement (printed in the middle of the first page of the program) about the "excellent" photographers the couple had hired and not to take cell phone pix and post during the ceremony. I had my Nikon 7200 and took some pix and went to the reception took a few more. The sister of the bride came up to me and said cease and desist, I tried to tell her that what I was doing was to make an album of candids for a gift for the happy couple which I have done many other times. I stopped, didn't want to make the bride unhappy. I even had the grandparents come up to me as ask me to shoot some portraits of them - which I declined to do at that point because I wasn't the "official" photog. It made me feel bad for them later because I never saw the official wedding photogs over on the side of the room where they were sitting away from the noise.
Later the mother of the groom came up to me and explained that the picture statement in the program was done at the photographers insistence because the photographers didn't want their time and photos "devalued" by amateurs at the wedding. THEY are the picture takers and no one else can shoot the wedding? First I've heard of that! I had even been trying to stay out of the pros way so I wouldn't get in their way or ruin their shots! By the way, on the next day there must have been at least 10 postings on Facebook of cell phone vids and photos from the wedding and reception.

Are the pros really that paranoid and insecure about their work AND that amateurs could possibly make their work look bad or not as good? The photogs didn't even have the b...s to ask me themselves?

Yes in the past I have had several couples or families say that the album I put together as a gift was better than the pro BUT I think that because they were family.

Any other experiences or opinions???
I have been taking pictures for 50 years (started ... (show quote)


I would say that since the request not to take pictures was clearly stated it should have been honored. As for the photographers not asking you themselves--- not a matter of lacking anatomy but of lacking authority. The last thing the event needed would have been a conversation about taking wedding pictures between you and the official photographers. They say please don't, you say why, they explain, you counter, etc....Much better to come directly from someone in the wedding party. The album as a gift is a very nice idea but I would ask before assuming it was okay for me to take pictures at that kind of event. It belongs to the couple getting married. And yes, I think the people posting cell phone pictures the next day were out of line.
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Aug 25, 2018 11:07:27   #
joer wrote:
The new Z cameras were blogged by just about every major and wanna be reviewers out there. I watched probably a dozen or more and the fan boys are in their glory.

Even though all the available cameras for review are pre-production the features are pretty much set since there is not enough time to make significant changes if they want to deliver on the promised date. I wouldn't be surprised if Nikon is already stocking their warehouses at this moment.

Do they live up to the hype that was generated. No... in my opinion. Did Nikon reinvent ML as they claimed? I don't believe so. Are there any earth shattering features? I didn't see or here about anything that isn't already out there.

Its too early to talk about performance but at this point they seem to not even be competitive, although not too bad for a first attempt.

Will it appeal to wedding shooter? Not with one card slot and no eye focus. Will it appeal to bloggers? Not without a reversible viewing screen. Limited native lenses, poor battery life, big price tag when including the adaptor, and we don't know if the adaptor performance respectable.

Nikon had a chance to hit it out of the park but didn't take the opportunity. Although they ARE really good at hyping their cameras.
The new Z cameras were blogged by just about every... (show quote)


They took a misstep with the 1” sensor in their first try at mirrorless, which probably cost them money and made them reluctant to try anything revolutionary.They are also trying to break into a well established market with a mature technology. It’s not realistic to think they are going to introduce a mirrorless that beats Sony, Fuji or Olympus or that instantly abandons their existing lenses. My guess is that they want to hold on to their established customers rather than poach from Sony, etc. To state the obvious, they could have built different cameras, but these are the ones they think will work in their market.
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Aug 18, 2018 10:35:48   #
roger55 wrote:
I have a MAC and a few of my files were shot both Raw and Jpeg. When I am in PP I can see only my Jpeg file. What am I missing here ?


At least if you’re using Photos the default image you see is the JPEG. You can change this under Edit (upper right above image) when you open an image. I’m pretty sure you can change the default to Raw although off hand I don’t remember the steps (I usually just shoot in Raw).

If you’re using a new camera it could be that Apple hasn’t yet updated their software to cover it. You Google to find out what cameras are supported. I bought a Canon 80D when it came out at the beginning of April in 2016 and I think it took until mid-June before I could see or edit Raw files on my Mac.
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Aug 15, 2018 09:40:13   #
We use SmugMug to create the album. I download route maps (A to B to C etc) in PDF from Google Maps and add these to the album with details in the caption or added to the map. You can put the maps in the sequence as appropriate. A few times I’ve saved large scale map images and added sight lines and or other markers to show a picture’s perspective or ID things. You can also use this technique to indicate perspective or specific details on landscapes.
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Aug 14, 2018 09:37:00   #
catgirl wrote:
trying to make up my mind if I want to change from the 10Mark 11 to the 5mark 11 that one is waterproof trying to decide if it is worth the change and if I can use all my other lens with it?


You can use your other lenses. Just keep in mind that they have the same sensor and autofocus and that to really take advantage of the em5 mkII’s weather-sealing you need to use a weather-sealed lens—I think these are mainly in the Olympus Pro line and are more expensive than their other lenses. If you haven’t done so, you might want rent an em5 mkII to see if its advantages—weather-sealing, a fully articulated screen and (I believe) somewhat better image stabilization—are worth it’ll you. Also, I haven’t seen any announcements, but it seems like an upgrade to the em5 should be coming out fairly soon.
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Aug 10, 2018 11:50:17   #
You can buy dedicated tools (lens filter removal tool or wrench) for this from Amazon, B&H, Adorama or your local camera store. They’re pretty cheap ($6 - $15 seems common) and in my limited experience work well.
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Aug 6, 2018 11:12:45   #
oscargro wrote:
I'm fairly new to using my Canon 350 D for more than the auto setting. Should I stay with this camera or should I upgrade with something with more megapixels?

I mostly like shooting nature & landscaping.

18-55 & 300 lens.

Thanks

Tom B


I think it depends on your financial resources, how you feel about learning and how you feel about gadgets. You can of course master the exposure triangle using what you have, but what will you find most enjoyable to use? If you feel attached to this camera and like your results, then probably a better lens would be where to start. Since you’re asking the question, my guess is that neither of those is true.

You will see a lot of comments and sad shakes of the head about people “wasting their money” buying an expensive camera and being disappointed with the results because they don’t know enough of the basics to take advantage of its capabilities. The other side of that is: (a) Besides the larger sensor, the new (or newer) camera gives you updated software and menues, plus things like a touch screen, improved video capability, etc. It’s not just a camera, it’s a computer, and there is not much point in sticking with technology dating from 2005. (b) You will probably feel excited and inspired to learn how to use a new (or new to you) camera. It’s just fun. (I have been observing this phenomenon since I gave my wife her first DSLR last Christmas). And remember, a used T5i or new “entry level” 2000D/T7 or 200D/SL2 would be a vast improvement in capability.
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Jul 26, 2018 09:46:05   #
DaveD65 wrote:
Dear friends from UHH,

After extensive research, I've decided to purchase a Canon EOS 70D. Unfortunately this camera is not in production any more, but I was able to find many used 70D's that appear in excellent condition. (Adorama, Ebay and MBP) Yet many people have said that the EOS 77D is the replacement for the 70D. A new 77D body only cost a little more than a really nice used 70D. I've watched several 70D vs 77D reviews on youtube and the 70D always seems to win out. Other than the pixal count and a few other doodads, they seem pretty much alike. So, what I would like to ask is what you guys think? I know there are alot of 70D users in this esteamed group and I greatly value your opinions. I don't need to be referred to any web site, I'm mostly after your experiences with the 70D or the 77D. Please help me decide which body I might buy. Thank very much for your time and efforts.

DaveD
Dear friends from UHH, br br After extensive rese... (show quote)


I own an 80D but have used (rented) both the earlier 70D and the more recent 77D. I had been planning to purchase a 70D a couple of years ago but when the 80D was announced I decided to wait and go with that. So...I would say go with either a refurbished 80D or a 77D. The latter has the same sensor and focusing system as the 80D in a lighter and less robust body and with fewer manual controls. The 77D also has a Digic 7 processor rather that the 80D’s Digic 6. They both take excellent pictures. When I bought my 80D I was upgrading from an old T1i so it was a big step up. The 77D wasn’t out yet, which made my choice a little easier.

If at all possible, I would suggest handling (renting, if possible) both cameras to see which you prefer. I love my 80D but I am aware of the weight, just under 26 oz. The 77D weighs 19 oz. and is noticeably lighter, although a heavy lens will cancel that out. In my view the two cameras are so close in specs that it’s very much a gut decision about which one seems best to you after you handle them.
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Jul 16, 2018 08:58:47   #
dparker708 wrote:
Hello to all,

Can anyone tell me the difference between these two cameras? I am looking for a lightweight camera for street photography. My choice is either one of these because I have several lenses from other Canons. I'm not interested in any other camera other than the M5 or M50. Would appreciate any info you can give me. Thank you in advance.

Diane


They both have the same sensor used in the current crop of Canon DSLRs and the mirrorless M6, but the M50 has the latest generation Digic 8 processor and 4K video. I haven’t yet tried the M50, but I have used a rented M5. If possible, I’d suggest handling both of the cameras with an adaptor and one or more of your lenses before you buy. In my view, most EF/EF-S lenses are too big for use on a mirrorless camera and wipe out the advantages of the small, unobtrusive and lightweight camera body. Of course a lot of people are happy using these lenses with a adaptor and you might not find it a problem.
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Jul 15, 2018 19:20:05   #
tdekany wrote:
80MP raw file or 50MP Jpeg. It is a bit weird that you guys don’t know the specks of your cameras.


Actually, I don’t own an E-M1 MkII. My E-M10 MkII has a 16 MP sensor.
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Jul 15, 2018 12:45:23   #
rcarol wrote:
The OM-D E-M1 has 20 MP sensor, not 24 MP.


Thanks for the correction. I was going from memory and should have checked.
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Jul 15, 2018 09:39:46   #
captainkauai wrote:
I own an Olympus OM-D M10 II and have been wondering what difference I would see in the quality of the images I take with it if instead I used an OM-D M1 II. This would assume I used the same lens for either camera, say for discussion sake the Olympus M.Zuiko 14-150. I am an average amateur photographer.


I use an M10 II for travel and like it a lot. The OM-D M1 II Has a newer 24 MP sensor compared with the 16 MP sensor on the M10. You can probably find comparison photos for both online. The 24 MP sensor has more potential, but I imagine you’d need to upgrade to an Olympus Pro lens to take advantage of it.
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