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Dec 24, 2019 09:35:29   #
You need at least 16 gigs of ram and 32 is better. When I traded my D810 for the Z7 and it's 45MP my old iMac with 8 gigs of ram froze (40 min to do an HDR). Got a new iMac (27") with 8 gigs from factory but added another 32 from OWC and it screams. Pat
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Dec 19, 2019 09:41:45   #
rwilson1942 wrote:
Don't know for a fact, but I suspect it is because video cameras generally shoot 16:9 aspect ratio as compared to 3:4 for DSLRs.
A round lens hood that worked for the 16 side would not be very effective on the 9 side.


DSLRs are actually 2X3
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Nov 22, 2019 08:11:05   #
Back lighting is not always bad. I would avoid the flash and use a circular polarizer to minimize reflections. Without seeing the scene I would say this is likely a circumstance that could use the ETTR technique(Exposure to the right) meaning the right side of the histogram. Increase exposure until you approach clipping the highlights and then bring the highlights back down in post processing. This will give more substance to the shadows and lower the contrast somewhat- a few examples would confirm if this approach could help. Pat
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Nov 13, 2019 08:57:16   #
Hi Paul, always enjoy your imagery! Other than the unique color palette of some films what is the value of using high res scanned film compared to the digital image? I have read that the digital sensors of newer cameras exceed the resolution of any film. Curious. Thx Pat
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Sep 26, 2019 09:45:01   #
I too traded the D810 for the Z7 primarily due to weight issues. There are places I simply cannot go lugging the 810 and five Zeiss primes at 24lbs so I now have the 7 with 24-70 F 4.0, 14-30 F4.0 and an older 105 Micro Nikkor that manual focusses on the 7-that's ok with me; including the adapter the package is now just over 5 lbs. Never looking back my ultimate test was a trip to Scotland and Ireland in June. Attached are some examples.

Kells' Bay, Ireland 14-30 F4.0 @14mm 1/50 at F11.0 ISO 100

(Download)

Inch Beach, Kerry Ireland Pano X3 @14mm 1/250 @ 5.6 ISO 100

(Download)

Glencoe Scotland 24-70mm @24mm 1/200 @ 6.3 ISO 64

(Download)

Galway Ireland 24mm 1/15 @4.0 ISO400

(Download)
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Aug 27, 2019 08:56:18   #
Wonderful images; what time of year were you there?
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Aug 21, 2019 14:32:28   #
JohnR wrote:
The only reason I can come up with is that in 1959 Olympus came out with what they called a Half Frame camera. This used the same 35mm film cassettes readily available but gave twice the shots i.e. 48 shots on a 24 shot cassette. It also resulted in a smaller camera body and lenses than the usual 35mm cameras. Strangely though 35mm film cameras were NEVER called Full Frame cameras as far as I can find out.

Also in the days of film photography - YES there were indeed frames in both movie and still cameras – the frame produced a good clear sharp border around the 36mm x 24mm images and the half frame 24mm x 18mm Olympus versions.

So why, I ask, are present day 35mm format digital cameras called Full Frame when there is NOT a frame anywhere within their innards full, half, or otherwise? Nor are there any frames in APS-C or M4/3 or any other digital cameras! Even smart phones don’t have frames.

There’s no logical reason for it as far as I can ascertain but my guess is that the advertising media are the culprits as using the word Full in an advert implies very strongly that one can get nothing better! The same issue has occurred with monitors and TV’s with the media still promoting Full HD as the best one can get.

So so wrong and in no way beneficial in any way shape or form to any aspiring photographer – how often do new users ask questions about full frame/crop sensor etc as they are confused by all the meaningless terms. (Crop sensor another misused and misconstrued term used mainly to denigrate and demean smaller sensor cameras! – but I won’t start on that bag of worms today!)

Anyway – Photographers of the World – please start calling a spade a spade as it will help promote photography as the precise technology it is.

Cheers JohnR
The only reason I can come up with is that in 1959... (show quote)


Actually the reference has nothing to do with 35mm still cameras. 35mm Film began life as movie film hence the sprockets on either side to drive the film though high speed cameras and projectors. Movie film came in 8mm, 16mm or "Full Frame" 35mm which is what major film studios used exclusively. Imagery was both shot and projected in vertical orientation and turned to horizontal format with anamorphic lenses. As is often the case the name "Full Frame" stuck and became part of the lexicon of still photography. Pat
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Jul 28, 2019 18:14:41   #
BluesImprov wrote:
A few days ago I was literally on the verge of buying a Nikon D500. . .BUT just as I was about to go ahead with the purchase a friend (?) told me I better research the murky future of XQD cards before I buy. He says XQD cards are going away and a camera like the D500 is going to have problems when those cards are discontinued by everyone. I have to say, this has caused me to pause and reconsider. I'm wondering if there are any experienced D500 users here who are also concerned about this. He also said Nikon will have to come up with a firmware update to try to make the XQD card slot on the D500 work with the new cf-express cards. . .He says the cf-express cards are the future of card technology. He says there is no way to know if such a firmware update would actually work, or work very well. So now I'm thoroughly confused about whether to invest in this camera or not. It's the right price range for me and has the features I want, but I can't afford to spend this much money only to have an ongoing card problem to deal with. I was so excited to make this purchase but now I'm kinda depressed about the situation. Are there any D500 users who have any thoughts about this? And, of course, the thoughts of any shooters using a different camera model that also uses XQD's would be appreciated. Thanks for reading, and thanks for any ideas you might have about this!
A few days ago I was literally on the verge of buy... (show quote)


Think about this for a minute; Nikon's new Mirrorless cameras, The Z6 & Z7 use only XQD cards-no other options. Do you really think they would tie their future to a planned obsolete card-no way!! My CF cards read/write at 60-150 mb/sec; the XQD card reads/writes at 400-440mb/sec. A 45 megapixel camera needs all the r/w speed it can get. XQD will be with us for a long time-count on it. Pat
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Jul 23, 2019 08:52:58   #
Howard5252 wrote:
I just got my Movo Bean; it is like an upside down U; designed to go over a car door.
I'd like to get some suggestions about filling it ... besides the usual rice or beans.
It will be supporting a fairly heavy lens and I'd like the bag to be on the light side
if possible. Does anyone have an idea for filling; something not normally thought of?
I guess what I want is lead shot stability with the weight of rice :-)


Check Amazon for polystyrene pellets. I bought last year a 5lb bag for about $10. They are light, inert and won't dissolve if they get wet. They were about 1/8" in diameter so they filled my bag and rest smoothly on any surface. Pat
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Jul 21, 2019 07:56:12   #
Dirty Dancing was actually filmed at Lake Lure in North Carolina.
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Jul 15, 2019 09:23:44   #
Hi Jim, Writers call it Pot Boiling and for Baseball Players it is Grinding-the process of pursuing one's craft day-in, day-out regardless of conditions or your your level of excitement about what happens to be in front of your lens. It usually does not produce one's most extraordinary work but it is always moving toward improvement in technique, seeing and responding to whatever is there. An early mentor of mine Fred Picker used to say "Chance favors the prepared mind". I am a firm believer that one of the most important qualities inherent to photography is patience. One of my favorite photos of all time is in a studio in Sedona Arizona (cannot recall the name) of a typical Arizona landscape of red rock mountains and desert with no structures and sparse vegetation taken at night. It was a dark sky area with no apparent light pollution in the distance. The photographer used a 5 X 7 view camera set up and framed and focussed at dusk and then he waited for the predicted thunderstorms. Some six hours later they finally showed up at 2:00am; seeing activity in the distance beyond the mountains he waited until the storm got closer and into the desert valley before he opened his shutter on bulb and within a few minutes it happened. Two simultaneous lightning strikes almost perfectly vertical and splitting his frame into roughly thirds appeared and fully lit his scene in ultra dramatic fashion. It is a fabulous image and I would love to have it but printed at 5' X 7' I have no place to put it-a bit pricey too at $4,500 but if I had the resources and space I'd own it. Keep boiling that pot, Jim. Pat
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Jul 10, 2019 18:13:33   #
like em! Just got back from Scotland and Ireland and though I did many sunny sky pics I think both countries are best suited to the more somber darker tones especially on the cloudy damp days. Pat
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Jul 10, 2019 18:07:28   #
You are a true sky aficionado. Your landscapes often seem to me to be at least as much if not more prominent in the clouds and dramatic lighting as the "land"scape. Do you use ND filters a lot? I have not delved there yet using primarily post processing and HDR to achieve similar effects. Thx Pat
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Jul 10, 2019 17:52:22   #
GENorkus wrote:
Back in the analog days I used a simple light meter here and there mainly to save film. Once again, I've started looking at light meters and now have a question. (Actually I thought about this years ago.)

If you weren't in a hurry, why couldn't a modern camera be used to get a light reading by holding the camera directly in front of the subject/model and pointing it to where the camera will be taking the image from? I doubt a flash could be used but ambient seems like it could be.

Yes, I know the camera attempts to get an 18% gray but regular light meters go for a similar look.

This is just something I was wondering about.
Back in the analog days I used a simple light mete... (show quote)


That would be attempting to use the camera's reflected light meter as an incident meter-they are two very far different animals and I would not recommend it. Incident meters are designed to read light sources and usually contain a diffusing dome. The metering algorithm is completely different. Pat
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Jun 1, 2019 10:36:25   #
Mistral wrote:
Hi! I have an amazing opportunity to be a photojournalist while traveling in Zambia over the next couple of weeks. I really want to take meaningful photos. For context, I work mainly with the poor, raising $$ for water. We will be out in the field. I would LOVE any suggestions, input, ideas on how to get that special shot when things are going to be moving fast.


Get a local guide-specifically someone who knows the area and the water issues is the biggest single advantage you can have.

Pat
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