If you have a Mac, iMovie is clean and easy. A stripped down version of Final Cut Pro. Being a working and enthusiastic photographer and graphic designer I subscribe to the Adobe Creative Suite. Included is Premiere, a very robust program with a steep learning curve. Also included is After Effects (special effects) and Audition (audio editing), neither of which I've even gotten to yet... but shall.
I can see jerryc41's point, any 365 challenge can become a chore. Though having said that, 'shooting openings' sounds like an excellent practice for 2017. My bigger challenge is getting out in the snow to do it. I guess there's lots of 'openings' in the house....
After reading all of the above I did Google 42St Camera. I found a scathing review in DPReview.com.... from 10 years ago!
Hi everybody,
I've been shooting with a Nikon D7100 and recently bought a D7200 as a second camera. When I shoot RAW with the D7100 and put the SD card into my iMac and open it up in 'icon' view, I see thumbnails of the images, which makes quick editing easy. On the D7200 however, I just get the same blank 'page' icons for each image. I can open up ViewNX 2 to see and select, but I prefer to just open it up on my desktop... just one less step. I've poked around my camera menu but can't find anything on this. I know that I can shoot RAW and jpeg, the latter which does give me a thumbnail with the same file number, but to save space on my card I prefer RAW only. Does anybody out there have any ideas?
Thanks!
Silly post. Thanks for the humor.
Insects in the refridgerator.... yuck!
Years ago I worked in a camera store. Remember those? And we were full service... we didn't just 'sell' the equipment but helped to guide our valued customers into buying what is best for them. Aside from the technical aspects and bells and whistles, how the camera felt in their hands, how it balanced, what felt balanced, was often the most important feature.
I shoot a lot of architectural and real estate photography. I work with a Nikon D7100 and for interiors my Nikkor 10-24mm is my go to lens. It's coverage for tight spots is great, though you have to watch perspective and converging lines and almost always have to fix in post. Having a good tripod with bubble levels is key. Learning to use strobes is also key. Though more and more doing multiple exposures for HDR effects is becoming more and more acceptable to the industry.