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Feb 12, 2013 07:04:41   #
Db7423 wrote:
I would use the two 50's for sure. Put the slower 35mm on your 7000 and the faster 1.4 on the D90. My reasoning is the D7000 will work better than the 90 at a higher ISO. Shoot in RAW to give you more flexibility in PP with your exposure. Use a reflector to soften your flash and dial it down as far as you can, be careful because after the first shot they will know you are there and candid may no longer be possible.


Excellent advice! The 50mm 1.4 will let in more light, but you will have to be a lot closer, so get out there and dance! Also, watch your shutter speed as there will obviously be movement at a dance. Your flash will help freeze it, but (depending how fast they are moving) even the 1/30 speed someone mentioned will be too slow. I do a lot of events, and was just post processing one yesterday where one of the photographers was shooting at that speed with flash and I had to delete all their photos from one section of the event. Too MUCH flash and it will make for an ugly photo as well....especially as close as you may be shooting with the 50 (keep in mind 50mm is basically what your eye sees, so close ups will be that close!)

Good luck and don't stress so much on the photos you don't have fun with your daughter!
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Feb 12, 2013 06:47:49   #
dandekarv wrote:
I am also a beginner in photography. Now I am afraid to ask dumb questions in this forum.
Clearly I don't want to get insulted.


Read my last remark, dandekarv.....there are no dumb questions. The main thing people do wrong here is thinking they can pick up a camera and PRESTO....they are now a photographer. It takes years of learning (I know I still am), practice and patience to become one, and those here who have been practicing years get a little (ok.....some a lot) upset when they hear of people picking up a camera one day and either calling themselves a photographer and/or charging for their services. It brings down the profession....nothing personal. Please don't be discouraged by a few ugly remarks! Besides, you will hear enough in your career (especially while still learning) that you need to be able to let it roll off. There will always be one person that doesn't appreciate or understand you work or style!
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Feb 12, 2013 06:41:25   #
It sounds like you have a while to learn before your son graduates, which is good. It will take much time and practice to understand exposure, where to shoot at what time of day, etc. I suggest you go out and take photos anywhere of anything that will sit still! Take the pressure off and photograph flowers....heck, a rock or a wall. You need to understand exposure, lighting and how to work your camera before you add in the stress of posing etc. Play with the settings to learn how shutter speed, aperture, and ISO relate to one another. Too slow a shutter speed can let in too much light (too slow not enough), the larger the aperture (which is a smaller number....will confuse you at first) the more light is let into your camera (allowing you a faster shutter speed which cuts down on movement/blur) and the higher the ISO the more sensitive you camera's sensor to light (which means you can use faster shutter, but TOO high can create "noise" which is basically grainy color). A good thing to help learn is to "bracket" your exposures (look this up...basically take the same photo several times changing one setting each time). Example: take a photo at a setting, another with one thing bumped up like shutter speed, another bumped up more, etc. Then STUDY your metadata (this is the recording of what settings you used for the photo) from the camera when you view your photos on your computer and LEARN from your successes and mistakes. THEN you have the basics and a better understanding of exposure. And you've JUST started....Good luck and don't get discouraged by snarky remarks here....there are many good and helpful people and you will learn a lot from them!
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Feb 11, 2013 09:17:35   #
[quote=Martys]
magicunicorn wrote:
Help. Help I think i have created a Monster.
*********************************************
Hello magicunicorn,...

It is great news that you are doing so well and are in demand,....................but you are only one people !!!!!

I have seen this happen to a wedding studio I once worked for,....the owner almost lost the business and family due the the stress of too, too, too much successful business.

The solution that finally resolved ALL the stress and continued floods of customers seeking his services,.....
Was,.... to raise his prices and focus on the higher income class customers.
He totally revamped his price schedule and business model and now only middle to upper class bookings are his focused market.
Amazing but true,...He actually makes more $$$$ and works a liveable work and family time schedule.
He skimmed off ALL those who expected him to work CHEAP.


Customers will take advantage of your services,...not intentionally but because they can,..IT'S SIMPLE ECONOMICS,...SUPPLY AND DEMAND. Theres nothing stopping them from getting in line for your services along with everyone else,...Heck,...your givving your work away.

With success comes responsibility,....it starts with you.

How many customers have said,....I am going to pay you more $$$$ to cover your time, expenses and overworking and the stress your enduring?? NONE won't happen.



You want a customer that respects and values your time such that they are amply willing to pay you the $$$$ for your talent and the product you produce,..who VALUE your time and talent.
Yes there will be those who will think you are over charging,...BUT ,...these same people DO NOT care that you ARE OVERWORKING and should be paid adequately for your precious hours of work.

If they are upset,...It's because they are missing out on your generosity of cheap and readily available labor for their photographs.

Those who value your work and talent,...WILL find a way to acquire your services if they want it bad enough.
They will understand you are taking care of yourself.

The $$$$ can be the equalizer in this situation,..or else you will work and stress yourself right out of being healthy enough to be any value to anyone,..family business,...family,...magazine,...yourself.

Thats the REAL monster you will create

After you,.....everyone else comes first,....if you care for yourself,...make "you" the first priority.

This doesn't mean you will have changed as a person,...you are still the same talented and attentive photographer and person whom they have always loved,....You have just taken charge of your own life thats all.

I often do more work than I have to as well,...for the same reason,...I'd rather do it myself ,..than ,...have someone else do it,....I do not see others willing to produce the product to my expectations and am not willing to gamble on thier inabilities.
If mistakes are going to be made,...I would rather be responsible for them,...most paid help care little about the inner workings and long months and years that it took to establish a dedicated customer following.

Sounds like a selfish solution,....but if you DON'T care enough about "Magicunicorn",...WHO IS.

You have to bite the bullet,...you have to love yourself first.
Love yourself enough,..that you do not let others take advantage of you.
You will always be the same talented personality,...

Also everyone will respect you for taking care of yourself and assuring that you are not running yourself into the ground.
Those that don't,....Well they just don't plain care about ,..you taking care of "you"

Just my two cents for what it's worth.

Exceptional results call for exceptional changes.

You have a life too.
This photographic endeavor that you love and do so well at,....will soon become a hated burden that you will dread every day.

Take care of "YOU" first,....the rest will follow.

Just hang in there,...your horse images are absolutely great,....I have watched you grow into the very talented and caring photographer that you have become.

As far as registering your business,...that goes without saying.
Marty
Help. Help I think i have created a Monster. br ... (show quote)


Thank you for the above, Marty! I am not yet in her shoes (witht he thriving business I hope to build) but this spoke volumes to me in my current situation of being treated poorly by my current employer. "Exceptional results call for exceptional changes" is my new mantra, and I will keep it in mind when I go in his office and stick up for myself! Excellent thoughts and good advice. Good luck with your business Magic Unicorn! Stick in there....
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Jan 30, 2013 08:36:59   #
I recently asked the owner of the shop where I buy my equipments what a 50mm 1.2 Canon L series would run me, and told him I was going to start saving my pennies for one. His response was "Well, you save your pennies, and then come in a lets see if I can sell you a Sigma 35mm, 50mm AND 85mm for the same price." He said he has road tested them all and the quality is par to the Canon L series. I intend to rent one of each for a weekend and see for myself, but he is always spot on (and could've taken me for more money as I eventually would have bought all 3 from Canon from him!)
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Jan 25, 2013 09:23:47   #
jeep_daddy wrote:
strikerazde wrote:
with softboxes, the bigger the box, the softer the light. so get as big as you can afford and can carry around. I think Wescot Apollo has a nice one.

But it is a balancing act when you shoot on location. You have to balance what you carry around with the shot you are looking for. I always use an assistant (wife) works cheep helps carry more stuff etc.

Just curious, how are you planning on remotely triggering the off camera flash? that may also enter into the decision. Once you place a flash inside a softbox, and that softbox is off your camera axis- you may need a radio trigger. It isn't long at all before you realize you need a separation light. Oops now you need a second flash.

I love flash photography!
with softboxes, the bigger the box, the softer the... (show quote)


Another good recommendation. I have the Wescot Apollo soft box and a light duty stand and it works great. But as stated by strikerazde, you will need to trigger the speedlite some how. You choices are another 600RT, and ETR3, or an off camera cord that's 33' long. The cord is the cheapest way and works well if you don't have to worry about people tripping over it. I would never use that for parties or weddings but for rooms in a house it would be fine and for studio photography it's fine.
quote=strikerazde with softboxes, the bigger the ... (show quote)


I have Pocket Wizards for triggering and just checked out the Westcott Apollo online...looks easy and quick to put together and take down. Thanks....your advice is appreciated!
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Jan 25, 2013 09:19:29   #
strikerazde wrote:
with softboxes, the bigger the box, the softer the light. so get as big as you can afford and can carry around. I think Wescot Apollo has a nice one.

But it is a balancing act when you shoot on location. You have to balance what you carry around with the shot you are looking for. I always use an assistant (wife) works cheep helps carry more stuff etc.

Just curious, how are you planning on remotely triggering the off camera flash? that may also enter into the decision. Once you place a flash inside a softbox, and that softbox is off your camera axis- you may need a radio trigger. It isn't long at all before you realize you need a separation light. Oops now you need a second flash.

I love flash photography!
with softboxes, the bigger the box, the softer the... (show quote)


Thanks for the advice! I have four Pocket Wizard III for triggering. Guess I have enough to control that separation light, too huh? LOL...so many toys, so little time!
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Jan 23, 2013 09:21:25   #
I am looking to buy my first off camera secondary light source to be used with my 600EX-RT flash. I recently bought and returned a kit because it was not user friendly. The speedring adapter was oriented in such a way that you could not see the controls on the flash, and the softbox had to be put together/taken apart each time you want to set up or take down. I should note this is essential as this is to be used in client's homes as opposed to being set up in a studio and never moved! A friend recommends Cheetah as they are really quick and easy (and I know they are as I have used one), but I'm wondering if anyone else has any suggestions. Also, and recommendations on size or shape of softbox are appreciated as there is so much to choose from. Thanks in advance!
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Jan 23, 2013 09:07:09   #
mdorn wrote:
Curtis_Lowe wrote:
OK this question is limited ,at least from my perspective on EF and EF-S mount cause I shoot Canon bodies.

What is your favortie lens and why?


As you know, I have many of the same lenses you have. However, I really like the prime 85mm f/1.8. It's no surprise that the 70-200 f/2.8 is for many their most favorite lens, but for absolute sharpness, I think the 85mm is still a hair better. And for less than 400 bucks, this lens is even more attractive. Just my opinion.
quote=Curtis_Lowe OK this question is limited ,at... (show quote)


See above, Curtis!
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Jan 23, 2013 09:03:27   #
Sorry, meant to reply to Curtis Lowe's post and can't seem to go back! I have been looking at buying an 85mm, but didn't know if I should spend the $$$ on the L series. I believe in spending the dough on the best glass if you can, but your comment makes me wonder if I'm wasting my money! The L is a 1.2 vs the 1.8. Do you get good quality in low light? Maybe I need to rent and compare before I buy...
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Jan 19, 2013 08:05:59   #
In the Library, select the photos you want to delete by highlighting them, and hit your delete key. It will ask if you want to delete or remove. As someone stated before, you can create a "Smart Collection" of your favorites to kick out the unwanted photos from that collection, but I never use this feature as I do not use Lightroom to catalogue my photos....I just edit them there and them export to folders on my PC. Maybe when I learn more about LR I will enjoy that feature.....good luck and don't give up on your purchase as it's fantastic software!
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Jan 17, 2013 19:12:08   #
Very clever, Jerry! You seem like a real hoot!
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Jan 17, 2013 07:38:40   #
After using a data recovery company to recover files on a damaged drive, I am encountering problems opening many of the files. In some cases you can see the thumbnail image on some but they fall apart when you open them in Bridge or PS. My thinking is that if the info is there to generate a thumbnail, shouldn't I be able to open the image? Or is the thumbnail info separate data? Also, I get various error messages when trying to open some images from "Photoshop does not recognize this type of file" (although it is a Jpeg or CR2) to "Could not complete your request because an unknown or invalid Jpeg marker type is found." Any info you may have on any of the above is appreciated and I hope if you've never been through this you never will!!
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Jan 13, 2013 08:48:17   #
Shutterbug for info on gear, Digital Photo Pro for outstanding photo inspiration and how-tos, and you absolutely MUST get Rangefinder as it covers everything from the state of the industry reports and trends to how-to lighting and post production work....and it's FREE!!! I'm still amazed I don't pay anything for this as it is one of my favorite magazines. AND, if you don't want a stack of them sitting around, you can order the online version (or get both like I do :)
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Dec 14, 2012 09:24:21   #
Catch lights add life to the eyes....I have actually added them when I didn't have them! But ditto to all those who have said too many are distracting.
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