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May 26, 2012 11:56:30   #
They say the best repair for a pop-up flash is super glue. The pop-up flash produces the worst light possible for photography . . . maybe having it get stuck closed is a God's send. :-)
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May 23, 2012 23:00:15   #
birdpix wrote:
I have attached part of an answer I gave to someone having problems focusing on a bird. This is no different than what you are trying to do with the squirrel. First off, focusing through two panes of glass is always a problem.

Factors that contribute to getting sharp pictures. A primer for backyard bird photographers.
There are two major factors that need to be considered in getting sharp photographs: accurate focus and camera or subject movement. Here are a number of things that we can do to assist us in getting accurate focus and things that we can do to minimize the effects of camera or subject movement.
Accurate Focus:
1. We need to learn to control what the camera will focus on. We do this by using “single point Auto Focus”. That is when we use only one of the many AF points available with our camera. When we take the photograph we need to be certain that this AF point is placed on the subject in the area of most critical focus. With birds, we usually use the eye or head as that location. With birds that are not moving or are only moving parallel to our position we can use “One Shot AF”. To do this we place the focus point on the critical area, half press the shutter button to lock the focus, recompose the photo if necessary, then fully press the shutter button to take the picture. We can also use AI Servo-AF if we have a subject that is moving closer to or farther away from us. With this mode, the camera will continue to adjust focus when the subject moves BUT we need to keep the AF point on the area of critical focus.
2. We need to control our aperture in order to achieve appropriate depth of field. Especially with longer focal length lenses, depth of field will be very shallow when we use the widest apertures our lens is capable of. In addition, most lenses are not as sharp when used at either extreme of our f/stop range. We therefore use the middle range of f/stops like f/8 or f/11 which will give us the best compromise between depth of field and sharpness.
Minimizing the effects of camera and subject movement:
1. Shutter speed is the single most important factor in mitigating both camera shake and subject movement. With long lenses, the rule of thumb is that you can hand hold a lens if you are using a shutter speed at least 1 over the focal length. So for a 300mm lens that means shooting at 1/300th sec. That is fine if your bird is perfectly still but birds move, feeders and tree branches can move with a breeze and if your 1/300th shutter speed is not enough to stop that motion your subject will be blurry. For birds, I suggest you double the minimum requirement. In our example of the 300mm lens, we would then need at least 1/600th sec. This rule applies even if we have Image Stabilization in our lens because IS does not help subject motion blur! In fact, I apply this rule even if my camera is on a tripod because, again, the tripod only addresses camera movement not subject movement.

2. Learn to release the shutter gently by rolling your finger across it to first get the half press to initiate focus and then to fully depress it to take the picture. Fire your camera just like you fire a rifle. Take a breath and slowly breathe out as you roll your finger over the shutter button and take the picture. This help minimize camera movement at the instant we take the picture.

3. I advocate using a tripod only for longer, heavier lenses in which case we do not lock the tripod down as we need to be able to move our camera to keep the focus point where we want it on the bird. Because of this need to move the camera the use of mirror lock up or a remote shutter release becomes impractical. When handholding the camera, brace it against something, if possible. A tree, fence post, railing, the arm of a chair, whatever is handy will help. Keep the viewfinder tight to your face, left arm bent with the hand cradling the lens from below, left foot comfortably forward, right foot back, feet at a 90 degree angle, then use your breathing technique along with the rolling motion of the shutter finger to take your shot.


Your basic settings, using a 300mm lens would look like this: 1/600th sec at f/8 at whatever ISO is needed to achieve good exposure. In bright sunlight your ISO will be around 150. If you need to adjust for lighting conditions my preference is to adjust ISO first. Only you know how high your camera will allow you to go before you get too much noise. After ISO adjust aperture and finally f/stop.

These tips are just a basic primer on getting good focus and are geared towards folks trying to take pictures of backyard birds whether they are at a feeder or perched in a tree or bush. More advanced techniques are needed for birds in flight, longer telephoto lenses and extreme distances. Since I own Canon equipment I have used Canon’s terminology. You may have to translate some of that. These are my personal thoughts based on long experience but I don’t claim any special knowledge. I welcome all additions and comments.
I have attached part of an answer I gave to someon... (show quote)


Well said!
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May 23, 2012 17:14:38   #
We are talking about two different sets of choices. There is also a setting in both Canon and Nikon that lets you choose one center spot on which to focus, or multiple spots in different areas of the screen. You can set a single spot on any of the available spots on the screen, or let the camera decide which to use. When you let the camera decide, it will default at focusing on the closest subject with detail and contrast. "Wide focus", or on Canon "AI Servo", which is the same thing, is designed for moving subjects and is not the best choice for a still subject. On Canon, and I would assume also on Nikon, there is a third choice of modes called "AI Focus" which let's the camera decide whether the subject is moving or not and chooses between single shot and AI Servo. Again not the best choice for keeping control. For my money on the squirrel image I would have chosen to focus manually, as the area of desirable focus is such a small percentage of the total frame. The camera just cannot know what it is we wish to have in sharp focus.
Just my 2 cents.
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May 23, 2012 16:56:15   #
I have, and always will, shoot in Raw. It saves 10 times the information and lets you decide on many adjustments to suit the particular image without loss of quality. Shooting in JPG lets the camera make those decisions for you, then after the fact if you decide you don't like what the camera decided, you can change it (to a degree) but at the cost of losing quality with each and every adjustment. JPG is also a compressed file. It compresses by throwing away valuable information and pixels, which when re-opened, replaces those pixels and information with a computerized guess as to what was there in the first place. I hope that I am more intelligent than the little computer in my camera! ;-)
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May 23, 2012 16:46:02   #
Is the "wide focus" more focus points from which to choose?
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May 23, 2012 16:38:41   #
Gidgette . . . I am a Canon shooter so have never heard the expression "wide focus". Can you please explain?
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May 23, 2012 12:01:09   #
"Thanks Silver. I hear what you are saying. As far as the new camera goes, the one I have is only 8 megapixels, and it seems that when I enlarge, or crop, it becomes grainy. Is that technique, or lack of a higher pixel count?"

I have a 24 x 36 picture on my wall taken with an 8.1 megapixel Canon camera . . . it is perfectly sharp . . . no pixelization (is that a word?) . . . no grain/noise.

Two things determine the quality of your end result:

1) Proper exposure and cropping right out of the camera. (One F/stop of under exposure causes a loss of 50% of image quality and under exposure is the biggest single cause of "grain"/noise.)

2) As little as possible post processing in editing software. Each and every adjustment causes loss of quality.

Want to upgrade? . . my suggestion is to keep the camera and invest in some "L" glass. If you stick with Canon you can always use the better glass. In a camera/lens combination, it is only as good as the weakest link. In your case the lens will be your weak link and a top end lens will show you incredible improvement of quality.

Hope that helps
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May 23, 2012 11:24:12   #
Here are a few facts that might help you understand what you are up against with your evaluation of the focal point of the squirrel image.

1) Shooting through any kind of glass can effect your focus, depending on how close to the glass the camera is situated and how clean the glass is. This is NOT the problem here as it would cause the image to be much more OOF.
2) The camera focuses on an area much larger than the little red square that you see in your viewfinder, so trying to focus on a squirrel's eye at that distance is at best a waste of time.
3) Auto focus uses several vertical rows of pixels on the sensor for adjusting focus. These pixels are sensitive to detail and contrast especially in lines that run perpendicular to the rows. If what you have in the little red box area has no vertical lines, or little contrast or detail, then the camera will search elsewhere for those vertical lines, detail or contrast. (like the grass which has lots of lines, lots of contrast and lots of detail. This has nothing to do with your lens, but the method the auto focus uses to focus.
4) Your camera has a number of pre-set focus points. When you ask for the focal point of an image with your software it picks the little red square that was used at the time of exposure by the camera . . . whether it was in or out of focus. It cannot just pick a spot anywhere on the image.
5) If you are trying to focus on a subject with little detail or contrast (that the camera can see) and you have surrounding contrast and detail, especially lines that are running perpendicular to your sensor pixel rows, then the answer is to pick a point of focus with detail and contrast that is the same distance from the camera as the subject, lock in the focus by pressing your shutter button half way . . hold it there . . . recompose your image . . . then press the button the rest of the way to capture it. The other way is to switch to manual focus under those situations.
The reason your gull shot is so tack sharp is because the camera had no other detail in the area to challenge the detail of the gull.

Hope that helps. By the way, great suggestion you received about checking the focus mode on your camera. Center spot focusing is how my cameras are always set.
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