windshoppe wrote:
You might wish to consider using an app for your phone. I use the DOF Calculator which works very well with a variety of camera makes and models.
Thanks, I'll definitely check it out.
Yes, these are essentially the same as the ones I use. I printed a couple of them, cut them down to size, laminated them, and carry in my shirt pocket.
To get everything sharp from front to back in a landscape scene, I have a couple of small charts I use that list hyperfocal distances for various focal lengths and aperture values. But, I'm curious about any quick mental calculations members are using these days to estimate hyperfocal distances ... or should I just stick to my charts?
Because I shoot mainly landscape and street scenes, for me it's not RAW vs JPEG. I configure RAW + JPEG fine in my D750. When the lighting is "easy," I use the JPEGs. But, for example, when shooting snow-capped mountains in partly cloudy skies, in manual mode I meter to get all the colors of the sky and avoid blown-out clouds and set the focus on my subject, and later I'll use the RAW file to bring out all the colors in the pine trees, etc. If the lighting is "easy" but I want to add some artistic flare, I'll use the RAW file. I'm just saying ...
Typical walk-around lens? My 24-70 f2.8E has been spending more and more time on my D750. I usually carry a 50 f1.8, but last couple excursions I never took it out of my bag!
Yes. I like the 24-120 f4 and recommend it highly, but when I'm shooting a particularly beautiful landscape, national park, etc., I grab the 24-70 f2.8E.
I have used both on my D750. I shoot mainly street photography and landscapes while traveling. For me, the 24-120 f4 VR is a great lense, easy to carry and pack in my messenger bag, and is definitely sharp enough. The 24-70 f2.8E VR is a little heavier and not as easy to carry in my messenger bag, but the 24-70 f2.8E VR brings out a depth and range of color and 3D dimension that I'm at a loss to describe technically; the photos just pop! BTW, I shoot RAW and use Lightroom 6.
I love mine! Excellent focusing ability. Lots of options for custom settings and changing button assignments. Slightly lighter and smaller than D810 and 5D Mk IV, which is a plus for long hauls with heavy lenses. At the current prices, it's a steal for a new one, IMO.
Like most, I have a box of camera straps. I've settled on Peak Design. Modular design makes switching from wrist strap (they call it the Clutch) to neck strap easy. Neck straps are pretty comfortable even with DSLR and f2.8 zooms and fold up to compact size when not in use.
Very happy with it. Excellent AF. My favorite is the number of custom button options are incredible, especially when including 3 custom shooting modes (C1-C3) -- if you can remember where you put all your custom settings! I keep a cheat sheet, which I keep updated, to keep track of everything, especially if there has to be a full reset for some reason.
Happy shooting!
On my 5D MkIV, I've never missed it. In fact, I prefer this lens over my Nikon 24-70 f2.8 ED VR because with my Canon 24-70 f2.8 I can take great photos at 3/4 the size and weight, which when traveling adds up to a big difference.