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May 30, 2018 03:46:02   #
rdrechsler wrote:
That really makes a nice difference. Thank you!


Yes it did ,the first looked like some one in the. Gay pride parade. Mind you I never seen one live ,only on tv
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May 30, 2018 03:18:39   #
IBM wrote:
The 35mm would be the same as the fifty on your camera , you don't want 50mm on d3200 , the full frame you do , there both called Normal lens because it's about what your eye sees with out looking through any camera so a 50 mm on your is like having
A


75 mm. I ment as last word , got cought up in the show
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May 30, 2018 03:10:46   #
chuck barker wrote:
My camera is a nikon d3200. Question is 35mm 1.8-- 50mm 1.8 can only have one, what would be the best for city street and small village streets for me too get?


The 35mm would be the same as the fifty on your camera , you don't want 50mm on d3200 , the full frame you do , there both called Normal lens because it's about what your eye sees with out looking through any camera so a 50 mm on your is like having
A
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Apr 26, 2018 13:17:42   #
Key word here , one person's take on the subject, we all have different views , and trying to cuppy hole it to what is right and what is wrong , is like trying to clam you know how every thing should appear to the world's eye , you can't control nature ,nature controls
You , a banker is no better than a garbage man ,it's only how humans have been taught to perceive a difference, a dog or any other anamal is the only thing who sees it for what it is , not what you want to be , there is no right or wrong way to make or take a photo
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Mar 22, 2018 20:27:00   #
As far as I can see there is nothing earth shateringin in any of these . Any one with a camera can take these all day long
And they do .I do also . It takes a lot of work to make a wotthy picture out of every day stuff you find in a park . The time of day
And light is. One the key things, ,and this isent it . I dont know what you can do . Just keep taking a lot of pic, and find some park
shots in library books, and note the difference.
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Mar 19, 2018 15:10:41   #
rehess wrote:
If I understand your thoughts correctly here, street photography, photographs of people you do not know, do not keep your attention, and therefore should be classified as "snapshots"??


No I did not say that , I said if I took the shot and did not like it , it's gone , i dont care what it is or who took it .if it popped up
In a book I was browsing, I would flip the page page in the time I said , but if it was a original in my hands worth money .
Well I'm not stupid, there have been pictures in mags that I have looked at for at least 30 or more minuites then came back
To them and looked again. And one that I could look at for a hour at a time, it had so much going for it I was mesmerized evertime I looked at it ,
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Mar 18, 2018 21:07:00   #
davyboy wrote:
If I set up a shot for 5 minutes or shorter then it’s A snapshot and say I spend a hour setting up a shot then it’s a photograph ?


And if I spent 3 to five seconds looking at each one , I would not call it a keeper. And if I spent ten seconds looking at each one
That would be two keepers , any thing that I take the three seconds get tossed out and if I keep a five second one ,I have to know
The people . And never able to get another shot of them ,that goes for snaps and any thing else I take ,set up. What ever ?
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Mar 18, 2018 20:21:07   #
autofocus wrote:
I feel bad for you if you're into photography and you don't know the difference between a snapshot and a well executed photograph, and what the hell is a calledba “”pic”?


Define well executed, and can't the two ever be judged as equals in a photo contest. To me a snap shot is just about anything
That Karsh never took , and just about every thing that Jerry Winnograd took .
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Mar 17, 2018 16:42:26   #
Largobob wrote:
I personally put lighting as #1. Without proper/compelling lighting, the best subject/composition/technical aspects mean little.


That is equivalent of saying the same of the camera , as it plays a small part. Or legs and feet with out them you most likely
Would be in a different spot , that could be good or bad ,
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Mar 16, 2018 21:46:33   #
srt101fan wrote:
Good question. Looking forward to a lively debate.

I tend to agree that you don't need a lot of the technical stuff. But I disagree with you that composition is King. I would put subject/content first, composition second.


Not so. Composition content can be the most pile of crap you ever want to see , then in another shape and form it can be a winning photograph, I have seen them , pavement water sunlight pebbles fog sky , the content is nothing ,tell it gets to be a
Composition
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Mar 16, 2018 21:31:47   #
SharpShooter wrote:
As I see the parade of post on UHH, most are about TECH, cameras, lenses or how they work or what we need?!
Does anybody have to know or even care how the duel pixel focusing system in their camera even works?
Who cares what the light meter is doing, the camera can do that all by itself!
Most of the pics shot on Manual are worse than the ones shot on Auto, at least that’s what many come on here saying.
I’ve said here many times that composition is KING! So if we compose well, why do we need to know any technical BS at all?!?! Gone are the days of full manual cameras with no meters and flying by the seat of your pants.
The cameras are way smarter than we are anyway.
With only a few exceptions, do we need to know any tech at all??? Do we?
Do you, other than to sound impressive???
I say no, what do you say?!
Feel free to post some pics to show your position. How you feel knowledge of tech helped your image!
SS
As I see the parade of post on UHH, most are about... (show quote)


I would agree, unless your a camera man shooting films like Laurence Of Arabia, after all what did all the great photographer's
Of the past know about the teck end of things , they knew what there limited box could do , and how to develop, and the main
Thing is they had a eye. Which I may never acquire. I have the camera part down , should , after over ,with over 50 years of playing
With it .still waitin to develop the eye . Im cooking more than normal now with the new insta pot. Got some shots of baby back ribs that taste better than they look , and the two minuite eggs are perfectly done
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Mar 16, 2018 20:05:00   #
ejones0310 wrote:
Been there and they are $100 higher. Plus they are out of stock. The price difference makes me suspicious.


That $100 would be a hundered or more saved ,rather than going to any place other than the refurbishsures, that are not recommended by the camera maker , or have a ticket to that effect.
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Feb 15, 2018 14:07:38   #
Rolk wrote:
Awesome, Burkphoto! I'm glad I'm not the only one who caught that poor use of the english language!


Could be that I was born and raised in a different country , how many can you write and speak in ,
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Feb 11, 2018 01:40:57   #
ken glanzer wrote:
To properly support the N850 or any top camera, how do you know which lens is a superior lens--buy price only . Has anyone printed a list of the best for the N850?


Just Google Thom Hogan , he is the garu of Nikon , you will find the answer in his site
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Feb 6, 2018 04:05:09   #
rehess wrote:
What issues in particular do you see with the less pricey lenses?


Not me , l am just quoting the people who write the results of there testing this sort of thing , and they seem to find that the
Top end cameras especially the full frame sensor , just preform with the top end lenses better than they do with a lens that
Cost say $1200, and the top end one of same focal length cost $2400 , and there is a difference how many bought a new D800
And still does not own a lens that cost over a $1000. A good example is that Nikon wide angle that cost $1900, the one that you
Can't fit a filter on its bulbes head for protection . You can really see the difference in that lens on a D800 and a $1200 . A lot
Of people do not even think along that line of thought. But it's there and if your a pixel paper you would buy the top lens .
Other wise it's a waste of time and effort. The people who are really into it buy the German and Swiss lens for $3000 or $4000
A pop for the D800.And higher end camera's.
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