IcemanKS wrote:
Greetings, I own a D5300 and was wondering what my next camera should be. It will probably be my last. I also own a ton of DX glass that works on my D5300. Am I totally competent with the D5300, NO. I guess it's gas. I'm eyeballing a D500 but not sure if it's overkill.
Respectfully,
iCE~
I've read each of the replies here. A few of them provide good information and advice. I have been privileged to own several Nikon DSLRs since starting out with a D200 in 2007. The D500 is the most current member of the family originated with the D100 and followed by the D200, D300, D300s, and finally the D500. I delayed getting a D500 for about two years, based on some misconceptions of my own and some really bad advice that I watched being given to others about the D500 on this forum. Now, I truly regret that delay, and have learned never to select or reject a camera based on the comments and even well-meaning advice of others. (And yes, that has to also include any advice from me, so I'll not give you any, but I will tell you about the D500.)
First and foremost, the D500 is absolutely not just a sports and wildlife camera. I have no idea where that empty-headed notion came from, but it is simply not true. I shoot neither of those formats, but I still make really good use of my D500. It will do things for me that no other camera I have owned (except for the D850) will do. And its "professional" user interface system stands miles above that of the consumer grade cameras (and for this discussion, that includes the D750 as well). Once you have the camera set up, you will find that it is almost necessary to access the menu system while you are in the field (or studio). Almost any adjustment you would care to make can be accomplished directly and immediately through use of the buttons, switches, and dials on the camera body.
Sensor density is almost exactly the same as that of the D850. That means that it can make the best use of any of the premium lenses that you might want to use with it. But it will also make every lens you already own at least a little bit better.
There have been comments in other threads finding fault with the low light/high ISO performance of the D500. As far as I can see, those problems must arise from user error or some other external problem. I routinely shoot at ISO 6400 for night photos, and occasionally at 12800 or higher with really good results.
My primary DX lens has for a number of years been the 17-55mm F2.8 G zoom. This is a true Gold Ring lens that is built like a tank and works as well today as when I bought it more than 10 years ago. I still use it, because it meshes perfectly alongside the 14-24mm and 70-200mm zooms used on my full frame cameras. That said, I've lately been supplementing it with a used 24-120mm f4 G VR lens that I picked up recently for about $400. This is a gold ring full frame lens that gets mixed reviews here, but it works great on a DX camera, and is a little bit less to carry around in difficult situations than the 17-55. It's used price was between $200 and $300 less than for a used 16-80mm zoom that lots of folks like, and in my judgement it is a much tighter, better built, and more durable lens (yes, it is built with a lot of plastic) than the 16-80.
There is a rumor that there will not be a "next generation" D500, but that should not be a problem. It's hard to think about what improvements or additions might be useful. Nikon did discontinue the D300s without a replacement a few years ago, which I'm guessing that they saw as a big mistake, since they eventually introduced the D500. Any company can discontinue any product at any time, but that does not mean that the product itself is not a worthy one.
So keep looking if you're not sure. But if you do decide to go with the D500, do it with confidence.