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Rec for tripod
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Jul 13, 2019 19:33:36   #
E.L.. Shapiro Loc: Ottawa, Ontario Canada
 
"Little things mean a lot" and avoiding the "weakest link in the chain" is important in tripod selection.

Suppose you are considering an apparently solid, and stable tripod with seemingly good construction and sturdy legs. The next thing to examine is the little details such as the locking devices on each leg section. Make certain the theses locking mechanisms are positive and not likely to strip or fail even if slightly over tightened. On some modes, the entire locking assemblies can be easily replaced if they become worn or damaged. The lever or thumbscrews should have ample wings, knobs, or handles for easy locking and unlocking. With sleeve type of leg locks, see that they operate smoothly, can be easily cleaned out and lubricated if they become wet or soiled, and lock positively without the necessity of overtightening.

Make sure the legs are attached to the central platform with serviceable nuts and bolts- not fore fitted or rivet-like fastenings.

I prefer if the screw shaft that meshes with the head to be of the 3/8 X 16 UNC type rather than the 1/4 X20.

Don't place a cheap flimsy head on a good tripod, that defeats its purpose in various ways.

Technique counts- Even the best tripod and head combination can not provide the best support and buffer all by itself. Placing it, spreading the legs, and setting it up properly and applying the buffering methods that Gene alluded to is important.

Good care- Many folks have posted mentioning that they are successfully using their tripods for many years without issue. I would bet that they are providing good maintenance and practicing good user habits. Keep your tripod clean a lubricated. Do not secure the head or the camera in place by turning the assembly by grasping the camera or the head and using it for extra torque or leverage- something's gonna sheer off! Replace faulty parts before they totally fail or fall off.

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Jul 13, 2019 19:37:06   #
dennis2146 Loc: Eastern Idaho
 
Gene51 wrote:
I would try the 4x5's with your Induro. The Majestic was a studio tripod, and not easy to use in the field. I had a 1201 and also a Gitzo Studex - both of which weighed a ton, but were as stable as if I had bolted the camera to a big rock in the ground. There were a few wooden tripods that did an excellent job with my Linhof Technika and my Horseman 985, but they are long gone. Anyway, I think the current range of high-end carbon fiber tripods are superior in every way to the old stuff. I still have an emotional attachment to my 9' Calumet camera stand, which I still keep around in the event I return to doing studio work. I affectionately refer to it as my 250 lb monopod.

If you select a tripod based on your worst-case scenario - long lens/high magnification - it will be more than suitable for just about anything else, though it might prove a bit heavy (they are usually 4-6 lbs without a head) for traveling.
I would try the 4x5's with your Induro. The Majest... (show quote)


My friend who was a professional studio photographer used a Majestic which is where I had seen one. He loved it. One of my favorite uncles gave me what looks two newish 4X5 field cameras and a Century Graphic. The Century needs some repair of the lens but otherwise seems to work fine. Of the 4X5's one is a Winner and I don't recall the other one. Both are in my Idaho house in a box for safe keeping. With this conversation I remembered he also gave me some 4X5 film holders and a 120 roll film adapter for 4X5. When I get back up there in a month or so I might give the roll film adapter a try. He also gave me an old Kodak Medalist that has been fitted to take 120 film rather than 620 film. It is nice having a loving uncle.

I will try the 4X5 on the Induro. It seems pretty sturdy and of course it won't have a long lens to balance out the front.

Thank you Gene,

Dennis

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Jul 13, 2019 19:55:01   #
dennis2146 Loc: Eastern Idaho
 
E.L.. Shapiro wrote:
"Little things mean a lot" and avoiding the "weakest link in the chain" is important in tripod selection.

Suppose you are considering an apparently solid, and stable tripod with seemingly good construction and sturdy legs. The next thing to examine is the little details such as the locking devices on each leg section. Make certain the theses locking mechanisms are positive and not likely to strip or fail even if slightly over tightened. On some modes, the entire locking assemblies can be easily replaced if they become worn or damaged. The lever or thumbscrews should have ample wings, knobs, or handles for easy locking and unlocking. With sleeve type of leg locks, see that they operate smoothly, can be easily cleaned out and lubricated if they become wet or soiled, and lock positively without the necessity of overtightening.

Make sure the legs are attached to the central platform with serviceable nuts and bolts- not fore fitted or rivet-like fastenings.

I prefer if the screw shaft that meshes with the head to be of the 3/8 X 16 UNC type rather than the 1/4 X20.

Don't place a cheap flimsy head on a good tripod, that defeats its purpose in various ways.

Technique counts- Even the best tripod and head combination can not provide the best support and buffer all by itself. Placing it, spreading the legs, and setting it up properly and applying the buffering methods that Gene alluded to is important.

Good care- Many folks have posted mentioning that they are successfully using their tripods for many years without issue. I would bet that they are providing good maintenance and practicing good user habits. Keep your tripod clean a lubricated. Do not secure the head or the camera in place by turning the assembly by grasping the camera or the head and using it for extra torque or leverage- something's gonna sheer off! Replace faulty parts before they totally fail or fall off.
"Little things mean a lot" and avoiding ... (show quote)


If you are talking to me I thank you.

Dennis

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Jul 13, 2019 20:45:05   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
dennis2146 wrote:
My friend who was a professional studio photographer used a Majestic which is where I had seen one. He loved it. One of my favorite uncles gave me what looks two newish 4X5 field cameras and a Century Graphic. The Century needs some repair of the lens but otherwise seems to work fine. Of the 4X5's one is a Winner and I don't recall the other one. Both are in my Idaho house in a box for safe keeping. With this conversation I remembered he also gave me some 4X5 film holders and a 120 roll film adapter for 4X5. When I get back up there in a month or so I might give the roll film adapter a try. He also gave me an old Kodak Medalist that has been fitted to take 120 film rather than 620 film. It is nice having a loving uncle.

I will try the 4X5 on the Induro. It seems pretty sturdy and of course it won't have a long lens to balance out the front.

Thank you Gene,

Dennis
My friend who was a professional studio photograph... (show quote)


My pleasure. Weight is not a problem, and if you are using a lens in the range of 120mm to 150mm - you should be fine. One of the biggest and least understood sources of camera shake when mounted on a tripod is shutter shock - and it affects any camera with a mechanical shutter, including mirrorless. The leaf shutters on view camera lenses don't have this problem, which is why I think you'll be fine with the Induro. But don't take my word for it, just try it and see if it works for you.

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Jul 13, 2019 20:59:58   #
dennis2146 Loc: Eastern Idaho
 
Gene51 wrote:
My pleasure. Weight is not a problem, and if you are using a lens in the range of 120mm to 150mm - you should be fine. One of the biggest and least understood sources of camera shake when mounted on a tripod is shutter shock - and it affects any camera with a mechanical shutter, including mirrorless. The leaf shutters on view camera lenses don't have this problem, which is why I think you'll be fine with the Induro. But don't take my word for it, just try it and see if it works for you.


Of course. I will give it a try when I get back up there and see how it goes. Thanks.

Dennis

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Jul 13, 2019 22:12:55   #
cjc2 Loc: Hellertown PA
 
dennis2146 wrote:
Yes, I get all of that. My question related to IF I have one good tripod will it not do everything I want it to do. I don't think I need to buy one tripod for a fly's eye and then another tripod for landscapes. That is provided the one for landscapes is a good quality tripod. I have two unused 4X5 field cameras. I realize my Induro tripod may not be the best for using those cameras and I may need to buy something like an older used Majestic type tripod for those cameras. I have never used either one so far. Thanks.

Dennis
Yes, I get all of that. My question related to IF... (show quote)


You only NEED to buy what you WANT to buy. (Or, is it the other way around.) . What's BEST for a particular purpose is a different question. For me at least, one tripod does not do it all. Best of luck.

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Jul 14, 2019 01:05:46   #
dennis2146 Loc: Eastern Idaho
 
cjc2 wrote:
You only NEED to buy what you WANT to buy. (Or, is it the other way around.) . What's BEST for a particular purpose is a different question. For me at least, one tripod does not do it all. Best of luck.


Yes I know that. Thanks.

Dennis

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Jul 14, 2019 03:27:24   #
cjc2 Loc: Hellertown PA
 
dennis2146 wrote:
Yes I know that. Thanks.

Dennis


Your soo welcome!

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Jul 15, 2019 17:40:42   #
latebloomer Loc: Topeka, KS
 


Great tripod! Look at some Gene51 tripod posts. He knows physics It is vibration instead that is more important than weight. Size of upper reg is also important.

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Apr 28, 2020 21:23:07   #
Dennis 221
 
I like my 3legged thing waston

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