scsdesphotography wrote:
Well Gene51 and I disagree on this one. While bouncing light is a partial solution to softening the light from your flash, the effect is highly dependent on what the light is bouncing off of. How high is the ceiling, what shape does it have, what about the color? Using a diffuser is way less dependent on those factors even when you do use the bounce method. And honestly, even bouncing an undiffused light source can still create an image with the just 'flashed' look. I use Stofen diffusers on my speedlight. They're small, custom fit to my light and come in colors to match the ambient light. And most importantly, they create a soft natural light.
Well Gene51 and I disagree on this one. While boun... (
show quote)
Sto-fens are good, and I used one for several years. Gary Fong actually used and recommended them. He used their idea and improved upon it. But you're right, it did a good job. The Fong design gave a little more roundness in my results.
Go to amazon you can pick up a diffusers for 10.00 15.00 take a look there cheep as dirt and just like fongs.
carl hervol wrote:
Go to amazon you can pick up a diffusers for 10.00 15.00 take a look there cheep as dirt and just like fongs.
No...they're not. I've tried those. A Sto-fen is better than those knock-off jobs
I think the motivation to use a Gary Fong style diffuser is based on the goal of eliminating shadows.
Shadows are your friend. Without shadows the human face/figure loses all depth and modeling.(3-D effect)
The flatness adds weight to the subject. (not popular these days). It's like throwing the ideal "Rembrandt lighting, split lighting, butterfly lighting, etc. . . right out the window as they ALL depend on shadows to be accomplished.
The goal should NOT be to eliminate shadows. . . but to control them. This is the opposite to what is accomplished with a Light Sphere type modifier on-camera.
Just my humble opinion of course as a portrait/wedding photographer for over 5 decades.
Weddingguy wrote:
I think the motivation to use a Gary Fong style diffuser is based on the goal of eliminating shadows.
Shadows are your friend. Without shadows the human face/figure loses all depth and modeling.(3-D effect)
The flatness adds weight to the subject. (not popular these days). It's like throwing the ideal "Rembrandt lighting, split lighting, butterfly lighting, etc. . . right out the window as they ALL depend on shadows to be accomplished.
The goal should NOT be to eliminate shadows. . . but to control them. This is the opposite to what is accomplished with a Light Sphere type modifier on-camera.
Just my humble opinion of course as a portrait/wedding photographer for over 5 decades.
I think the motivation to use a Gary Fong style di... (
show quote)
In portrait photography, absolutely. In weddings...maybe. You are working quickly. Often you are working with groups of people. With an assistant, you can dual light, which I did often. However, the average customer prefers no shadows! The LightSphere lets the photographer do a good job for the customer under conditions that are often less than optimal.
If you want to reply, then
register here. Registration is free and your account is created instantly, so you can post right away.