Exdeltalady wrote:
I can't imagine NOT shooting RAW.
I can't imagine not intelligently using both raw and JPEG workflows, but for TOTALLY DIFFERENT reasons.
I normally work with raw files for the latitude of control and quality advantages it provides. But:
> When I'm photographing a high volume of similar subjects, under the exact same controlled lighting conditions, AND
> When I can set fixed manual exposure AND a fixed, manual, pre-set, custom white balance in reference to a suitable target, AND
> When the scene contrast range will fit within a six stop range, THEN
> I will use JPEG capture with in-camera processing.
I consider that a professional technique. When I'm doing this sort of work for pay (for example: high volume portraits, parts catalog photography, copy stand work for presentations…), I don't want the extra expense of post processing. When I control the lighting quality, intensity, and contrast ratios, I can get perfectly acceptable results from the camera. When I can't, I save raw files. In the event there is an immediate need for images, but the conditions are not ideal, I will record both raw files and in-camera generated JPEGs.
Workflow choices are personal. A lot of folks on UHH record JPEGs because they don't want to spend time with post-processing. Their image quality standards tolerate some mistakes, blown highlights, and plugged shadows, or a white balance that cannot be corrected because it is too far out of bounds, or the light source itself is not correctable. Maybe they are uncomfortable with computers, or don't want the mental challenge of learning software. That's okay... These are the same folks who accepted drugstore processing 30 years ago.