Cany143 wrote:
No clue (well, maybe that's not an entirely accurate guess of) how Vince might see your revision, Steve, but for my money, that's a really right re-interpretation of a converted interpretation of a previously interpreted scene.
We 'expect' the facing wall to lack detail and be in shade, and you got that. We 'expect' the background foliage to be there, but not be somehow overpowering, and you got that, too. We 'expect' the statue to be darker, more sculpted, and separated from the world outside in sunlight, and you got that in spades. Considering the multiple ways each of these considerations could have been handled, that all it took for you to get there was to apply a green filter is both immensely elegant and pretty doggone sweet.
Yeah, I'm watching this thread because I'm interested. There's still Vince's uber basic question of 'how and when to convert to b&w.' And that's a question that doesn't have a single answer, because there are dozens of answers and all of them are right. Image-wise, cookbook 'do this first then do that second' suggestions are seldom the best ways of going about things, no matter what one person posts in a YouTube video or UHH post. You gotta see where you want to go before you hop in the car. When you don't know where you're going, any road will take you there.
No clue (well, maybe that's not an I entirely /I ... (
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I realize what you are saying, "do this first then do that second" is not going to work the same for every image, or for pretty much any two images. That is kind of the approach I took with this image after reading a couple of the suggestions in my first post. Each image will require a somewhat different approach. No two images will be, or probably can be adjusted exactly the same and come out looking right.