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Creating B/W photos
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Jan 1, 2020 09:17:13   #
Longshadow Loc: Audubon, PA, United States
 
MW wrote:
I think for most people they will get better results by taking the photo in color and converting later. However, starting with the camera set to b&w, although tougher to get good results, may teach you to “see in b&w” better.


Yes, immediate results as opposed as finding out how you did after you arrived home.

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Jan 1, 2020 09:24:56   #
RWR Loc: La Mesa, CA
 
tfgone wrote:
When making a Black and White photo, is it better to set Camera to B/W or shoot in color and convert in pp

When you tried it both ways, which did you prefer?

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Jan 1, 2020 10:35:55   #
Blair Shaw Jr Loc: Dunnellon,Florida
 
tfgone wrote:
When making a Black and White photo, is it better to set Camera to B/W or shoot in color and convert in pp


Shoot in Raw and you will have both automatically in PP

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Jan 1, 2020 10:37:11   #
Longshadow Loc: Audubon, PA, United States
 
Blair Shaw Jr wrote:
Shoot in Raw and you will have both automatically in PP

IF your camera supports RAW.....
One of mine does not.

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Jan 1, 2020 10:41:38   #
fetzler Loc: North West PA
 
Mostly I shoot in color and then convert. When I use my Olympus I sometimes use one of the B&W modes. In this instance the viewfinder is B&W. This can be useful. I shoot RAW and jpg in B&W. The Raw file contains all color information so a color

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Jan 1, 2020 11:12:31   #
jackm1943 Loc: Omaha, Nebraska
 
tfgone wrote:
When making a Black and White photo, is it better to set Camera to B/W or shoot in color and convert in pp


For digital it's not even close; shoot in color and then convert.

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Jan 1, 2020 11:12:45   #
BillFeffer Loc: Adolphus, KY
 
Best you shoot raw so you have all of the data

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Jan 1, 2020 11:19:34   #
larryepage Loc: North Texas area
 
tfgone wrote:
When making a Black and White photo, is it better to set Camera to B/W or shoot in color and convert in pp


Because of how I learned "serious" photography using film about 30 years ago, I never intentionally shoot thinking that I'll make the B&W/color decision later. It is always a deliberate process with the intended final product in mind.

Except for a couple of experiments and demonstrations, we never created monochrome prints from color negatives. There were a couple of reasons for this. The first was that color negatives, even when exposed and processed properly, did not have enough dynamic range to make prints with good impact. The second was that our process was set up around "variable contrast," or VC paper, which depended on the use of filters which ranged from pink or magenta to orange to control the contrast of the final image. As a result of this non-linear color response, tonal values and contrast would be uncontrollably altered in our finished prints if we used a color negative.

I believe that what makes a good black and white photograph is radically different from what makes a good color photograph somewhere around 98% of the time. Exposure visualization is completely different between the two media. I've found that it is very difficult to produce a great b&w print from an exposure that was set up and exposed for color. The converse is also true, at least for me. Because of that, I always try to work intentionally and use camera setup options to reinforce my intentions. (That does not mean that I've never desaturated a color image to produce a black and white one, but it's not my normal approach.)

Unfortunately, I also think that today's display media (video displays and most modern printers) are really not that well optimized for reproducing really good monochrome images, so unless one has visited a really good gallery or museum recently, most folks today have not seen an outstanding b&w image in recent memory. As a result, we really don't know what we are missing when we view most digitally produced monochrome prints. As good as they are, most of today's cameras and software really treat b&w as an afterthought. It's one area where digital photography still does not match silver based photography, especially at the highest levels.

You will note from my frequent and intentional use of personal pronouns in this post that it represents my own education, experience, and preferences. It is certainly true that others may believe differently or have a different experience base. That's fine too.

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Jan 1, 2020 11:24:09   #
selmslie Loc: Fernandina Beach, FL, USA
 
User ID wrote:
Good advice so far. I'll point out
that basically the common theme
in most replies is this: When you
press the shutter release, you're
better off to record as much data,
at that moment, as is possible.

A camera set up for monochrome
capture clearly collects less data ;-)

Only the JPEG is monochrome. The raw file collects the same amount of data.

But if your goal is B&W, seeing a B&W preview on your LCD gives you a heads-up. It lets you know if the B&W conversion has a chance of success.

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Jan 1, 2020 11:27:50   #
DeanS Loc: Capital City area of North Carolina
 
tfgone wrote:
When making a Black and White photo, is it better to set Camera to B/W or shoot in color and convert in pp


Yes.

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Jan 1, 2020 11:35:25   #
boberic Loc: Quiet Corner, Connecticut. Ex long Islander
 
mcmama wrote:
I shoot in color because I never know if a photograph speaks to me in B&W until I’ve studied it.


Me as well. Not only that but if you shoot color you can change it in post. If you shoot B&W you are stuck with it Example--Shot color changed in post..Take your pick





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Jan 1, 2020 11:39:13   #
Longshadow Loc: Audubon, PA, United States
 
BillFeffer wrote:
Best you shoot raw so you have all of the data

IF your camera supports RAW.....
One of mine does not.

Reply
Jan 1, 2020 11:41:37   #
jackm1943 Loc: Omaha, Nebraska
 
larryepage wrote:
Because of how I learned "serious" photography using film about 30 years ago, I never intentionally shoot thinking that I'll make the B&W/color decision later. It is always a deliberate process with the intended final product in mind.

Except for a couple of experiments and demonstrations we never created monochrome prints from color negatives. There were a couple of reasons for this. The first was that color negatives, even when exposed and processed properly, did not have enough dynamic range to make prints with good impact. The second was that our process was set up around "variable contrast," or VC paper, which depended on the use of filters which ranged from pink or magenta to orange to control the contrast of the final image. As a result of this non-linear color response, tonal values and contrast would be uncontrollably altered in our finished prints if we used a color negative.

I believe that what makes a good black and white photograph is radically different from what makes a good color photograph somewhere around 98% of the time. Exposure visualization is completely different between the two media. I've found that it is very difficult to produce great b&w print from an exposure that was set up and exposed for color. The converse is also true, at least for me. Because of that, I always try to work intentionally and use camera setup options to reinforce my intentions. (That does not mean that I've never desaturated a color image to produce a black and white one, but it's not my normal approach.)

Unfortunately, I also think that today's display media (video displays and most modern printers) are really not that well optimized for reproducing really good monochrome images, so unless one has visited a really good gallery or museum recently, most folks today have not seen an outstanding b&w image in recent memory. As a result, we really don't know what we are missing when we view most digitally produced monochrome prints. As good as they are, most of today's cameras and software really treat b&w as an afterthought. It's one area where digital photography still does not match silver based photography, especially at the highest levels.

You will note from my frequent and intentional use of personal pronouns in this post that it represents my own education, experience, and preferences. It is certainly true that others may believe differently or have a different experience base. That's fine too.
Because of how I learned "serious" photo... (show quote)


I think that most of us who shot b/w in film and are now using digital cameras know whether the final image will be b/w or color before the shutter is pushed.

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Jan 1, 2020 11:59:40   #
Blair Shaw Jr Loc: Dunnellon,Florida
 
Longshadow wrote:
IF your camera supports RAW.....
One of mine does not.


OH GOOD POINT.....sorry and hope Santa was kind to you.Happy New Year !

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Jan 1, 2020 12:36:30   #
rmalarz Loc: Tempe, Arizona
 
Setting your camera to black and white produces a black and white jpg image. At least that is the case with Nikon. Setting the camera to capture a RAW image provides a lot more data from which to work.
--Bob
tfgone wrote:
When making a Black and White photo, is it better to set Camera to B/W or shoot in color and convert in pp

Reply
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