Not sure which I need to invest in, interested in doing low key photography with motorcycles, and do i still need a key light or can i just use 2 speedlights, and need to be portable, lot of Freinds with bikes , thank you for everyone's help
There is no really "right" answer, but where are some things to consider: Umbrellas are FAR less expensive, easier to transport, and simple to set up; Softboxes are more expensive, require some type of speedring/adapter to interface with speedlights, and are a bit more trouble to set up (some are actually quite easy and some a real pain).
Umbrellas will throw light everywhere out in front of them - that is neither good nor bad - just the way they are.
Softboxes generally are easier to feather the light due to having a more defined transition.
So softboxes will tend to give you a bit more control of light placement - easier to keep light OFF a background, for example, but umbrellas can be a bit more forgiving of subject movement as they are blowing light out over a wider area. BOTH can produce wonderfully soft light. In many applications, it would be tough to impossible to tell which was used to produce an image.
Metpin777 wrote:
Not sure which I need to invest in, interested in doing low key photography with motorcycles, and do i still need a key light or can i just use 2 speedlights, and need to be portable, lot of Freinds with bikes , thank you for everyone's help
If you are doing low key, then you want to ensure that you are not putting light on the background. That means directional control, and for that I use softboxes with grids and scrims to block light. Umbrellas throw light around a lot, which you don't want in low key. You also want as much space as you can bet between subject and background, which also means a large background and longer focal length for lens (to limit FOV).
Metpin777 wrote:
Not sure which I need to invest in, interested in doing low key photography with motorcycles, and do i still need a key light or can i just use 2 speedlights, and need to be portable, lot of Freinds with bikes , thank you for everyone's help
Go to Youtube and put in the search "Softbox vs Umbrella" and get some popcorn. You will learn a lot quickly and know the answer to that question and many more you haven't thought of. That way we don't have to reinvent the wheel here. YT is a great resource for things like this.
Gene51
Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
I bought umbrellas that were not full reflective and shoot through them , kind of a poor mans light box
mudduck wrote:
I bought umbrellas that were not full reflective and shoot through them , kind of a poor mans light box
And you used them for low key?
Yea, softens up the light some, used the same set up for some motorcycle shots , portraits and boudoir work, easier to set up and move around since I don't have a studio.
Metpin777 wrote:
Not sure which I need to invest in, interested in doing low key photography with motorcycles, and do i still need a key light or can i just use 2 speedlights, and need to be portable, lot of Freinds with bikes , thank you for everyone's help
They are used for different purposes, when using umbrellas, probably a good idea of getting or making a few flags as well, but it all depends on your intends also!
CaptainC covers the bases above. About the speedring/adapter, I love my Westcott 26" Octobox ($169), which comes with an adapter built in for speedlights. You certainly don't need more than speedlights for what you're doing, unless you're talking a showroom full of bikes.
I would suggest the umbrellas first. Cheaper for sure. You can spend a few dollars more on one that is both reflective and shoot through, so you will have the best of both. I think one large shoot through and one large reflector should do the job for what you are trying to achieve. Large fold-up reflectors can get pricey. Option can be dollar store white foam core boards with backs taped with duct or gaffers tape. Make it as big as you need it.
If I had to choose one over the other, I would go with the soft box. I think they are a bit more versatile. If you decide on the soft box - would spend a few more bucks and get the honeycomb for what you want to do. Sounds like a fun project. Best of luck.
sirlensalot wrote:
I would suggest the umbrellas first. Cheaper for sure. You can spend a few dollars more on one that is both reflective and shoot through, so you will have the best of both. I think one large shoot through and one large reflector should do the job for what you are trying to achieve. Large fold-up reflectors can get pricey. Option can be dollar store white foam core boards with backs taped with duct or gaffers tape. Make it as big as you need it.
If I had to choose one over the other, I would go with the soft box. I think they are a bit more versatile. If you decide on the soft box - would spend a few more bucks and get the honeycomb for what you want to do. Sounds like a fun project. Best of luck.
I would suggest the umbrellas first. Cheaper for s... (
show quote)
Same advice.
At work we go through a lot of foamcore.
Makes a great reflector.
I can e-mail you some, if you want.
GoofyNewfie wrote:
Same advice.
At work we go through a lot of foamcore.
Makes a great reflector.
I can e-mail you some, if you want.
The last time I had photography equipment emailed to me..., they got my money and I got NOTHING BUT AN EMAIL!!! Never again!!!
SS
SharpShooter wrote:
The last time I had photography equipment emailed to me..., they got my money and I got NOTHING BUT AN EMAIL!!! Never again!!!
SS
You only fall for that once!
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