Gene51 wrote:
My guess is that you could probably use the -1EV image all by itself, which would have recoverable highlights, and process that in Lightroom, without the chance of ghosting, horrible halos (the Nik version), etc.
Photomatix is great software when used correctly. But if you had a -2EV shot in the mix, it is not evident by the blown highlights in all of the images save for the Nik one. Even the Photomatix image has veiled highlights - gray and not clean, indicating a failed attempt at recovering blown highlights.
I would love to get a hold of the -1 EV image to see what could be done with it. From what I can see from what you posted, this is not a shot that requires or could benefit from HDR.
I am not sure how you arrived at your exposure compensation, but the proper exposure for your highlight shot should be equal to 1 stop over what the camera's spot meter reads for the bright boat deck in the lower left corner, and the proper exposure for your shadow shot should be the same boat at the waterline, uncompensated. The median exposure should be exactly that, the median between the two.
If your scene does not have a wide tonal range, it is not suitable for HDR processing, but you might get something interesting if you apply some tonemapping, such as what Photomatix offers.
I find that using HDR on moving subjects rarely yields a great shot - you just can't get rid of the ghosting. If you do come across an HDR type subject, then use a tripod. That will help with some of the ghosting.
My guess is that you could probably use the -1EV i... (
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Thanks for the feedback Gene (I also responded with PM).
The exposure compensation was done because my histogram for a base shot indicated a large right sided gap. I was hoping that the EC would let me uncover more in post than I could otherwise. You certainly are correct that the scene may not be a good one for application of HDR techniques. However, I also was hoping that bracketing the shot would help overcome the poor lighting conditions that were present. Of course, "you can't make a silk purse from a sow's ear..." Also, in hindsight, since I wasn't using a tripod, I should have made sure that I'd achieve an adequate shutter speed for each shot in the sequence by using a higher ISO for the set (alternately, I could have employed auto ISO, but I also didn't want a varying ISO between bracket images).