blackest wrote:
I'm thinking there is a place for these range finder type camera's in todays world, or at least a digital equivalent....
There are various mirrorless models that come close to being "digital rangefinder" cameras. Canon's new M5 appeals to be because it can share lenses with my DSLRs, as well as be used with some interesting lenses itself, including a lot of vintage rangefinder lenses (any Leica M-bayonet or screwmount, for example). Fuji, Sony, and Olympus, in particular, are also making interesting mirrorless models. Heck, Fuji just recently announced a "medium format" mirrorless!
I wouldn't want a digital without a rear screen. Those can be handy for shooting at high or low angles and I really like to be able to check histogram, focus and composition after a shot.
I also wouldn't want a digital that shoots only B&W. Many digital can shoot in B&W mode, but I wouldn't even do that... it's easy to change an image to B&W later in post-processing... and a lot more controllable.
One thing that no digital offers that some rangefinder did was a more-than-100% viewfinder... Big spacious viewfinders that not only showed the image area (defined by engraved lines or a brightline rectangle), but also a little bit beyond that, which came in hand when shooting fast, being able to see a little more than the image area while keeping the camera to your eye.
Nothing wrong with film cameras....
Learn to process B&W film yourself. It's easy and doing so makes for low cost. Basic used darkroom gear can be bought dirt cheap.
Or shoot "chromogenic" B&W film that's processed C41, like as most color neg film and possibly can be developed quickly locally, if you still have any 1-hour labs in your area. Chromogenic B&W also scans better than silver halide emulsions, if you want to work with the images digitally.
Only 4 film cameras? I have several hundred!