EdJames81 wrote:
When I went looking for my first dslr camera I went with an open mind, but after trying out some of the entry level models I decided to settle on the Canon 450d. I liked the way it felt in the hand, I liked the layout of the buttons and I found it user friendly.
Over time I invested in Canon glass (many L series lenses) and accessories so when it came to upgrade it seemed natural to stay with Canon. Besides changing over to another brand would have cost a fortune.
Had my entry level dslr been the Nikon D3300 I would be shooting Nikon, had it been the Olympus I would now be shooting Olympus
I’m interested – what was it that made you choose the brand of camera you use?
When I went looking for my first dslr camera I wen... (
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Let's see:
1968 --- borrowed a Canon FX
1969 --- bought a Nikkormat FTn
1970 --- had a Yashicamat 124G at school
1971 --- inherited a Nikon FTN
1979 --- had a Nikon FM at work
1979 --- had a Camerz Classic long roll portrait camera at work
1980 --- had a Yashicamat 124G at work
1981 --- added a Nikon F3 at work
1983 --- added a Calumet 4x5 at work
1985 --- added a pin-registered F3 body at work
1986 --- added a Bronica ETRSi at work
1986 --- added a Canon A-1
1996 --- added a Camerz ZII long roll portrait camera at work
2002 --- added a Nikon D100 at work
2003 --- added a Nikon D70 at work
2004 --- added a Canon 20D at work
2005 --- added a Canon 30D at work
2006 --- added a Canon 5D at work
2007 --- added a Canon 40D at work
2009 --- added a Canon 50D at work
2010 --- added a Canon 7D at work
2012 --- started training project management consulting... looked at everything out there for three years... Waited until someone built what I needed...
2015 --- bought a Panasonic Lumix GH4
There were many, many reasons to buy or use a particular camera along the way. I was brand loyal to Canon and Nikon for decades, and for different reasons.
I bought the GH4 for its balance of features... I do a mix of video and stills, and the GH4 is absolutely perfect for that. When I was at Herff Jones Photography, I had a Nikon D70 and a Canon EOS Dxx of some sort (see above). I also had a separate, heavy Canon GL2 video camera. It drove me crazy that the color of the video and the color of the still camera NEVER matched. It drove me crazy to use three completely different cameras with different menu structures, different lenses, different everything. It drove me crazy to use CF Cards and tape!
The GH4 has solved all that. One bag with two LED lights, two mics, a body, two lenses, spare batteries and SD cards, gray card, ColorChecker, two shoe-mount flashes... and it fits under an airline seat! Add my iPhone 7 Plus to the mix, and that's a guerrilla training content development kit.
The GH4 is 1/4 the size, bulk and weight of a full frame kit, and 1/3 the size, bulk, and weight of an APS-C kit, similarly configured. It has more depth of field at a given aperture, which is usually a GOOD thing for documenting processes. It performs satisfactorily in every respect for the purpose I intended it for when I bought it. The ergonomics are first rate. The body is solid, die-cast Titanium, with weather sealing throughout. The lens OIS is great.
I have the 12-35mm f/2.8 weather-sealed pro zoom and the 35-100mm f/2.8 weather-sealed pro zoom, both of which are light, sharp, and great performers. I know I can get any kind of lens I need to put on the GH4 body, because there are around 90 Micro Four Thirds lenses. Adapters fit just about any full frame lens on it, from the likes of Canon, Nikon, Sony, Alpa, Contarex, Contax, and others.
I can record excellent 4K video, from which I can extract matching 8.2MP JPEGs. Or, I can record video and separate, full resolution matching JPEGs. Or, I can record raw images, and raw plus JPEG images. The options let me do what I need to do.
If I did something else — some other kind of photography — I would have bought something else. Every system is a compromise of some sort. You give up the strengths of some other system to get the strengths you need for the work you do most.
There is plenty of information available on the Internet these days, between YouTube and review sites. You can know every feature about a camera, even download the manual, before you buy or rent to try. I read the reviews and skimmed the manuals of the top choices I had. I tried the GH4 and instantly knew that was "it." I had tried a Sony A6000, and a Fujifilm X-Pro1, and an Olympus OM-D EM-1, each of which was strong in other areas, but none of which had what I needed.
I knew, from borrowing a Canon 5DIII, that the video was good in low light, but average in good light. And I hated the 5DIII's audio limitations, and the lack of an electronic viewfinder. I usually work in bright, controlled light. So the small sensor of the GH4 was not an issue.
I will probably stick with Micro Four Thirds as my platform of choice. It's only going to get better, and I'm only going to get older and want to carry less. I carried a 42 lb. bag of Nikons and lenses and filters and flashes and film and batteries and... back when I was in my 20s. That got old, however. My need then was full frame slides for projection to huge screen sizes, and that kit was great for it. My need now is for images to use in letter-size booklets and PDFs of those booklets, plus video clips that reside on corporate web sites, plus personal work (portraits, still life work, travel...). I don't need full frame or APS-C gear for that. I made 700 exposures at my niece's wedding last April, and liked 500 of them, a shocking yield for me! I was used to 1 of 6 with older gear. So I'm set...