Sir wrote:
It's an awesome picture. Obviously PP, as are what seems to be the standard (95%). Photography is photography, PP is not. If you can't get it SOOC, you just can't get it, and resort to digital manipulation. Nothing wrong with that, but if you PP one pixel you have digital art, not photography.
I think your comment presents a fine sentiment, but a poor consideration of how photography really works. It's easy for us to talk about pixel altering as if photography began with pixels and we are setting the standard for everything that exists, including images that existed before digital photography. Here's my point: I don't know what the size of a pixel is--I'm fairly convinced the size varies from camera to camera, from post-processing manipulation to post-processing manipulation--but let's arbitrarily say it's .0001-inch. (It could be .1-inch or 1-foot; that's irrelevant.) According to these digital purists, who believe that altering one pixel propells the image out of the realm of photography and into that of digital art, changing one pixel alters the image irrevocably. Okay, so does that mean that dodging, burning, spot removal, and so forth, things that we did freely in the age of the negative changed what we were producing, changed it to art? Mr. Adams, if you subscribe to the "any alteration = art" theory, never produced a photograph.
By definition, photography is the capturing of images through the use of light (I'm ignoring, for the sake of brevity, thermography and other wonderful but highly esoteric forms of imaging.) Does that mean that we cannot manipulate the light. If you follow the inflexible logic of Sir's statement, placing a UV filter on a lens moves the result from the realm of "photography" into the realm of "digital art." Heaven only knows what the use of a polarizing filter, or, God-forbid, a lens baby does. I hear calls of "HERETIC" echoing in the background.
I don't do much "digital art." It's not that I don't like it; I just don't do it. I do a lot of tone mapping, HDR, cropping, dodging, and burning, but not much "art." My work is mostly focused on capturing the beauty of what I see. Often that beauty is an amalgam of reality and the embellishment that grows from my gut, but it's nearly always the product of what I've encountered and who I am. I don't see myself as a graphic artist. I'm just another photog who takes photos and then wonders how they can reflect a better, kinder, more loving light. The image below is an example of my work. I did almost nothing to it beyond cropping and a bit of spot healing. Since I did remove one blemish and did use a UV filter on it, I guess it's not really a photograph. So it goes...