Gpa-15 wrote:
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MANY THANKS!!! Gary Fong has a good reflector!!
Stop.
Using anything attached to the flash (like tupperware or those little reflector things) won't cut it.
You have to INCREASE THE RELATIVE SIZE of your flash output...the size of the flash to make it soft.
That means that even the sun (which of course is huge) is for our purposes a TINY light source because of it's distance.
Remember the old thing about "crushing someone's head" by holding your fingers up while they were far away? It appeared that you were holding their head between your fingers. Their APPARENT size was small relative to your fingers.
The same thing applies to flash. If you want nice flattering soft flash, you need to get the flash LARGE and close to your subject.
Softbox or umbrella, or bounce the flash into a large surface like a big reflector or light colored wall.
Also, getting your flash off camera changes the direction of the light relative to the camera. Light coming from the sides looks a LOT better than light coming from our own vantage point. (which is on-camera flash)
So to summarize.
1.) Get that flash off camera.
2.) Get a modifier to put the flash in to make it's size bigger relative to your subject (a head and shoulders of a human)
3.) Get the flash off to the side a bit.
Just those things will have a very large effect on your results.
Forget gary fong. He's a tupperware salesman.
This is a selfie of me one morning over my coffee.
I had a large softbox just barely out of camera field of view so in relation to my head size...it was 2x or 3x bigger.
Notice how the shadow transitions are smooth (forget the roughness of the subject)