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Posts for: oneillj
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May 7, 2017 01:35:48   #
CO wrote:
That's happened to me many times. The camera is rotating on the plate when you have it in the portrait orientation. Don't tighten the screw too much. There's someone in my camera club who had the same problem and almost completely stripped out the threads in the mounting hole on the bottom of the camera. An L-bracket would be a solution. There are different companies that make them such as Really Right Stuff. Benro and Sirui make them for the D800/D810.

Benro
https://www.samys.com/p/Tripod-Accessories/LPND800/LPND800-Quick-Release-L-Plate-for-Nikon-D800-and-D810/173787.html

Sirui
https://www.bhphotovideo.com/c/product/1024714-REG/sirui_bsrtyd800l_l_bracket_for.html
That's happened to me many times. The camera is ro... (show quote)


The Siriu is discontinued and I'm not sure if a Benro would fit. Not sure how standardized all this stuff is. May giv B&H a call tomorrow. The most direct solution would be to run back down to the store with camera and tripod in hand and not leave until I get a replacement and a spare plate that works. Forgot to buy a sprare plate anyway.
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May 6, 2017 23:29:50   #
It's brand new. The ball head is fine. The camera just slips where it meets the plate. Doesn't matter how hard I tighten the screw.


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May 6, 2017 21:31:27   #
Just got a new tripod today. Nice Benro ball head. Problem is that I can't seem to get the plate on tight enough to keep the camera from slipping. It's a D810 with a 24 to 120. Not a heavy body or lens. It's not as if I have a D3 with a 70-200 on there. Any ideas on what causes this or how to fix it? Doesn't happen with my other two tripods.
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Apr 17, 2017 11:43:17   #
Drip Dry McFleye wrote:
Just got back from 8 days in Big Bend. Did a lot of hiking. An awful lot of it is desert but the cacti were in bloom. The trails that stand out were The Santa Elena Canyon (not the overlook), The Lost Mine Trail, The Window Trail, Burro Mesa Pouroff. We hiked others but these are the ones I liked most. The Old Maverick Road is pretty rough. If you're driving a regular car don't even think about that road. Chisos Basin is the best place IMHO to be based out of. Higher elevation makes it noticeably cooler. There's a Really nice restaurant, running water, flush toilets, camp store, rooms to rent BUT campground and rooms filled up every night we were there. Many of the above amenities are NOT available in the other campsites. If you are traveling in an RV, Chisos is only open for 20ft. max. You can't make the curves with anything longer. I did pretty well with a 24-120 f4 on a crop sensor. I'm sure some will say you need wider but I found it was pretty easy to get far enough away. A couple of sunsets were really good but the evening light on the mountains at Chisos is not to be ignored. We are both 70 and pretty active but declined the Emory Peak Trail because of the 8,ooo+ feet altitude. Chisos is also good for the night sky because it's well away from any city lights and they ask that people refrain from use of artificial lights after 10pm. We sat at our picnic table for a while each night just to see the incredible star show.
Just got back from 8 days in Big Bend. Did a lot o... (show quote)


Thanks. I'll do some research.
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Apr 16, 2017 18:30:55   #
Anybody familiar with Big Bend National Park? What are the best trails to scout for landscape and Night sky photography?
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Mar 24, 2017 07:51:50   #
jdubu wrote:
The translum is a great material, I also have several types of flexible sheeting material in translucent, semi-opaque, white, etc. from Tap Plastics here in San Jose. i.e.

https://tapplastics.com/product/plastics/plastic_sheets_rolls/polypropylene_sheet/559

These are great for sweeps or diffusers, etc. easy to cut to needed sizes and cheap enough to cut to needed sizes.

I also purchase acrylic boards in black (other colors available) for product photography. With care, they stand up to continued usage and if scratched can be used for other purposes. Initial costs are very reasonable, and they come opaque and translucent as well. Custom orders are always welcome, so if you can dream up a use, they can cut the pieces to make it work.
The translum is a great material, I also have seve... (show quote)


I had some scrims made out of wood frame and tracing paper. Got the idea from a Karl Taylor video. Works great as a diffuser but not a background. Not only that, the tracing paper is really fragile so you have to store and carry the very carefully. There are a few wrinkles in the paper due to the way it's taped on the frame. I had to do it without any assistance. But it still works pretty good since the wrinkles are minimal. I think the plastic just might be the way to go.
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Mar 23, 2017 21:00:23   #
Well, I found this. He uses this in one of his demos. It's translucent but also works great for white seamless backgrounds when photographing products.

https://www.bhphotovideo.com/c/product/46170-REG/Savage_55418_Translum_Diffusion.html?sts=pi
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Mar 23, 2017 15:31:28   #
This was just a shot to illustrate the problem.
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Mar 23, 2017 15:22:50   #
Have not tried clear Plexiglas.
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Mar 23, 2017 15:21:39   #
That's tough to do with this stuff. You really have to be around f/11 or f/16 to get both foreground reflections and the object in focus. Those aren't absolute numbers by any means but that's kind of the main guidelines.
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Mar 23, 2017 15:19:46   #
I have those. Good for portraits but, unfortunately, still retain the wrinkles.
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Mar 23, 2017 09:34:58   #
If you look closely, though, you'll see wrinkles on the gradient. That gradient doesn't darken until well up into the background. A more subtle gradient will show more wrinkles.
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Mar 22, 2017 10:14:37   #
I'm taking a course on Photigy. Alex Koloskov has a white wall in his studio. I have a white cloth background (some kind of muslin) that's supposedly wrinkly free. It's OK for high key because I can blow out the background but for a gray or gradient, you can still see the wrinkles. I can't use seamless paper because I'm in my house and need something I can pack up and store easily. It also needs to be fairly big because some of shots require bouncing light. So, I'm trying to find a background that will work. Any ideas? I've included an attachment so you can see the issue.


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Feb 13, 2017 20:51:37   #
The 32' exposure was an experiment. Nice long trails just faint and thin. But because Anvil has a nice tight shot, the trails will be longer. I usually use LR to export as tiffs and then use PS CS6 to stack and blend them. Then I edit. I tried Starstax for the first time when I edited that shot. Even thought it says it will export as to a tiff if you change the extension, it still is just a jpeg in a tiff container. It couldn't withstand the processing in PS like regular tiff could. After a few layers, the picture began to posterize because there just wasn't enough data there. I also tried to use the gap filling but with that long of and exposure, there really aren't that many gaps so, it really wasn't noticeable. I spend a lot of time taking airplanes and such out of the shots too, bfur396. Of course with very long exposures, you get hot pixels and they take forever to get out. Never tried LENR before and I found dark frames don't work with hot pixels.

But that shot was with a D810. But as far as the D3s is concerned, maybe I should look into using burst mode with a release lock. Can't be THAT expensive.

Ny5y, LENR is turned off.

Thanks for the input.
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Feb 13, 2017 00:34:22   #
PAToGraphy wrote:
A good one!


Thanks.
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