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Dec 17, 2019 14:54:54   #
E.L.. Shapiro wrote:
I

My guess would be that the badly affected corneas woud cause a color correct deficit which is corrected by means of the surgery. Ask your doc!


Cataracts are opacifications in the lens, not the cornea. As for color, the brain makes corrections in the data received from the retina, otherwise we would be unable to distinguish colors with the changing light temperature during the day, or indoors with tungsten light. Our brains do an "auto white balance".
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Dec 15, 2019 19:39:16   #
CHG_CANON wrote:
Every successful photographer is driven by an inner voice telling them everyone else has a better camera.


I don't know who led you to believe you are photography's Will Rogers. Don't believe it!
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Dec 15, 2019 11:16:38   #
via the lens wrote:
This reply assumes that everyone shoots the way you describe, which is not the case. There is a possibility that sharp and quality do go together and that a mirrorless camera can increase the possibility on both counts. You seem rather adamantly opposed to a mirrorless camera. I'm of the mind that there are many possibilities to get a quality image.


On the contrary, I have two mirrorless cameras and have given away all my DSLR's. I am simply making the point that "sharpness" is only one, and often a minor one of the characteristics that make a good image. Composition, lighting, subject matter, balance, contrast, exposure, angle of view, just to mention a few, may be greater contributors to quality than sharpness.
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Dec 15, 2019 00:09:36   #
CHG_CANON wrote:
Every successful photographer is driven by an inner voice telling them everyone else has a better camera.


nonsense!
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Dec 15, 2019 00:08:17   #
via the lens wrote:
Actually, sharpness does require user talent. Many people have trouble focusing correctly or hitting the shutter in such a way that it does not knock focus out or in simply holding the camera still. It all takes some degree of skill. But the mirrorless does allow us to take sharper images at a slower shutter speed handheld, which can be a benefit.


A degree of skill! A very small degree. Set the camera on a table, trip the shutter, and with good optics and an accurate functioning autofocus you will have a sharp photo of whatever the camera was pointed at. "Sharp" is not a synonym for "quality".
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Dec 14, 2019 18:16:10   #
Bill P wrote:
So, like many others here, you are convinced that the ultimate test of any photo is sharpness? I pity you.


They all stress sharpness because it requires no user talent - it depends solely on the combination of optic quality and good autofocus. Hand a monkey the right camera and he will take sharp photos.
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Dec 14, 2019 12:02:04   #
Retina wrote:
I recall from my youth that the main advantage of SLR was sharing the same lens, and therefore its perspective, DOF, and focusing for both viewing and the exposure, and doing it quicker than with a view camera. SLRs have been refined and advanced over the decades to very high levels even to the point where after the problem with viewing though the same lens and shooting at will has been solved in ways not possible before, they now have a great legacy, including collections of lenses, experience, practice, and skill among those who relied on them for so long. In other words, why fix what isn't broken? But for others who do not have a financial, skill set, or emotional investment in the reflex design, mirrorless offers new advantages not possible before. These advantages are huge for some but unimportant to others. (I still maintain that the advantages mirrorless offer are ignored by SLR devotees because they exclude the opportunities they provide from their universe.) Very simply, sometimes new tools come along to fill a need that was simply ignored or circumvented in the past. Some say if man was meant to fly he would have grown wings. Others say he used his brain instead, so now we have airplanes and mirrorless cameras. Still, there are people who refuse to fly out of fear, a desire not to pollute, etc. It is their right, of course. Trains and cars also still work very well--there are just some things they cannot do.
I recall from my youth that the main advantage of ... (show quote)


Nikon's Z50 is the beginning of the end for the entry level DSLR. Smaller, cheaper, better performing. Nikon has offered something to cut down Fuji and Sony's piece of the market. I might even bite at the price it is being offered. There certainly is no reason to look at a 3xxx or 5xxx Nikon any more!
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Dec 14, 2019 09:45:52   #
Retina wrote:
You are totally correct given the context. These are heavy cameras. Mirror vibration is heavily damped by the mass of the camera attached to fast, long, heavy lenses. Even though some pros select from hundreds of frames before submitting to their editors, I would expect none are ever rejected due to mirror shake.

My car was totaled last year by a large buck sprinting, I presume, from a wildlife photographer he mistook for a hunter with a cannon. Had it run into a freight train I doubt the engineer would have felt a thing. Recall that acceleration=Force/mass.

Attached to pro sports lenses, mirrors are tiny and nearly weightless, so shutter blur is practically non-existent. Stabilization on these systems is probably more important for nature work at dusk and dawn, for investigators, and photojournalists where the lighting can be a challenge and every bit helps. Even then, it is more likely needed for human movement when hand held with long exposures more than for the mirror mechanism.
You are totally correct given the context. These a... (show quote)


All this talk about mirrors affecting sharpness is nonsense. The mirrorless simply has fewer moving parts, is quieter, easier and cheaper to manufacture, and allows for smaller and cheaper lenses with the same or better IQ, and the electronic viewfinder provides more aids to the user in exposure and focus. They also get rid of the prism and so shed a bit of weight. These are the advantages and are mostly at the manufacturing end of the line. Something cheaper and easier to manufacture, which gets the same job done as the previous model IS the future of that product. Like it or not!
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Dec 12, 2019 19:27:22   #
DeanS wrote:
There appears to be much self-doubt in your post. My suggestion is to acquire a used milc and shoot a bit, along side your dslr, then make an informed personal decision, not relying on others personal choices.


Yes. You will never be convinced of how the thing works for you until you try it yourself.
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Dec 12, 2019 16:25:26   #
dennis2146 wrote:
But the question my friend is how much better. As I said before is the difference something I will see or something that some optical machine will see.

One more thing. You are really wasting your time if you are trying to convince me to go mirrorless.

Dennis


No-one is trying to convince you of anything. If you were using a mirrorless, you would see for yourself what you are missing - that an optical machine does not see - like the actual exposure values. But if the optical system does everything you want or need, stick with it. I found the mirrorless did more and more efficiently!
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Dec 12, 2019 09:48:36   #
Badgertale wrote:
Interested in opinions concerning the functionality between DSLR's and Mirror-less cameras. I would like to purchase a mirror-less camera but I am not sold on why. Many blogs tout the future of photography but I have not seen any compelling reasons as to why I would be better off with the future as apposed to what I have at the moment .

I remember when buttons and dials were all the rage on stereo equipment. Then, that aesthetic was out and touch sensitive electronic stereo systems were "in." Now buttons, dials and switches are back...etc... Is is all aesthetics.
Interested in opinions concerning the functionalit... (show quote)


First, it is not YOUR future that the mirrorless is replacing. It it the future of consumer cameras. And the reason is that eliminating the heavy moving parts that need such pricise timing makes a camera of the same functionality cheaper and easier to manufacture, and makes it easier to make better lenses to work with it. Plus there are REAL advantages to the electronic viewfinder versus the prism and mirror.
Secondly. the buttons, levers and dials are not aesthetic. Having external controls versus menus is a real functional advantage to people who make many changes to their settings. Not so much to people who leave everything on auto. I personally HATE menus! I switched to Fuji just because I hated the Nikon menus. LOVE my XT2. Have not looked at a menu in months!
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Dec 3, 2019 13:07:44   #
BebuLamar wrote:
Since the X-T3 has come out for a while already and it's selling for $1300. I thought perhaps I can get an X-T2 for less and because I like it better but NO. B&H is selling the X-T2 for $1600.


And it is still worth it. I had considered getting an xt3 but was turned off by some of the features that Fuji deleted in favor of other features I dislike and don't use. I would like the faster processor and the new sensor, but not at the sacrifice of things that I like about the XT-2. I imagine that others have the same conclusion.
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Dec 3, 2019 11:25:22   #
rebride wrote:
If you adjusting exposure to get the snow right than you are also adjusting exposure to get dog right.


Not so. I photograph dogs all the time. If you expose to get the dog 's expression and coat detail, you will blow the snow to extinction, and if you expose to get the snow looking like snow, your dog will be a black hole. I would expose for the snow using a small aperture and use fill flash on the dog.
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Dec 3, 2019 11:16:56   #
raymondh wrote:
What's the better way to go: Plus EV to get the snow right & fix the dog in post or vice versa?


Fill flash!
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Dec 3, 2019 11:13:59   #
Rab-Eye wrote:
What would you say is Fuji's closest equivalent to the Sony a6000?

Thanks!


In terms of what characteristics? Physical or functional?
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