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Posts for: mrjcall
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Dec 23, 2018 11:10:47   #
pithydoug wrote:
Critiques are not necessary wrong but opinions. Even a set of skilled pros will offer different ideas. They don't preface with something is wrong but possibly what to do to make it more interesting. They should be suggestions.


You didn't read the article first did you.......
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Dec 23, 2018 11:00:43   #
One of the better discussion of why critiques might be wrong....
https://fstoppers.com/architecture/how-specializing-shows-other-photographers-critiques-can-be-wrong-319953?utm_source=Fstoppers&utm_medium=Email&utm_campaign=Automated_Notice
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Dec 21, 2018 11:57:27   #
mwsilvers wrote:
Honestly, post processing does not need a defense. Many of those who criticize its use don't really understand its purpose and use, and a lot of them find their mediocre out of the camera images acceptable. Some people deride the sometimes gross overprocessing that often is used by those who believe that if a little processing is good, than a lot of processing must be better. And then, of course, are the "purists" who either believe that the engineer designed algorithms do a better job of rendering a final image than we can do in post processing, or fail to understand that all jpegs are already post processed in camera using default and user updated settings for things like white-balance, contrast, sharpening, tones, etc. I know what post processing is, what it does, and its numerous and very clear advantages over jpegs SOOC, and don't need to defend using it to anyone. As a rule I generally ignore the arguments of those who think that post's only advantage is to fix poor exposures. It's their loss.
Honestly, post processing does not need a defense.... (show quote)


My thoughts precisely. Thanks for illucidating so clearly!
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Dec 19, 2018 09:36:49   #
Retired CPO wrote:
Followed this guy around for about 20 minutes. He didn't seem to be too impressed with me or my camera. I was almost embarrassed. Downloads work.


Did you notice in the last one you caught him spraying/marking his territory? 😉 Lucky timing, but you can only see it if enlarged.
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Dec 4, 2018 17:54:11   #
BB4A wrote:
Sorry, but this is my Only Rant for 2018... I just have to get it out there or burst.

I was recently invited to help judge a Close-up &/or Macro Flower Photography Competition. I was delighted to be asked... until I started looking through the photographs themselves. Nearly 50% of the images were of flowers arbitrarily sprayed with water droplets. So, I started disqualifying every photograph that I believed was “artificially enhanced” by photographers with a camera in one hand, and a spray bottle in the other.

I realize that “water droplets on flowers” is a common exercise for those being taught photography, but it seems that some of the guidance might be a bit hit and miss? My perspective (and I freely apologize in advance, as I’m often wrong):

1. If you really must spray a flower for a photograph, PLEASE gently & lightly spray the whole flower and surrounding leaves from one direction only, preferably above? It looks SO phony when the flower has lots of droplets all over every petal... but projections on the stem, and surrounding leaves are dry as a bone in a desert. FAKE!

2. In the art of photographing flowers, less is so often more. True of water droplets as well. Consider dripping a few drops from above, rather than spraying using the “flower under a shower head approach”. FAKE!

3. Lastly, Lighting that shot. If your intention is to depict a flower (a) at Dawn, with the dew still upon it, or (b) after a Summer Shower, then make sure your lighting is NATURAL and appropriate. Low angle for Dawn shots, diffused for Summer Showers, or a beam from the Sun peaking through clouds... think about your concept and initiate, plan, and execute accordingly. Ideally, be outside (shock, horror, yes, in Natural Light!) at Dawn or directly after the rain, to capture the shot. Think of your sense of achievement in capturing the moment. Anything else when artificially lighting a flower, can tend to make the subject look a bit fake, even when it isn’t.

Apologies again, Rant over for 2018. I awarded the prizes to some wonderful photographs... none of which had a fake raindrop / dewdrop anywhere in shot.
Sorry, but this is my Only Rant for 2018... I just... (show quote)


Your rant is only acceptable if you post the full contest requirements. Only then can anyone determine if they are valid.
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Nov 24, 2018 08:16:45   #
Wingpilot wrote:
Sony A6300 with 15-50mm lens, with CPL. Sun was off to my right, about 120 degree. Why do I have this dark blue area at the top of the image? I figured using the CPL would result in the sky being uniformly darkened. I have to be missing something here. I'd appreciate an wisdom here.

Edit: I forgot to add that these are all unedited RAW files, right out of the camera.


I notice you snuck an iPhone image in as the last image. No blue sky effects there, eh? 😎
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Nov 20, 2018 09:35:44   #
magnetoman wrote:
As they stand I find #1 is preferable. However, I reckon with a little more work both could be extremely effective - in #1 the subject tree could be darkened to bring it forward thereby reducing the overall flatness (which is a characteristic of fog but needs to recede a little), and #2 needs handling a little more gently, with the saturation reducing with distance and the fog appearing a little more evenly. Good first shot at it, worth a bit more time in pp.


Your comments are further evidence that each image offered for view on any forum will elicit comments on how the individual viewer would adjust to his own personal taste/standards. That's entirely appropriate since no one final image suites all needs.

I often revisit my 'completed' images in the various processing software I use and many times come up with a completely different version which I like. My initial PP of a shoot does nothing but sit in my computer until I have completed at least this initial process. Might take an hour, might take a day and sometimes the image never does arrive at the 'finished state'.....
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Nov 20, 2018 08:09:09   #
Fog is a tough cookie to please everyone, no doubt. What works for some, doesn't work for others, but honestly, that's true with all photographic images, no? Perhaps that's why more than one version is necessary from time to time.....
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Nov 19, 2018 16:07:49   #
Uuglypher wrote:
Hi, mrjcall,

My preference is strongly for #2.
It is a reminder than even in fog, colors evidence, with increasing distance, both a decreasing gradation of saturation and a shift in color temperature from warmer to cooler.
To my eye, #2 is, by far, the more natural-appearing of the two images.

Dave


Thanks for the thoughts. #1 was intentionally fully desaturated (aka B&W) just for effect. #2 was processed 'normally' through LR and is actually what I was looking at.
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Nov 19, 2018 12:17:42   #
Fog fascinates me and most of us I think, but getting a representation I'm satisfied with is tough. Here's two different takes on the same basic early morning scene.......


(Download)


(Download)
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Nov 16, 2018 06:49:18   #
jamesl wrote:
All of the updates to a version are free, ON1 Photo RAW 2018.5 was a free update to 2018. Any updates to the 2019 version will be free until the 2020 version comes out.


Exactly....
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Nov 15, 2018 17:51:46   #
lsimpkins wrote:
While updates to On1 are gratis, they seem to have new versions pretty frequently. First I bought Photo Raw 2017, then 2018 came out, then 2018.5, and now 2019 is early enough that there is almost certainly going to be a 2019.5. And each new version seems to be in the $59 to $79 range to upgrade. I like the product, but find myself willingly skipping versions like I did with LR until I went with their subscription which added PS to my toolbox.


If we are to be brutally honest, all software is trying to do what Photoshop already does. The key is a more friendly user interface and work flow to accomplish the same things. I'm discounting the new AI capabilities, because most who truly enjoy PP don't want some piece of AI software telling them how to do it.....
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Nov 15, 2018 17:00:41   #
jamesl wrote:
If you have the Plus membership it includes the new version update.


That is true, but not the next full update after this one according to the folks I spoke to. It's worth the plus membership regardless.
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Nov 15, 2018 11:42:41   #
malawibob wrote:
ON1 tells me it is designed by professional photographers. What I like about it is that it is a one time payment and you own it. As far as I can tell it does everything I ever used in Photoshop and Lightroom. On1 2019 is available now and if anyone is interested their additional plus program includes monthly tips, and a slew of Photo courses. Just my two cents.


The only downside is that even with 'plus' membership, there are occasional upgrade costs.....
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Nov 15, 2018 06:32:23   #
speters wrote:
Can work with advanced graphics and illustrations,....etc., but can only work in 8 bit? Thanks, but no!


Hmm, I missed that and would agree with you.....
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