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Posts for: Garyminor
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Sep 23, 2016 18:12:05   #
Dave,

Thanks for the links. I have read, understood, and agree with all of them. I also agree with most of your tutorial where you describe the benefits of EBTR.

The primary concern is your assertion that EBTR allows cutting the shutter duration in half to permit hand-holding with a longer lens, or using a monopod instead of a tripod.
Can you give me an example of that, using numerical values for shutter duration and lens focal length?

Gary
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Sep 23, 2016 11:04:56   #
Uuglypher wrote:

Gary,
The assertions you make are unaccompanied by the rationale upon which you base them.
In essence, you are stating that a camera with a sensor of lesser dynamic range is to be preferred to a camera with a sensor of greater dynamic range. Why not support that promise for starters..???

And be sure to relate your comments and justifications to raw capture, NOT JPEG files. It is in that connection with raw capture that EBTR becomes essential.

Dave


Dave,

Without a doubt, the best quality comes from exposing as far to the right as you can, without exceeding the capabilities of the sensor.
Certainly, I would prefer a camera with a sensor of large dynamic range.
I'm simply pointing out that it is not always best to use all of that dynamic range, depending on the scene and the objectives.
It may be more important to have larger depth of focus, or shorter shutter duration, rather than a higher quality image.

I also understand that if the brightest highlights fall one stop less than the highest available from the sensor, then 50% of the possible sensor values are going unused.

My assertion is that when you expose beyond the right, you incur the cost of longer shutter duration or larger aperture.

Here is my rationale.

Start with a normally exposed, sunny day scene, ISO 100, 1/100 sec shutter, f/16 aperture, using a 200mm lens.
In this case, it would be difficult to hand-hold the 200 mm lens, but a monopod would probably be OK.

If instead, you expose beyond the right, then according to the tutorial, the shutter duration would become 1/200 and you would be able to hand-hold a 200mm lens.
It seems to me that this is incorrect.

What actually happens is that the shutter duration becomes 1/50 sec, and a tripod is required. This is exactly opposite of what is stated in the tutorial.

Note 1: My comments and justifications are related to raw capture.

Note2: This is not an expression of my opinion of when to use EBTR. Each user must evaluate the benefits and cost, depending on the objectives.

Thanks,
Gary
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Sep 22, 2016 17:10:27   #
Uuglypher wrote:
Gary, after responding to your PM I expected that if you had further problems with my original post you would continue discussion in that thread. So I guess you missed this:

......

Best regards,
Dave


Dave, Yes I did miss your post. When you replied using a PM, I thought it was better to reply with a PM, rather than posting on the thread. I'm still learning the protocol of forums.
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Sep 21, 2016 19:19:55   #
Nikonian72 wrote:
Part of the problem is the mis-use of the term 'shutter speed' rather than the correct term 'shutter duration'. Camera shutters do not change speed, but the time duration between leading shutter and trailing shutter can be increased or decreased. A shutter duration of 1/100-sec is twice as long as 1/200-sec (resulting in 1-stop increase exposure), and half as long as 1/50-sec (resulting in 1-stop decrease exposure).

Although he used 'shutter speed' instead of 'shutter duration", I knew what he meant because he speaks of cutting the shutter speed in half to permit hand-holding with a longer lens. With EBTR, you loose the ability to hand hold a long lens, rather than gain this ability.
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Sep 21, 2016 18:31:42   #
big-guy wrote:

Also, to clarify, EBTR, you mean expose beyond the right? If that is true then highlights will be clipped and your post loses credibility. I think you meant ETTR, expose to the right.

It depends what you define as "the right". If this means the right of the true raw histogram, then you are correct. Anything beyond the right will be blown out and not recoverable.

The way I've seen the terms used is in relation to the camera display histogram. ETTR pushes the histogram data to the right of the display, where EBTR pushes the data beyond that, but still within the usable range of the sensor. In fact, this difference is what Dave calls extra raw-accessible dynamic range (ERADR), the primary topic of his original post.

My credibility is important to me. Part of that is to acknowledge my mistakes or misunderstanding. However, in this case, I think my credibility is intact.
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Sep 21, 2016 18:11:00   #
big-guy wrote:
Please re-read the original quote and you will see that he says the same thing you do. By cutting the shutter speed in half, as he says, you slow the shutter speed, as you say, by 1 stop regardless of who or how it is said.

***Addendum*** - just re-read my post and realized that technically, cutting the SS in half speeds up the exposure, BUT many, including yours truly, mistakenly use the term to mean the exposure and not SS. Mea Culpa

As with all rules there are times to implement and times to use another rule. In a high dynamic range scene then ETTR or HDR are fine tools to use. In a low dynamic range scene a standard exposure is fine to use. And on the flip side, sometimes creative license lets us break a rule for a totally different effect and as we all know, sometimes a dramatic failure too.

Also, to clarify, EBTR, you mean expose beyond the right? If that is true then highlights will be clipped and your post loses credibility. I think you meant ETTR, expose to the right.
Please re-read the original quote and you will see... (show quote)

We agree that the shutter speed needs to be slowed, but his example implies a faster shutter speed.
Uuglypher wrote:

"What about being able to cut your already fast shutter speed in half to permit hand-holding with a longer lens, or using a monopod instead of a tripod?"

This says that you can go from 1/100 sec with metered exposure, to 1/200 with EBTR, and therefore gaining the ability of handholding a 200 mm lens. This is opposite from what really happens. With EBTR you need to change shutter speed to 1/50 to get the added exposure.
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Sep 21, 2016 17:54:40   #
Rongnongno wrote:
Negative comment:

Why not post this in the relevant thread then?


I considered that. The original thread was a bit old. I thought it was better to start a new thread.
I'm new to forums so I have some learning to do. I'll keep your suggestion in mind.

As I said, all comments are welcome.
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Sep 21, 2016 16:01:40   #
This is in response to Dave Graham’s post titled Tutorial: Welcome to Raw Exposure.
I have carefully read his post and understand the concept of extra raw-accessible dynamic range (ERADR).
Note: The following discussion is based on a fixed ISO.

There are some statements that are completely accurate.
Uuglypher wrote:

"What if you couldn't, simply by increasing raw exposure by one stop, significantly reduce the amount of noise you routinely capture?"
Yeah, I'd say there's considerable advantage to getting every bit of extra dynamic range as you can out of that sensor that amounted to 2/3 of the cost of that new camera body you just bought!
Here we're talking about pulling out, at the very least, 2/3 stop of exposure up to possibly more than three stops of exposure beyond what your camera's lying JPEG-adjusted histogram suggests you can actually use!
'Tain't chicken feed, McGee!
"One measly stop of exposure? I wouldn't give that up, as we said back in college, "...for love nor money"'
br "What if you couldn't, simply by increasi... (show quote)

Basically, he's right. If you need maximum dynamic range, then expose as far to the right as you can, without exceeding the highest range of the sensor (blowing out the highlights).

However, this comes at a cost. Dave is misleading when he writes
Uuglypher wrote:

It is at about this point in a class or workshop that some back-row sitter pipes up with:
"C'mon, Dave, are you really telling me that just one measly stop is really worth all this trouble?"
So I ask him, "What's your best, fastest lens?
"Er...100mm., f/1.4, why?"
"well, would you mind if I took your lens and superglued it so it couldn't open up beyond f/2 ?"

In reality, you would need an f/1.4 lens in order to expose one stop to the right, instead of an f/2.0 to expose normally.
Dave goes on to write:
Uuglypher wrote:

"Think of the times that limited illumination have made you wish for "just one more "measly" stop?"

In reality, you give up one stop of exposure (illumination) for every stop that you move the exposure to the right.
Uuglypher wrote:

what about being able to cut your already fast shutter speed in half to permit hand-holding with a longer lens, or using a monopod instead of a tripod?

This is not only wrong, but the reverse is true. You need one stop slower shutter speed when you move the histogram one stop to the right.

Dave's advice is good if you need to bring out data from the shadows.
If you have a low key (black cat in a coal bin) scene, it's a good deal to EBTR and give up shutter speed or depth of focus to gain shadow detail.

However, if you have a low dynamic range scene, with midtones in zone V, then it may be better to use normal exposure, rather than give up shutter speed or depth of focus.

Keep in mind, this is based on fixed ISO, adjusting exposure as necessary. If you want to vary ISO in order to EBTR, then that is a discussion for another day.

Please don't consider this as an attack on Dave. I'm just stating the facts as I see them. Any comments (positive or negative) are welcome.

Gary Minor
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Sep 13, 2016 11:27:05   #
patrick85 wrote:
WHEN I GET ALL MY PICTURES IN THE RIGHT ORDER FOR MY SLIDE SHOW I WANT TO BURN THEM TO DVD. WHEN I BURN THE DVD THE PICTURES
ARE NOT IN THE THE ORDER I PLACED THEM???


HOW DO I KEEP THEM IN THE RIGHT ORDER?

PAT MCKENRICK


In Lightroom, create a collection of the desired photos.
In the library module, drag and drop the images (not the frames) to arrange them.
Export them to a folder.
- In the "File Naming" section, check the "Rename To:" box.
- Select "Custom Name - Sequence".
- Enter desired "Custom Text:"
- Set "Start Number" to 10 if you have more than 9 photos, or 100 if you have more than 99 photos.
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Sep 10, 2016 15:54:46   #
jeffjw wrote:
Hi! I'm a newbie to this site. So far I've found it very helpful and informative. I have over 10,000 images filed in folders by dates taken. It's past time to start organizing my images. What recommendations does the forum have for software that helps the cataloging process?


What do you mean by "cataloging"?
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Sep 10, 2016 10:16:37   #
jerryc41 wrote:
How does this look? I selected these components based on recommendations online and here, and also price, of course. I'll be doing photo and video editing - no gaming

.

What you suggest is good. However, I suggest a Core i7-5820K processor ($390) and a X99 compatible motherboard ($340). This is a nice balance, and gives you options for the future.

P.S. Prices will vary
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Aug 16, 2016 10:46:28   #
Thanks to all responders. I knew that this topic was confusing. I understand why even the knowledgeable members sometimes get things "almost" right.
CResQ wrote:
Thought I would mention that wirelessly the 430EX-II RT will function as a slave only, not a master. .....

I wasn't able to find any indication that a 430EX II-RT exist. I would guess that you are referring to the 430EX II (no RT), which is optical only. In that case you are correct.

amfoto1 wrote:
... The YN-E3-RX will enable your 430EX II to be radio controlled wirelessly off-camera, ....

The 430EX II is optical only, I believe that you mean the 430EX III-RT.

amfoto1 wrote:

However, you are incorrect... 430EX II w/YN-E3-RX or a 430EX-III-RT both can only serve as slave units. They cannot act as a master.


Here is a link to the 430EX III-RT brochure (Look under the Overview heading and click on Brochures).
https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/flashes/speedlite-430ex-iii-rt

It shows the 430EX III-RT, in radio mode, as either master or slave. In optical mode, it is slave only.

As an aside, the Yongnuo YN660EX RT, in optical mode, is slave only. This is different from the Canon 600EX II-RT, which can be master or slave in either radio or optical mode.

I decided to go first class and purchase one 430EX III-RT and one 600EX II-RT. This is not inexpensive, but I expect them to be high performance, flexible, and trouble free.

Thanks again for all of your help.
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Aug 14, 2016 23:06:14   #
I am presently using the built-in flash of my Canon EOS 70D to optically trigger my 430EX-II off camera flash using E-TTL.
This works to a limited degree but I want to move up to a radio triggered off camera flash using E-TTL.

For a off camera slave, I know that I can use either Canon's 600EX-RT, 600EX II-RT, or 430EX-II RT flash.
For a camera attached master, I can use any of these or a Canon ST-E3-RT trigger.

If these were all that I had available, I think that I would go with one 600EX II-RT and one 430EX-II RT flash. Either could be master or slave. This would give me a lot of flexibility and power, with control of lighting ratios.
However that is is fairly expensive.

However, I am having trouble finding or understanding what else is available. For instance, I know that that the Yongnuo 600EX-RT doesn't support the slave E-TTL optical function. This is not clear from their product description.
So far, I have determined that two Yongnuo 600EX-RT flashes, one master and one slave, would do the job.
Also, the Yongnuo YN-E3-RT and YN-E3-RX would work with my existing camera and flash. This would be the least expensive choice.
Can anyone confirm or refute this?

Can anyone give me some suggestions or links to any other products that might be suitable.
Also, any comments or other suggestions are welcome.
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Jul 22, 2016 18:16:03   #
carl hervol wrote:
I been using LD ink for years with problems in my canon 9500.


Do you mean NO problems ?
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Jun 27, 2016 11:04:20   #
johnnycamra wrote:
My hard drive had a head crash and I lost more than half of my photos and videos just because I procrastinated in backing them up. 1000's of memories gone forever! I am so devastated! It was a Seagate hard drive which I was told that it was a common problem with that brand. Please learn from my mistake. BACKUP YOUR PHOTOS AND VIDEOS AND DON'T BUY SEAGATE HARD DRIVES!


Even a crashed hard drive may have some recoverable data. It might be worth it to send the drive to a recovery lab, let them evaluate it, and give an estimated cost for recovery. A good lab can disassemble the drive, remove and clean the platters, and install them in a new drive.

Best wishes!!
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