This is in response to Dave Graham’s post titled Tutorial: Welcome to Raw Exposure.
I have carefully read his post and understand the concept of extra raw-accessible dynamic range (ERADR).
Note: The following discussion is based on a fixed ISO.
There are some statements that are completely accurate.
Uuglypher wrote:
"What if you couldn't, simply by increasing raw exposure by one stop, significantly reduce the amount of noise you routinely capture?"
Yeah, I'd say there's considerable advantage to getting every bit of extra dynamic range as you can out of that sensor that amounted to 2/3 of the cost of that new camera body you just bought!
Here we're talking about pulling out, at the very least, 2/3 stop of exposure up to possibly more than three stops of exposure beyond what your camera's lying JPEG-adjusted histogram suggests you can actually use!
'Tain't chicken feed, McGee!
"One measly stop of exposure? I wouldn't give that up, as we said back in college, "...for love nor money"'
br "What if you couldn't, simply by increasi... (
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Basically, he's right. If you need maximum dynamic range, then expose as far to the right as you can, without exceeding the highest range of the sensor (blowing out the highlights).
However, this comes at a cost. Dave is misleading when he writes
Uuglypher wrote:
It is at about this point in a class or workshop that some back-row sitter pipes up with:
"C'mon, Dave, are you really telling me that just one measly stop is really worth all this trouble?"
So I ask him, "What's your best, fastest lens?
"Er...100mm., f/1.4, why?"
"well, would you mind if I took your lens and superglued it so it couldn't open up beyond f/2 ?"
In reality, you would need an f/1.4 lens in order to expose one stop to the right, instead of an f/2.0 to expose normally.
Dave goes on to write:
Uuglypher wrote:
"Think of the times that limited illumination have made you wish for "just one more "measly" stop?"
In reality, you give up one stop of exposure (illumination) for every stop that you move the exposure to the right.
Uuglypher wrote:
what about being able to cut your already fast shutter speed in half to permit hand-holding with a longer lens, or using a monopod instead of a tripod?
This is not only wrong, but the reverse is true. You need one stop slower shutter speed when you move the histogram one stop to the right.
Dave's advice is good if you need to bring out data from the shadows.
If you have a low key (black cat in a coal bin) scene, it's a good deal to EBTR and give up shutter speed or depth of focus to gain shadow detail.
However, if you have a low dynamic range scene, with midtones in zone V, then it may be better to use normal exposure, rather than give up shutter speed or depth of focus.
Keep in mind, this is based on fixed ISO, adjusting exposure as necessary. If you want to vary ISO in order to EBTR, then that is a discussion for another day.
Please don't consider this as an attack on Dave. I'm just stating the facts as I see them. Any comments (positive or negative) are welcome.
Gary Minor