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Posts for: jackpi
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Jan 21, 2018 11:55:53   #
TonyBot wrote:
Hmmm ... A monopod *and* a tripod, all in one package!

Technically, it's a quadpod.
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Jan 21, 2018 11:54:34   #
Adobe recommends 8GB of RAM.

Since you have an iMac at home, I recommend a MacBook Air (~$1,200) or a Dell XPS 13 (~ $950 - $1,250) with 8GB RAM and the 256GB SSD. I assume you know how to merge catalogs onto your desktop. Don't forget to consider the quality of the trackpad. Cheap laptops have terrible trackpads which make it much more difficult to edit photos. As for PC laptops vs Mac Desktops, my family typically has PC laptop problems within two years of purchase -- mainly screens and hinges. Our Mac laptops have never had such problems even after 6 or more years.
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Jan 18, 2018 10:00:30   #
MichaelL wrote:
I have just ordered an d850 from B&H. Decided I needed an upgrade from my d7100, wanted a full frame, looked around and decided if I was going to jump this would be what I would need. My lenses should be compatible - I have purchased FX lenses over the years anticipating an upgrade and am doing it. One exception is my Macro 85mm DX lens, I think this will be okay but the others will work. A question, what has been everyone's experience with wait times? Hopefully not too long but seems worth the wait. Any other suggestions?
I have just ordered an d850 from B&H. Decided... (show quote)

Your 85mm DX lens may work on smaller apertures.
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Jan 15, 2018 10:04:41   #
nauticalmike wrote:
This is probably a stupid question, but that's ok because I never claimed to be a very knowledgeable photographer. If I understand correctly bracketing is taking 3 pictures with three different white balance values, one low one mid and one high of the exact same scene. However since the exposure can be adjusted after the fact then if you are shooting in raw then bracketing has no place. Since most of the professional photographers here seem to say they always shot in raw, the bracketing must not be used by professional photographers. Is that an accurate assumption?
This is probably a stupid question, but that's ok ... (show quote)

Bracketing is taking more than one picture of the subject with the same lens from the same position. You can bracket for exposure (different exposure times) or white balance or focus point. Processing the multiple exposures to obtain the desired effect is a skill that needs to be learned and generally requires blending or masking in Photoshop to get the best results. If you are satisfied with mediocre results, you can shoot jpeg in HDR mode or bracket and use an HDR application.
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Jan 15, 2018 09:55:40   #
Chris T wrote:
I seem to shoot quite a few cars ... not really sure why. I am attracted to bright colors, unusual designs, unique layouts. When I shoot them, it is usually with an AP-Zoom, because that's what I most often have on the camera, at the time. But, I am aware of certain deficiencies with these kinds of lenses. They are often not fast enough, or not wide enough, or not long enough, or not macro enough. Is there ONE LENS, you feel, is ideal, for cars?

A 73mm lens is Perfect! And you need to stand exactly 13ft 3in away from the closest edge of the vehicle.
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Jan 14, 2018 07:59:33   #
StanMac wrote:
I have a slew of vintage Minolta (MD/MC Mount) and vintage Pentax K mount lenses, all manual focus. I’m contemplating investing in a mirrorless camera and am considering which one I should get that will be most readily adaptable for using those legacy lenses. I’m leaning toward either Fuji or Sony. Does either of these cameras, or another brand, offer the most adaptability for using those legacy lenses? Thank you for your thoughts and opinions.

Stan

(Oops, I dropped the last ‘s’ off ‘mirrorless’ in the subject)
I have a slew of vintage Minolta (MD/MC Mount) and... (show quote)

Old lenses? Find an adapter and learn to love manual focus.
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Jan 14, 2018 07:56:09   #
twowindsbear wrote:
Rent it!


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Jan 14, 2018 07:55:11   #
tuthdoc wrote:
Planning to begin buying into one of the systems soon. Your thoughts are welcome! I do all kinds of photography however my first love is landscape photography. I have developed neck and back problems so a lighter system is a must for me.

Both cameras have great lenses available for both landscapes and wildlife/sports. A complete Fuji landscape kit (~15mm to 200mm) with three pro-quality lenses will weigh about 5.7 lb, vs 5,2 lb for Olympus and 8.6 lb for Nikon. Fuji has better image quality at high ISO (6400), but most landscapes are shot from a tripod at low ISO. Although I own a Fuji system, I think I would have been just as happy with an Olympus system for landscape photography.

For birds in flight/wildlife/sports, I would favor the Olympus system because you can get a 840mm efov at f/5.6 for 4.5 lb vs f/8 for 5.3 lb with the Fuji system. The difference between f/5.6 and f/8 is significant with respect to AF speed.

The Fuji has 24Mp vs 20Mp for the Olympus. You can print 13x19 at 300dpi with the Olympus; 10% larger at 300dpi with the Fuji. Not a significant difference.

Tough choice. Good luck.

As for neck pain, I highly recommend a shoulder strap that goes across the body. Black Rapid makes good ones.
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Jan 12, 2018 12:19:40   #
jonj95285 wrote:
Hello UGHH members, I was wondering what is the longest telephoto lens that you guys have come across. I am looking for a lens (can include a teleconverter) that has a total effective reach of above 2,000 mm. Also, what mm lenses do spy satellites use. Thanks!

Fact: The primary light gathering device on a spy satellite is not a lens.
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Jan 11, 2018 18:48:58   #
Chris T wrote:
I'll accept, lenses intended for FX bodies are prohibitively more expensive than ones designed for DX bodies, but after 70mm - that argument becomes moot, anyway! In other words - lenses in the Tele-Zoom category (100-400, 150-600, 200-500, etc. etc. etc.) are for BOTH formats! ... So, where's the delineation?

Before the D850, a lot of people bought the D500 in addition to the D810, because while the D810 was better for landscape photography, the higher frame rate and 1.5 crop factor made the D500 a better option for sports and wildlife.
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Jan 11, 2018 18:43:09   #
skingfong wrote:
Since there was a discussion with Mac vs PC, I like to have a discussion with Desktop vs. Laptop. I'm definitely from the desktop camp. The only advantage a laptop has for me is it's portability. I'm more comfortable with a desktop where everything is permanently hooked up. My workstation consists of a 24" monitor, a Mackie mixer, Mackie studio monitors, printer and desk. Everything I need is right there. I also rather use a mouse than a laptop tracking pad. Actually, I prefer keyboard commands over the mouse when possible. You also get more bang for your buck with a desktop. I can't see myself using laptops only. I work with audio, stills and a some video. I prefer bigger picture and way better audio.

That's not to say I don't use a laptop. I use one when I'm on the road or for backup in case the desktop goes down. Desktop is certainly my preference.
Since there was a discussion with Mac vs PC, I lik... (show quote)

I have both an 2015 iMac 27" desktop and a 2017 17" iMac Pro laptop. I prefer the larger screen, but I end up doing most of my work on my laptop because I can use it any place in the house or on the road. I have never compared performance. If there is a difference, I don't notice it.
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Jan 9, 2018 11:31:20   #
rwilson1942 wrote:
Interesting, I would like to see the spider whichever one it turns out to be. . . .
Easy. Just take it in the house and keep its warm. A friend of mine did that and awoke one morning to find the walls green with baby preying mantis.
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Jan 9, 2018 11:25:15   #
justinmccoy681 wrote:
I'm in search of a telephoto lens and or teleconverter for nikon..70mm-300mm just isnt cutting it enough..thanks

What do you need (want)? 400mm, 500mm, 600mm, 800mm? I wouldn't recommend a 2.0TC. Even with a 1.4TC you loose one stop of light making focusing slower and limiting the number of effective focal points. Unless you have a D500, D810, or D850, don't expect to autofocus at f/8 or beyond.

70-300mm + 1.4TC
Tamron 100-400mm lens (400mm at f6.3).
Tamron 100-400mm lens plus 1.4TC = efov of 140mm-560mm (560mm at f9).
Nikon 200-500mm lens (500mm at f5.6).
Nikon 200-500mm lens + 1.4TC = efov of 280-700mm (700mm at f8).
Tamron or Sigma 150-600mm (600mm at f6.3).
Tamron or Sigma 150-600mm + 1.4TC = efov of 210-840mm (840mm at f9).

On a crop sensor camera multiple focal length by 1.5:
Nikon 200-500mm lens (750mm efov at f5.6).
Nikon 200-500mm lens + TC = 420-1050mm (1050mm at f8).

I recommend the Nikon 200-500mm lens, with or without the TC.
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Jan 9, 2018 10:48:16   #
Pablo8 wrote:
*****************************************************************
Then I think you are missing-out in some / many areas of photography.

For example?

I can do grads, or better, in Lr, Ps, or Capture One. I pay attention to dynamic range (using a histogram) and, if necessary, take multiple exposures to capture the exposures I cover that range. What am I missing?
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Jan 9, 2018 10:06:22   #
Keldon wrote:
Any suggestions as to what I should get for remote shutter release for my D500? What do others use?

Thanks

I have always found shutter release cables to be a pain in the a**. I recommend you use a 3sec or 5sec delay shutter release setup on the camera or get an RF remote.
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