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Aug 5, 2013 12:52:31   #
gregoryd45 wrote:
Beautiful walk on the beach with some nice action


Very nice. :thumbup:
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Aug 5, 2013 12:51:24   #
Rabbott wrote:
I was at the beach one day, playing with my new lens.
I noticed this young lady,,, apparently doing the same thing. I thought it made for a great shot.
I was far enough away, that I wasn't intruding .


:thumbup: :thumbup: :thumbup: :thumbup:
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Aug 5, 2013 12:49:45   #
tainkc wrote:
Beats the hell out of me! I'm still trying to figure it out.
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Aug 5, 2013 12:47:20   #
:thumbup: :thumbup: :thumbup:
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Aug 4, 2013 21:56:32   #
Very sad.
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Aug 4, 2013 21:50:53   #
:thumbup: color
:thumbdown: B&W
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Aug 4, 2013 21:49:43   #
:thumbup: :thumbup:
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Aug 4, 2013 21:48:37   #
:thumbup: :thumbup: :thumbup:
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Aug 4, 2013 21:47:09   #
:thumbup: :thumbup: :thumbup: :thumbup:
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Jul 26, 2013 06:27:28   #
jerryc41 wrote:
In my case, it's because non-humans can't complain about having a camera stuck in their face - again. We like to take pictures more than our friends and relatives like to have their pictures taken. Landscapes, bugs, and flowers are not confrontational, except perhaps for some bugs.


Same here.

http://www.pbase.com/joer/faces
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Jul 26, 2013 06:23:28   #
RE wrote:
I have a D5100 with two lenses (18-55 mm and a 55-300 mm). I previously just used ps cameras. I have had this one for about 6 months and am trying to now step it up so to speak. I would love take night photo's of the stars, woods etc without lighting everything up. I've read the manual, watch videos and I cannot figure it out. If someone could help me with some tips I can try so that I can get a handle on this I would greatly appreciate it! Thanks for reading my plea! :-)


Have you tried the camera's scene mode?
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Jul 26, 2013 06:12:36   #
PalePictures wrote:
I did this shoot on a white background for a Pole Dance studio. I also made the digital background. The shoot called for a desaturated Sin City feel. It was a commercial job. Very specific requirements. All people were shot with a three light setup.
Two lights to light the edge with a softbox overhead as the main.
This setup is common in commercial compositing.

Good Luck.

Russ


:roll: nice.
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Jul 26, 2013 06:02:26   #
GordonB. wrote:
I've read that many of you are almost experts in trading in old cameras for newer models.
I realize that only a few people will be interested in taking part in this topic which is understandable.
Because of a fixed income (yeah, I know, old story) I cannot afford the new Canon SX50. I've been pricing my camera which is a Canon S95 and, still, the price for a used one is still over $200.
For those willing to offer suggestions, would you be so kind as to give me a few suggestions on how I may could make this work?
I HAVE done some homework so I'm not trying to be lazy.

Many thanks,
GordonB.
I've read that many of you are almost experts in t... (show quote)
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Jul 26, 2013 05:54:27   #
JR1 wrote:
Yes

Use the clone tool, I have used Paintshop pro for 20 years my daily tool is PSP7

You are being toooooo complicated

Chose the clone tool (two brushes), LEFT click just above the wire whilst hosing the shift key, use the TOOLS OPTIONS to vary the brush size


:thumbup: :thumbup: :thumbup: :thumbup:

Well done
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Jul 26, 2013 00:14:45   #
DOOK wrote:
The first one (S4) shows a larger DOF, so I assume it has been shot with a smaller aperture. Apart from that, detail, color, & resolution appear to be very similar. There seems to be some possible variables. e.g, slightly different flower size. Were they shot from the same distance?


The first was shot at f/2.2 the second at f/5.6. Lots of variables; i.e., shutter speeds, focal lengths, sensor size and distance for the subject. Both shot with flash.
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