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Posts for: wj cody
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Oct 1, 2017 12:25:10   #
brent46 wrote:
1958


yup the fins on the 1957 plymouth were more pronounced.
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Oct 1, 2017 12:23:05   #
jackinkc wrote:
"film is superior to digital imaging"?



yup
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Sep 28, 2017 14:45:08   #
oh, so cool! looking forward to viewing your results!
thanks!!
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Sep 28, 2017 14:41:19   #
HarryBinNC wrote:
However, once the film is developed, it is a major dust magnet! On the other hand, I can go for years without cleaning sensors because I am careful when changing/removing lenses.

HarryB


it all depends on how you store your negatives. leaving them on the coffee table is not a good idea.
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Sep 28, 2017 14:39:24   #
nothing like reading the manual, before using device!
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Sep 27, 2017 09:15:07   #
ChrisT wrote:
Anyone know which one costs the manufacturer more to make? Which one, generally, grants the greater amount of f-stops-equating stability?


neither, use of a tripod beats everything.
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Sep 27, 2017 09:10:16   #
pepprdog wrote:
I admit I'm a bit lazy..... and cheap😁 so I'm in here looking for ways to use my old dedicated film Nikon flashes with my Nikon digital camera.
I understand these won't be mounted on the camera shoe in order to work but I hate it every time I go through my "stuff" and see these perfectly good useable flashes. I would like to use them until they don't work any more but certainly don't want to damage the camera by doing something stupid🤓
ANY and ALL help with this is greatly appreciated😃
THANKS!!
I admit I'm a bit lazy..... and cheap😁 so I'm in ... (show quote)


exactly which flash units do you have?
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Sep 27, 2017 09:09:21   #
Crombie wrote:
A wonderful mystery hidden away in 2 antique cameras I came upon while on recent vacation in PEI. Doing the tourist thing always looking for old cameras came upon an Adox 120 roll film folding camera with a Schneider Radionar 4.5 105 lense. Opening it to my delight was an exposed roll of Ansco 'All Weather'. I believe this film was discontinued in the late 50's or early 60's, anyone know for sure? Next in a harbor shop selling nautical stuff I spotted this worn leather case on a back shelf and asked to have a peek, the retired seaman handing it to me saying he had now idea what was in it... sometimes there is magic!

A 3A series 2 Kodak folding camera in very good condition, This is a relative giant using 122 film, this is almost a LF format with a width of 43/4" and a rising front standard. And once again I find exposed film, Kodak 'Verichrome Pan'.

I only returned from PEI last night and will mix some fresh Microphen this evening and will with my fingers crossed process this way outdated film Wednesday night and will of course share the results with you.

I'm over the moon with this chance to take a peek into a time past and forgotten.

Crombie
A wonderful mystery hidden away in 2 antique camer... (show quote)


all i can say is, you did very well. good luck with the negatives!
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Sep 27, 2017 09:07:32   #
latebloomer wrote:
I would like some opinions on the advantages upgrading to either a Nikon D500 or a Tamron 24-70 g2.
I currently have a Nikon D7100. I have a macro, a 10-14 wide angle, and other lenses. I use a 16-300 Tamron for most of my pictures. I seem to use it mostly in the lower ranges. I do not have a 2.8 zoom. I also take almost no sports or action pictures and usually use a tripod if possible.

Which of the two options will be the best upgrade in the quality of pictures?

Thanks for any help and your opinions.

Terry Sandlin
I would like some opinions on the advantages upgra... (show quote)


whenever the choice comes to body/lens, go with the lens. you can always use the body in its manual setting to obtain what you want.
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Sep 27, 2017 09:05:54   #
garyl6988 wrote:
I have lots of Nikon equipment that is 35mm including a F5! Is there any use with this or is Digital the only way?


my first thought was "you've gotta be kidding"! however, let us be a bit more rational. the f5 body is an excellent, durable platform for your lenses. it is film, which is superior to digital imaging, as regard the paper print results. also, more and more manufactures are offering different films to the consumer market. so, i would keep your camera and lenses and use what seems to be an excellent outfit.
good luck!
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Sep 27, 2017 09:02:39   #
Joe Domin wrote:
My fears are the same as yours except I haven't taken the tumble. The weight loss is the attraction to me. However I hesitate like a ping-pong ball. I am curious as to what others have to say.....


i use film only, but here's my take. the camera body is merely a platform on which to mount the lens(es). the heavier the platform, the more stable the lens/body combination. this is one reason i liked the contax ax so much. heavy, thick body and perfect for the zeiss 200 and 300mm lenses, hand held.

currently using a contax 645 w/35mm and 120mm lenses as "walk around" setup.
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Sep 27, 2017 08:58:48   #
tdekany wrote:
Wtf are you trying to say here? Lol


very simple - when faced with a subject, which do you want to empathise, do you want, if shooting in colour, to under expose for more saturated colours, or a faster shutter speed to stop any action/movement.

it is all a matter of pre visualising the final outcome. that's where the craft comes in. deciding on which aperture and shutter speed will determine the accuracy of the image.
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Sep 25, 2017 17:59:57   #
not a long as there are cameras and lenses and oh yes, craft.
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Sep 25, 2017 17:49:19   #
rehess wrote:
I need to post an Instamatic picture here {Gallery where it belongs, not this section, which is supposed to be for discussion}. Physical limitations, of both lens and film, mean that an Instamatic picture can never be what most people here would rate as "excellent" - not nearly sharp enough.


only if the image is supposed to be "sharp", which, i admit, seems to be an obsession on this site. not all images are supposed to be "sharp".
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Sep 22, 2017 09:46:33   #
JBruce wrote:
SS, thanks for the insight. You have opened up a new line of reasoning and shooting for me. Previously, I always felt a head-shot perimeters should stay within the frame. John


you all, including Mr. Hurley, might want to consult the fashion work of Sarah Moon on this subject.
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