Anvil wrote:
To me, photographing all white birds presents a rather difficult challenge. If the lighting is not perfect -- and it seldom is -- I spend a bit more time than usual, in post, trying to get the detail out of the bird. I try to expose to the right, without blowing out the whites, but I often end up taking the highlights all the way down.
The birds, particularly the white birds, seem to know that anyone with a camera wants the sun to be behind the camera, so they conspire to remain backlit. I swear I hear them laughing.
I did come upon a Great Egret who was between the sun and me. Usually, the bird will take off if I so much as try to reposition myself, no matter how slowly I do it. This was the first Great Egret ever to let me pass so close. I expected the bird to take off, any second, but it never did. Consequently, I was treated to a rather nice shot.
The Snowy Egrets, on the other hand, were not of a mind to cooperate. They were determined either to be backlit, or to bolt.
To me, photographing all white birds presents a ra... (
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Wonderful shots. Like the last the best. Thank you for posting. bud