gessman wrote:
...perhaps the stupidest thing I ever did to take pictures. When I heard the Hale Bopp Comet was going to be overhead in Denver, having been sorely disappointed when Haley's came through in the early 1980s and I wasn't ever able to see partly, I thought, because a.) I lived in St Pete, FL at sea level, and b.) I didn't have a telescope, I thought I'd just take advantage of being in Denver and ramp it up another notch and go up in the mountains to get a little closer to it and maybe see it better - maybe even get a few pictures.
So, on the night of March 26, 1997, I believe it was, I loaded up my camera gear, not knowing what to expect or what would be required in the way of equipment to get some good shots, if at all. I took off about an hour before dark with plans to go up to around 12,000, "the better to shoot you with, Hale Bopp," because the moon was supposed to be at or nearly full and would interfere unless I could get behind a mountain that would block off the extraneous light from that and Denver's lights. At 12,000 feet in mid to late March the snow is still pretty heavy and it is still pretty cold.
I found my spot and got my gear out and got all set up. I figured I'd need lots of lens based on my experience with Haley so I got out my biggest lens and strapped on a 2x extender. I was using a Nikon FA and 500mm mirror lens with the 2x, pushing it up to 1000mm. Figured that would be enough.
I hadn't figured on how much difference this experience was going to be nor how fast I was going to freeze my butt off and I'm not big on planning or preparing but more of a dodger of missiles from Murphy - you know the guy with all the laws. I find that I'm better at staying loose and adjusting. I looked through the lens and found that I had way too much lens so I started backing off. I wound up using the FA and a Vivitar 28-85 Series 1 lens. The Series 1 lens was designed to compete with the top lens of Nikon and Canon which would now be the "L" lens for Canon.
I had not used the heater on the way up so I wouldn't get the gear so warm that it would fog up and collect moisture but I don't guess I was all that successful because I'd get in one and a half shots and my gear would freeze up with the shutter open on the second shot. I'd have to take it off the tripod and get into the car with it, turn on the motor and heater and in about a minute I'd hear the shutter close so I'd go back out and do it again.
Well I continued to shoot for almost an hour like that which caused the earth to rotate moving the comet to my left so I kept moving my gear out in front of where I'd parked my car. When I had moved about 100 feet, give or take, away from the car I had also moved in behind a berm created from cutting through the rocks to make the road. I had gotten in about ten shots when I began to hear twigs snapping just up the berm behind me and then I got that legendary atrocious cat smell we've all heard about. I started toward the car slowly and began to whistle, figuring if you could 'whistle past a graveyard" when you were young to keep from being scared, perhaps I could whistle past this illusionary cat I perceived to be about to enjoy me for lunch. The closer I got to the car, the faster I was moving. I jumped into the car, drove forward to the gear, and without getting out, reached out and tossed everything in the back seat. Long story long, I went back each night for about two weeks and shot over fifty rolls of film, naturally from different places from that first night.
I don't know what I was thinking but I got some shots I think are astounding given my equipment. For those who might not be familiar with that time, there was a worldwide circle of amateur and professional astronomers who sent in photographs to a website dedicated to the comet and even the Hubble was used to photo it. Having looked at all the images on that site, I will humbly submit to you that my shots fit right in with what was there.
...perhaps the stupidest thing I ever did to take ... (
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