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A Comparative Experiment: Photographs and Paintings
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Aug 30, 2018 09:18:50   #
A10 Loc: Southern Indiana
 
Very nice, love all three for different reasons.

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Aug 30, 2018 09:25:31   #
fergmark Loc: norwalk connecticut
 
I had wondered how you became attached to Mohegan and now I know. I really should explore the islands history more than I have. After all, few places have made the kind of enduring impression on me that this one has.

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Aug 30, 2018 09:27:34   #
Stephan G
 
Cany143 wrote:
A photograph (2016), a software generated 'painting' of that photograph (yesterday), and a photograph of a (1976) painting.... 'The Twin Houses.'

In the fall of 1905, Boston judge Charles Francis Jenney met English emigree watercolorist/photographer Samuel Peter Rolt Triscott out along the New England coast. The painter suggested that the judge --a passionate bird watcher-- visit his home, a major bird migration stop along mid-coast Maine, on a place called Monhegan Island. The following spring, Judge Jenney did just that, and over the next several years, he returned whenever he could. Before long, and often accompanied by his brother, a deep love and respect for the Island had grown in both, and in 1908 they bought property and sought to build summer homes there. Later that year, artist/painter Rockwell Kent --another Island resident-- was contracted to design the structures. These houses --two identical structures in complete and perfect mirror image of one another-- were completed in 1909.

I was introduced to the Island --and The Twin Houses-- in July of 1976 by my girlfriend at the time, the great-granddaughter of Judge Jenney. We stayed in the house on the left, at that time still owned by Jenney's descendants; the house on the right had been sold some years before, and was owned by the Harbormaster. My girlfriend was --and still is-- a skilled amateur photographer, and she showed me places she'd known since childhood, and that I saw for the first of many times. I didn't own a camera in those days, instead I painted or made drawings. A few years later, I bought a camera, and built a darkroom, and there you have it.

Please forgive this unremarkable bit of history and personal reminiscence. You'd probably be more interested in lenses or ISO's or what software might've been used. Its just that some stories are vital and run deep, and sometimes they take precedence over the technical aspect of things.
A photograph (2016), a software generated 'paintin... (show quote)


What ASA setting did you use for the painting and drawing? I will have to dig out my brushes to see if they had knobs for setting the ASAs. Do modern brushes have ISO knobs?

Appreciate your set and your skill range. Thank you for sharing.


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Aug 30, 2018 09:29:55   #
Cotondog Loc: Saskatchewan, Canada
 
Cany, I find all three images very appealing, each in their own way. Your narrative and personal memories add a great deal to the overall presentation.

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Aug 30, 2018 10:54:52   #
Cany143 Loc: SE Utah
 
cameraf4 wrote:
Actually, I was more wondering what happened to the tree? Cool story. Cool effects.


The tree was there in '76, f4, but it was a little smaller then. Don't know quite why after all these years, but I imagine now that I used a 'mental clone brush' to remove it. Errtistick license, I guess.

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Aug 30, 2018 11:09:29   #
Cany143 Loc: SE Utah
 
Rineal wrote:
As one painter to another - well done! Do you still swing those brushes sometimes?
Richard


Thanks, Rineal. Yeah, still swing a brush now and then. But only because none of my cameras are able to lay in a decent wash. And they get more where sometimes I want less, too, or less where I want more.

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Aug 30, 2018 11:18:48   #
Cany143 Loc: SE Utah
 
Stephan G wrote:
What ASA setting did you use for the painting and drawing? I will have to dig out my brushes to see if they had knobs for setting the ASAs. Do modern brushes have ISO knobs?

Appreciate your set and your skill range. Thank you for sharing.

What ASA setting did you use for the painting and ... (show quote)


Thank you, Stephan. Please let me know if you find out that any of your brushes have ASA knobs, or in lieu of that, maybe ISO settings in their menus, ok? (If so, that could set off a deadly case of BAS --Brush Acquisition Syndrome-- Oh noes!!!) For the moment, though, no, none of mine do. But one of 'em does have two card slots, so there's that.

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Aug 30, 2018 11:24:11   #
Earnest Botello Loc: Hockley, Texas
 
Enjoyed your story Cany, I find #2 the most appealing of the set.

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Aug 30, 2018 11:30:57   #
Stephan G
 
Cany143 wrote:
Thank you, Stephan. Please let me know if you find out that any of your brushes have ASA knobs, or in lieu of that, maybe ISO settings in their menus, ok? (If so, that could set off a deadly case of BAS --Brush Acquisition Syndrome-- Oh noes!!!) For the moment, though, no, none of mine do. But one of 'em does have two card slots, so there's that.


I found my easel. But my container of the brushes is still buried deep in the "heart" of the garage. (Probably right next to my Topcon gear and darkroom equipment.

As for BAS, I still salivate for some of those big Sable hair brushes.

Two card slots, you say. Must cost you an extra pretty dime.


Please share some more pictures with companion art work. It is a good lesson for any photographer,

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Aug 30, 2018 11:32:50   #
Cany143 Loc: SE Utah
 
Earnest Botello wrote:
Enjoyed your story Cany, I find #2 the most appealing of the set.


That surprises me, Earnest. Especially since #2 has been declared to be awful and overcooked and such by a real artist. I, on the other hand, appreciate your comment.

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Aug 30, 2018 13:10:10   #
Earnest Botello Loc: Hockley, Texas
 
As an artist myself, I pick on what is appealing to my eyes, I love color and #2 doesn't disappoint. I have been drawing and painting from an early age, about 5 and finally settled on portrait drawings and oil paintings of people, I was very good. At 75 and my hands not what they use to be, I haven't done it in years. I posted some pictures of my drawings and paintings on the Hog sometime back, but I got hacked, so I had to re-register on the Hog, so I lost all my posts.

Cany143 wrote:
That surprises me, Earnest. Especially since #2 has been declared to be awful and overcooked and such by a real artist. I, on the other hand, appreciate your comment.

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Aug 30, 2018 13:19:20   #
Treepusher Loc: Kingston, Massachusetts
 
Very well done treatments, and I especially like the third. Monhegan Island has a well deserved reputation around here, and nice to hear your bit of its history.

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Aug 30, 2018 13:25:20   #
nhastings Loc: Telluride, CO
 
Great shots Jim. Better story.

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Aug 30, 2018 13:39:20   #
pfrancke Loc: cold Maine
 
I like what you did Cany - and a fascinating story to go with it. Did you see the painting before you did the photo?

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Aug 30, 2018 15:09:06   #
Daryl New Loc: Wellington,New Zealand
 
Thanks like the first two particularly....

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