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Jun 5, 2017 11:26:17   #
Coyote9269 Loc: USA
 
mellis5132 wrote:
I really appreciate the input. I'm wanting to print large photos up to 36 wide. So the D810 with 36 mp.


Keep in mind the larger the print the further the viewing distance has to be. 18mp and more will print a photo that size. But as the photo grows so does the distance one has to view it from so it is not pixalated .

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Jun 5, 2017 11:30:19   #
wdross Loc: Castle Rock, Colorado
 
mellis5132 wrote:
I would like some input on full frame cameras. Thanks


Full frame cameras have an advantage in ISO. Otherwise they tend to be bigger, heavrier, and more expensive than APS-C or 4/3rds.

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Jun 5, 2017 11:38:44   #
mellis5132
 
Thanks for info

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Jun 5, 2017 11:48:13   #
Toment Loc: FL, IL
 
TJ02472 wrote:
Hi

After reading of many on-line I looked at three different full frame cameras.

1. Nikon 810 (Nikon calls full frame DSLRs FX versus their smaller DX)
2. Sony a7R mirrorless
3. Pentax K-1
These were all similar in weight and size. Despite having a smaller body, the Sony had a larger lens.


The reasons I wanted a full frame are not just the size of the frame but also features and resolution. All have pluses and minuses. The Sony has very nice features and resolution. Like the Pentax, it did fall a bit short in the selection of lenses. There are some non-OEM lenses now helping fill that gap.

The size of the frame helps in lens selection. For a full frame there is no self-cropping when shooting unless you select that feature. For example, a 28mm lens will provide a 28 mm photograph. On cameras with smaller frames that could be 50mm or another size that is larger than 28mm. Conversely, a telephoto 300mm shot would be 300mm on a full-frame but, again, a larger value when using a smaller sensor (less than a full-frame.)

I chose the Pentax K-1 as it shares the sensor and features of the Sony but I do have less resolution - still good photos though at 36 MP. Its ASA/ISO light sensitivity range up to 204,000 eliminates flash all of the time for me but I know I could use one now and then.

I am an amateur and not a professional but my curiosity exceeds my budget for priorities. Others recommended renting different models and that seems to be a good way to explore.

Tom
Hi br br After reading of many on-line I looked a... (show quote)

You actually can shoot in crop mode on most. The EVF is wonderful but has a drawback of dark frame but the a9 doesn't suffer from that.
Have fun !

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Jun 5, 2017 11:51:21   #
Camera buyer Loc: Las Vegas
 
I have been in digital photography since my first Agfa 1.5 Megapixels, to my current Canon 5DMKII and 6D and my Sony a6000. I've owned al the Canon APC cameras from the 30D to the 60D. I switched to full frame out of necessity, NOISE in high ISO situations. There are more pixels on a full frame sensor. and when I shoot performers on stage, it's obvious. I also shoot interiors for a designer, and there's MORE INFORMATION on a full frame. I bought the Sony NEX-7 and a6000 for FUN shooting. If need be, I have an adapter that allows me to use my Canon lenses on the Sonys. I rarely do since they are heavier. Depending on your requirements, make your choice. I use what the assignment requires. Good Luck!



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Jun 5, 2017 11:51:23   #
tropics68 Loc: Georgia
 
mellis5132 wrote:
I would like some input on full frame cameras. Thanks


https://digital-photography-school.com/full-frame-sensor-vs-crop-sensor-which-is-right-for-you/

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Jun 5, 2017 11:51:32   #
Toment Loc: FL, IL
 
bleirer wrote:
You don't realize your replies cut sharply for those of us that are infrequent posters. For the same amount of typing you could have cut the op a break and said something about full frame instead of griping . I for one am under the impression that image quality is better because of larger pixels therefore less noise, is this not true?

Please "quote reply" so we know at whom this is aimed
Thanks

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Jun 5, 2017 11:55:34   #
mellis5132
 
Toment wrote:
Please "quote reply" so we know at whom this is aimed
Thanks

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Jun 5, 2017 11:56:10   #
mellis5132
 
Camera buyer wrote:
I have been in digital photography since my first Agfa 1.5 Megapixels, to my current Canon 5DMKII and 6D and my Sony a6000. I've owned al the Canon APC cameras from the 30D to the 60D. I switched to full frame out of necessity, NOISE in high ISO situations. There are more pixels on a full frame sensor. and when I shoot performers on stage, it's obvious. I also shoot interiors for a designer, and there's MORE INFORMATION on a full frame. I bought the Sony NEX-7 and a6000 for FUN shooting. If need be, I have an adapter that allows me to use my Canon lenses on the Sonys. I rarely do since they are heavier. Depending on your requirements, make your choice. I use what the assignment requires. Good Luck!
I have been in digital photography since my first ... (show quote)

Thank u

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Jun 5, 2017 12:00:57   #
Toment Loc: FL, IL
 
TriX wrote:
And then there's the weight of the lens...

Sony's 70-200 f2.8 weighs 52.2 Oz and costs $2599 list.
Canon's 70-200 f2.8L IS II weighs 52.6 Oz and costs $1899.
Nikon's 70-200 f2.8G VRII weighs 54.3 oz and lists for $2099.


Cameras weigh considerably differently. Just sayin...

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Jun 5, 2017 12:38:51   #
amfoto1 Loc: San Jose, Calif. USA
 
mellis5132 wrote:
I would like some input on full frame cameras. Thanks


Pro: In some situations and for some purposes, a full frame camera can produce higher quality images.

Con: A full frame camera costs more. The lenses it requires are bigger, heavier and generally more expensive, too.

Most photographers don't really need full frame cameras, just think they do because of all the hype.

I'd also wager that many who use FF don't actually get any real benefit from them.

In fact, yesterday I was shooting a sporting event where another photographer was using a FF camera that quite possibly was one the worst possible choices for the situation.

I know from personal experience that her setup is a poor choice for the purpose. We were shooting an amateur equestrian event and she was using a FF Canon 5D Mark II (21MP) fitted with a Canon EF 70-200mm f/2.8L IS USM and a Canon 2X II teleconverter. I was using Canon APS-C 7D Mark II cameras (20MP) with EF 70-200mm f/4L IS USM on one and an EF 100-400mm L IS USM II on the other.

The 5DII (which I also have owned for many years and use for other purposes such as portraits and macro) cost her at least 50% more than what one of my cameras cost me, has a far more primitive, slower, poorer tracking AF system (15 points with three "cross type" versus 65 points, all "cross type" in my camera), shoots at 5 frames per second max (versus 10 fps w/my camera), and has a loud shutter that I've seen cause high-strung, inexperienced horses to "go vertical" and dump their riders.

I also have copies of the exact same lens and teleconverter she was using... A combo that I've tested and make a point of never using together due unacceptable deterioration of image quality. Her effective 140-400mm f/5.6 combination (70-200mm + 2X) is also about the same size, weight and cost as the far sharper, faster focusing 100-400mm I was using. For that matter, on an APS-C camera with it's "free 1.6X teleconverter effect" she wouldn't need the image-quality-robbing 2X on that 70-200mm. The lens alone might give more than adequate reach on APS-C. Or, if needed, could be used with a weaker 1.4X teleconverter which does much less "harm" to image quality. Or, on an APS-C cameras a less expensive 70-300mm might serve instead, giving better image quality, higher performance and greater effective reach. The f/4 version of the 70-200mm I was using is about 2/3 the size and weight of the f/2.8 version she was using, too. f/2.8 certainly isn't needed outdoors and can even be a problem, with too shallow depth of field. Besides, by the time a 2X is added to the lens, it's an effective f/5.6. Guess what aperture I'm using with both my lenses!

So.... she spent more to carry around bigger, heavier gear that's slower focusing, lower performance and certain to give poorer results... and might even cause accidents if she isn't careful. She has essentially taken three excellent products that are the wrong things for the purpose in the first place and is now using them together in a manner that's certain to make for lower quality results. Oh well!

"Full frame" certainly has it's uses... But it isn't the be-all, end-all that some people claim it to be. The vast majority of DSLR buyers don't need FF... And I'd bet that a lot of FF users don't really get any benefit from the larger format.

In a nutshell, if you can't articulate in detail WHY you need full frame... You really don't need full frame.

Or, another way of looking at it... If your images are falling short of your expectations with an APS-C camera, switching to full frame won't solve anything. In fact, it probably will just make for even bigger failures!

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Jun 5, 2017 12:49:30   #
Dutzie Loc: I'd like to know
 
The IQ will be better...

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Jun 5, 2017 12:52:28   #
amfoto1 Loc: San Jose, Calif. USA
 
Camera buyer wrote:
I have been in digital photography since my first Agfa 1.5 Megapixels, to my current Canon 5DMKII and 6D and my Sony a6000. I've owned al the Canon APC cameras from the 30D to the 60D. I switched to full frame out of necessity, NOISE in high ISO situations. There are more pixels on a full frame sensor. and when I shoot performers on stage, it's obvious. I also shoot interiors for a designer, and there's MORE INFORMATION on a full frame. I bought the Sony NEX-7 and a6000 for FUN shooting. If need be, I have an adapter that allows me to use my Canon lenses on the Sonys. I rarely do since they are heavier. Depending on your requirements, make your choice. I use what the assignment requires. Good Luck!
I have been in digital photography since my first ... (show quote)


I've been shooting digital since the 1990s, when I used a 1.2MP Olympus. I've been using Canon DLSRs since 2004, primarily: 10D, 30D, 50D, 7D, 7D Mark II APS-C cameras and 5D Mark II full frame camera. Also have occasionally used a few other models ranging from Rebel to 1D series.

Like you, one of the key reasons I got my 5DII was for high ISO, low light shooting. Where I limited my 10D to ISO 800, 30D to ISO 1600 and didn't use 50D any higher than ISO 3200... 5DII does pretty darned well at ISO 6400:



However... APS-C has come a long way in the years since. 7D Mark II at ISO 16000 (sixteen thousand, not a typo):


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Jun 5, 2017 12:58:49   #
amfoto1 Loc: San Jose, Calif. USA
 
Dutzie wrote:
The IQ will be better...


.... while it's being viewed by you during post-processing, at 100% on your computer monitor (which is equivalent to making a 40x60" print).

But once that's done and you've resized the image for it's final use, such as display online at Internet resolutions or to make an 11x14 or 13x19 print or whatever.... Will anyone else ever see the difference? Unless you make really huge prints, very probably not!

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Jun 5, 2017 13:08:33   #
rehess Loc: South Bend, Indiana, USA
 
jerryc41 wrote:
Of course, they need film.

aka, disposable FF sensor.

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