Gene51 wrote:
I've done it both ways, but to get pure black with a black velvet cloth that absorbs most of the light, you still have to do some post processing. With certain subjects creating and using a mask is far easier and faster, and there is no cleanup required on the background. What? Ten seconds to create a mask and another 5 seconds to create a fill layer with black is faster than fussing with a black background? As far as additional foliage, that just means you create a mask that includes the foliage. When you don't have close access to a flower, such as when you are shooting in a crowed place and you are by yourself, and you are not allowed to shoot with a tripod, the mask and swap background does a great job, and makes an image possible.
The Day Lily was shot at Longwood Gardens, a very popular destination and always crowded. I used a hand held speedlight with a large bounce card attached to it (9x12), and had the camera in the other hand. No tripod, no assistant, no black cloth.
I've done it both ways, but to get pure black with... (
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Does On1 do a better/easier job of creating a mask than Topaz Remask? Was your bounce card homemade or bought?