Fotoartist wrote:
Opening JPEGs in Raw still doesn't give you the depth of information of shooting in raw.
In fact, in terms of color balance, I would say that you can never completely recover all your white balance options if you captured in JPEG.
The point of JPEG is to use the same sort of "PRE-processing" that it took to get great color slides. Careful use of an exposure/white balance target, plus menu settings that give your images precisely the look you want, are the steps that are equivalent to using an incident meter, a color temperature meter, color balancing filters over the lens, and good film choice...
It's a completely opposite mind set from working in raw. The goal is NOT to edit a JPEG. It's to use it as-is, or with minor adjustments. If your situation is such that you cannot trust your exposures, or you know you must do substantial post-processing for creative reasons, then raw capture makes the most sense.
Those of us who burned through countless bricks of slide film years ago had no trouble learning to work with JPEG capture. Many pro photographers who worked exclusively with color negative films prior to 2000 had serious trouble learning to make usable JPEGs.
I was a trainer at a school photography company from 2005 - 2012. I watched our lab customers grapple with JPEG digital capture and freak out! A lot of old-timers retired. One guy went into a manic depressive state and sold his business, rather than accept the fact that we threw all our film processors and optical printers into recycling heaps.
It all came down to a latitude change. Kodak Portra 160 had +2, -1.3 FULL stops, before things got wonky. JPEGs have +1/3, -2/3 stops of latitude before you can see noticeable quality degradation.
LABS fixed customer exposure errors when we printed from film and film scans. So photographers got lazy! But with JPEGs, we couldn't fix the kinds of errors they were used to making (never knew they were making!).
Raw is most similar to color negative film. The difference is that YOU perform part or all of the lab process. Labs generally don't process raw files. So the onus is on photographers: Get it right at the camera, or get it right at the computer. It's not a debate, it's a choice!