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Apr 2, 2017 16:54:09   #
drklrd Loc: Cincinnati Ohio
 
burkphoto wrote:
Basic lack of knowledge is why the whole argument is stupid. Did you know that the 30,000+ portrait, team, and player photographers in America use nearly 100% JPEG workflow? WHY do they? Time, cost, and lab workflow constraints. The product is inexpensive, so the process must be.

How do they do it? Exposure and custom white balance TARGETS. Precisely controlled lighting. Procedural discipline. Checklists...

The same JPEG only systems work for many situations.

BUT, raw isn't just for rookies. Pros do use it, especially those covering weddings, sports action, and other one-of-a-kind events... product photography for ad campaigns or point-of-purchase displays, or for any situation where post-processing is desirable or warranted. Architectural and landscape work are usually recorded in raw.

When you have the knowledge, discipline, skill, experience --- or can follow a formula designed by someone who does --- JPEG capture is an incredibly useful and important tool.

The most important thing to know about processing and saving JPEGs at the camera is that you are NOT at the mercy of the camera's defaults! The many menus offer a very wide range of PRE-processing control. All you have to do is test them to know what to do. THAT takes time, patience, control, and careful review of the results.

That said, I seldom use JPEGs for personal work. Much of what I cover is not done under controlled conditions, so I'll record raw or raw+JPEG.
Basic lack of knowledge is why the whole argument ... (show quote)



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Apr 2, 2017 17:24:54   #
Ralloh Loc: Ohio
 
drklrd wrote:
I am a pro and in one week I will shoot over a few thousand images. I have considered shooting in raw but time constraints to upload at the studio and the fact that the studio wants jpegs for yearbook work keeps me shooting jpegs. I shoot over a few thousand jpegs every week when the work load is high. I prefer to spend my time shooting and beside I can do some raw editing when I open a jpeg in raw. The only time I have done that is when I thought the shots at the bowling were a little thin. I did a batch in Adobe to adjust exposure and then saved them as new jpegs and the studio knew nothing of the edit. I do so prefer to turn all my work in not needing an edit as I did in film days. Shooting jpegs reminds me of shooting Ektachrome with just a smidge more room than Ektachrome gave me. Sorry folks I preferred Ektachrome to Kodachrome. I shot a lot of slide shows back then.
Maybe if you have the time to sit and fudge with editing until you tweek the H out it, raw is great but if you find you want to shoot it and make images quickly I say go ahead and perfect your skill in jpegs. Either way you go perfecting the exposure will be great even if you shoot raw.
I am a pro and in one week I will shoot over a few... (show quote)


Hate to be nitpicking here, but, you may be a pro but what you said tells me you don't really understand RAW. You said, "I can do some raw editing when I open a jpeg in raw". I don't even know what that means. On face value it seems you are saying you can take JPG, open it in RAW (?) then edit it like a RAW file. If you only have a JPG, you don't have a RAW file to work with. Yes, you can open a JPG in an editor that edits RAW, but, you are still only editing the JPG. OK, I'll stop pulling my hair out through frustration now.

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Apr 2, 2017 17:34:28   #
drklrd Loc: Cincinnati Ohio
 
Ralloh wrote:
Hate to be nitpicking here, but, you may be a pro but what you said tells me you don't really understand RAW. You said, "I can do some raw editing when I open a jpeg in raw". I don't even know what that means. On face value it seems you are saying you can take JPG, open it in RAW (?) then edit it like a RAW file. If you only have a JPG, you don't have a RAW file to work with. Yes, you can open a JPG in an editor that edits RAW, but, you are still only editing the JPG. OK, I'll stop pulling my hair out through frustration now.
Hate to be nitpicking here, but, you may be a pro ... (show quote)


Yes you can open a jpeg in raw and yes you are editing a jpeg and as far as I know in Adobe raw. When it comes to saving the jpeg at the end of the edit Adobe asks what to save the file as and I save it to another drive using the same file name as the original jpeg. At no time does Adobe convert the file to raw. Although Adobe does ask you what to save the file as. I was just saying you can open a jpeg in Adobe raw and edit it there to some extent.

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Apr 2, 2017 17:35:50   #
Fotoartist Loc: Detroit, Michigan
 
JPEG = Fast Food
RAW = Home cooked meal.

Both are food. Home cooking is better for you.

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Apr 2, 2017 17:54:29   #
Ralloh Loc: Ohio
 
drklrd wrote:
Yes you can open a jpeg in raw and yes you are editing a jpeg and as far as I know in Adobe raw. When it comes to saving the jpeg at the end of the edit Adobe asks what to save the file as and I save it to another drive using the same file name as the original jpeg. At no time does Adobe convert the file to raw. Although Adobe does ask you what to save the file as. I was just saying you can open a jpeg in Adobe raw and edit it there to some extent.


OK, now that makes sense. It was just worded a bit odd before. I'll stop pulling my hair out now. I obviously don't have much to spare.

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Apr 2, 2017 18:07:30   #
Fotoartist Loc: Detroit, Michigan
 
Opening JPEGs in Raw still doesn't give you the depth of information of shooting in raw.

In fact, in terms of color balance, I would say that you can never completely recover all your white balance options if you captured in JPEG.

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Apr 2, 2017 18:13:58   #
burkphoto Loc: High Point, NC
 
drklrd wrote:
Yes you can open a jpeg in raw and yes you are editing a jpeg and as far as I know in Adobe raw. When it comes to saving the jpeg at the end of the edit Adobe asks what to save the file as and I save it to another drive using the same file name as the original jpeg. At no time does Adobe convert the file to raw. Although Adobe does ask you what to save the file as. I was just saying you can open a jpeg in Adobe raw and edit it there to some extent.


I think you need to make the distinction that you are opening JPEGs in the Adobe CAMERA Raw editor, which, in both Lightroom and Photoshop, gives you a subset of tools for JPEG adjustments. Canon DPP and SilkyPix and a few other editors will do the same.

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Apr 2, 2017 18:14:51   #
kymarto Loc: Portland OR and Milan Italy
 
imagemeister wrote:
Yes, if you are a computer geek, you will want to shoot RAW ....


It has nothing to do with being a geek and everything to do with being serious about quality. With raw plugins for Windows I can view raws just like jpgs in Explorer. If I want to convert to jpg it can be done in seconds, or I can choose to batch convert in DxO with resulting jpgs of much higher quality than anything coming from the camera's limited and limiting algorithms.

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Apr 2, 2017 18:26:36   #
kymarto Loc: Portland OR and Milan Italy
 
Rongnongno wrote:
err.....

Your comparison is simply disingenuous. In the name of peace and political correctness often prevalent on this site you select to avoid that they can only be compared with a car engine, the road (and laws) limitations and the skill of the driver.

raw = 1000 horse power. Only good experimented drivers can use a car with an engine like that.
PJG = 1 horse power. Toddler electric cars are more powerful than that.
Both are limited by requirement in size and/or format (as in UHH). JPG has the least 'sharing' limitation and can be required by the client/agency.

raw is all about potential. raw needs the same (if not more) care when taking the initial capture than a JPG (SOOC). raw demands that the 'button pusher' knows what he/she is doing in PP.

Where you are correct is that there is an element of 'faith' on both sides as well as an element of disdain for the other.

JPG vs raw is a non debate for several reasons.

- 'debate' or 'faith proclamations' are moot when the camera cannot produce a raw output.
- Use/requirement of a capture determines what format is best or needed.
- If one is untrained with PP the result will be in the same digital vomit regardless of format.
- Anyone can choose any format and quite frankly I do not see why not.
- What anyone selects is nobody's business since in the end most captures are reduced to JPG for 'sharing'.

The true debate for 'sharing' lies in the PNG vs JPG format but that is another can of worm. Uploading/downloading speed vs relative accuracy...
_________
Something else that does not concern your post.

The white balance is just as correctable in JPG than in raw. The absence of raw subtleties when it comes color shade does not prevent the white balance adjustment. Now if one mentions luminosity adjustment I would agree.
err..... br br Your comparison is simply disingen... (show quote)


It is absolutely untrue that chroma adjustment is the same for raw and jpg. Raw can adjust the three primary color channels independently of each other, whereas in jpgs it is only possible to put a color wash across the whole frame. No way can you correct more than minor tints well in jpg.

If you have any doubts about this shoot a tungsten scene with a sunny WB in both jpg and raw, do your best adjustment in both and see what's what.

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Apr 2, 2017 18:32:54   #
kymarto Loc: Portland OR and Milan Italy
 
andrek666 wrote:
With JPEG, how would you go about adjusting the white balance (if it need and adjustment)?


In an image editor you have color channel adjustments. You can either raise or lower RGB levels independently or use color axis sliders (easier) which adjust on the blue/yellow and green/magenta axes. PS allows you to adjust chroma values independently in shadows/mids/highlights, which is a fudge but might help a little if you shoot jpgs.

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Apr 2, 2017 18:49:04   #
burkphoto Loc: High Point, NC
 
Fotoartist wrote:
Opening JPEGs in Raw still doesn't give you the depth of information of shooting in raw.

In fact, in terms of color balance, I would say that you can never completely recover all your white balance options if you captured in JPEG.


The point of JPEG is to use the same sort of "PRE-processing" that it took to get great color slides. Careful use of an exposure/white balance target, plus menu settings that give your images precisely the look you want, are the steps that are equivalent to using an incident meter, a color temperature meter, color balancing filters over the lens, and good film choice...

It's a completely opposite mind set from working in raw. The goal is NOT to edit a JPEG. It's to use it as-is, or with minor adjustments. If your situation is such that you cannot trust your exposures, or you know you must do substantial post-processing for creative reasons, then raw capture makes the most sense.

Those of us who burned through countless bricks of slide film years ago had no trouble learning to work with JPEG capture. Many pro photographers who worked exclusively with color negative films prior to 2000 had serious trouble learning to make usable JPEGs.

I was a trainer at a school photography company from 2005 - 2012. I watched our lab customers grapple with JPEG digital capture and freak out! A lot of old-timers retired. One guy went into a manic depressive state and sold his business, rather than accept the fact that we threw all our film processors and optical printers into recycling heaps.

It all came down to a latitude change. Kodak Portra 160 had +2, -1.3 FULL stops, before things got wonky. JPEGs have +1/3, -2/3 stops of latitude before you can see noticeable quality degradation.

LABS fixed customer exposure errors when we printed from film and film scans. So photographers got lazy! But with JPEGs, we couldn't fix the kinds of errors they were used to making (never knew they were making!).

Raw is most similar to color negative film. The difference is that YOU perform part or all of the lab process. Labs generally don't process raw files. So the onus is on photographers: Get it right at the camera, or get it right at the computer. It's not a debate, it's a choice!

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Apr 2, 2017 19:11:21   #
Fotoartist Loc: Detroit, Michigan
 
Shooting in Raw, I can make anything between a "normal" straight shot and a single shot HDR if I can adjust it in Adobe Camera Raw. I like that latitude of choice.

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Apr 2, 2017 19:26:22   #
drklrd Loc: Cincinnati Ohio
 
Ralloh wrote:
OK, now that makes sense. It was just worded a bit odd before. I'll stop pulling my hair out now. I obviously don't have much to spare.


Sorry I do get wordy and confusing at times

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Apr 2, 2017 19:56:32   #
cambriaman Loc: Central CA Coast
 
I agree that fine JPGs look pretty good from my Nikon D800e. In fact I often take both RAW and JPG but I really like the freedom that RAW gives me to make the image my own. The JPGs I actually use are the grab shot, family visit, trip to the beach etc . images. The images I want to make for my own satisfaction and printing for framing can always be a little more like my vision the I start with RAW. Just saying'

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Apr 2, 2017 20:35:41   #
catchlight.. Loc: Wisconsin USA- Halden Norway
 
...page 6 is about to begin.

Hard to believe there would be a quality debate raw vs jpeg...

Speed and file storage benifits yes...a bit hard to understand any other point of view but I'm trying...

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