Bill_de wrote:
They did have some developing gadgets that allowed you to bypass the darkroom for 35 mms film. You had to leave the tail out when rewinding the film in the camera. You hooked it up, closed a door and cranked the film into a special tank. Somebody gave me one, and it did work, but in the long run a dark room and a good stainless steel reel worked best. Of course you could use a changing bag with the lights on, but you still couldn't see what you were doing.
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We had the ratchet tank, but it was still a job of fumbles.
charles tabb wrote:
We had the ratchet tank, but it was still a job of fumbles.
That's OK. I fumble with SD cards.
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Something to consider instead of switching to B&W film is to use a digital camera feature that no film camera has. My LUMIX GX8 has a monochrome option for both the LCD and EVF. The images are still reorded in color.
I have to admit that I'll have to shoot this way for at least a few months to see if it improves my results. After all, I shot film for 40 years looking through a color optical viewfinder, and I had no trouble imagining what the B&W print would look like.
I'm coming in on this one a little late. Good luck on your new adventure "back to the future". Hope you find it everything you dreamt and remember. We will miss you :)
I used to give my students a strip of junk film to practice loading onto a stainless steel reel where they could see what they were doing. It didn't take them long to get to the point that they could easily do it by feel in the dark. Even though it is comparatively less rigid, I find the film from my 645s even easier to load on a reel. And you always get to see that spark of light (which does not seem to do any damage) when you pull the film from its backing paper.
ral wrote:
I would simply point out that while digital has certainly made photography easier, we are now awash in a narcissistic pornography of imagery; slick, banal or worse. Film is more laborious, takes more skill and understanding, and so forces a more serious regard for the work. Both have their place, but I think it naive to think we've lost nothing in the move to digital. You will have an adventure my friend, regardless the camera you choose.
Sounds like the words of a paint artist as photography became popular.
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I'm with you man! I might keep the digital stuff for later but ditch the phone. I learned on an Argus C2 with Kodachrome ASA 10 so I'm comfortable with exposure. I have a M3, 35mm with wings, 50mm, 90mm, and 135mm. The Leica is almost a spiritual experience to use. The uncluttered rangefinder is bright and with very quick accurate focusing. The shutter has a very soft click. Nothing distracting between the photo and the brain. (OK, wings for the 35 deliver a confused image.) Anyway, I still use it occasionally and love it. I no longer have a darkroom but i couldn't give away my Czech 1960s enlarger. But I do have a changing bag, a film tank, and a bathroom. I'm not allowed in the kitchen with the stinky fixer! I then scan the negatives and catalog and process them with Lightroom. I haven't quite matched the Kodabromide look but we are getting there. The blacks are the problem. Too light on the screen. Still a lot of fun.
bill de, you are right, but that doesn't make the entire statement wrong. There have been many who have questioned if photography is fit to be called an art, those have been proven wrong. But on the other hand, photography stands at an intersection of art and craft, and many have trouble separating the two. In the right hands, photography is a fine art as much as oil paintings (remember when a painting was more valued in oil than acrylic? Same tune, different key.) Those hands may be highly trained or self taught. There's a lot of really bad photos for sale, but there are a lot of crappy paintings for sale, too. If there wasn't something special about van Gogh, his paintings would be lost.
Bill P wrote:
bill de, you are right, but that doesn't make the entire statement wrong. There have been many who have questioned if photography is fit to be called an art, those have been proven wrong. But on the other hand, photography stands at an intersection of art and craft, and many have trouble separating the two. In the right hands, photography is a fine art as much as oil paintings (remember when a painting was more valued in oil than acrylic? Same tune, different key.) Those hands may be highly trained or self taught. There's a lot of really bad photos for sale, but there are a lot of crappy paintings for sale, too. If there wasn't something special about van Gogh, his paintings would be lost.
bill de, you are right, but that doesn't make the ... (
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I wasn't arguing with the statement, just pointing out that history has a way of repeating itself.
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Jack 13088 wrote:
I might keep the digital stuff for later but ditch the phone.
Don't ditch the phone! Install an exposure meter app on it to use with your film photography. Works great, and you can make phone calls, too.
rook2c4 wrote:
Don't ditch the phone! Install an exposure meter app on it to use with your film photography. Works great, and you can make phone calls, too.
Make phone calls too? Now, that’s
really going backwards!!
Bill_de wrote:
I wasn't arguing with the statement, just pointing out that history has a way of repeating itself.
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Good point, which I totally missed. So sorry, I think we are of the same mind.
BHC wrote:
After years of reading and listening to the hundreds of discussions about the wonders of digital photography, I'm seriously considering making a major change:
1. Disposing of all my digital equipment (except my iPhone),
2. Purchasing either a Leica M2 or IIIf with a 35 or 50 f/2 lens, and
3. Going back to the basics of (black & white) film photography for a few years.
I thought I'd open the idea for discussion, giving everyone a chance to try to convince me that I'm even crazier than most think I am - or giving a few people the opportunity to submit encouragement. Buy the way, I'd rather have an M6 and 35mm Summilux, but there's no way I can afford it. So what do you think? Hijacks, insults and sarcastic comments are as welcome as is genuine input. Take your best shot.
After years of reading and listening to the hundre... (
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William Faulkner, the famed southern writer is quoted as saying "The past is not dead...in fact, it's not even past.
BHC
Loc: Strawberry Valley, JF, USA
jackm1943 wrote:
I couldn't find any images you have posted, so I have no idea what type of photography you do. Unless you do mostly street photography, why waste your time and money on a 35mm system. You could get a nice 4x5 system probably for much less money and really enjoy the process more plus get better images.
Just so everybody knows, I have never posted any images, now am I likely to, for the following reasons:
1. I am a lousy photographer. I have a wealth of technical knowledge and absolutely no talent.
2. Images posted on this forum have been stolen and used for obscene (yes!) purposes.
3. There aren't any non-digital ways I know of to post a film print.
BHC
Loc: Strawberry Valley, JF, USA
jackpi wrote:
1. Film is much more expensive. 2. You won't know if you got the shot until the film is developed. 3. If you send the film out to be developed, you will have no control over the final image quality. 4. If you develop the film yourself, you will spend much longer processing the image and deny yourself the infinitely more powerful tools available to digitally process the image. 5. You will find it much more difficult to share your images. 6. There are relatively fewer resources available from which to learn film photography. 7. Using film won't make you a better photographer. 8. You will have to make notes of the subject, lens, aperture, ISO, exposure bias, and shutter speed for each image if you hope to diagnose what went wrong or right. Good luck!
1. Film is much more expensive. 2. You won't know ... (
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Thank you. I agree on every point except #6, and the only reason that I don't cling to that philosophy is 40+ years of experience taking b&w shots with everything from a Minox to a home built (not by me) 8 X 10. My primary instruction will come from reading spec sheets on new films that have replaced my old favorites, including processing suggestions.
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