jimjjc wrote:
I will be buying a new desk top very soon. I have never done any post processing before(minimal at best). I intend to buy a Dell with latest processor, etc. I will be getting LR/ Elements and probably more. What do you have and/ or recommend as minimal RAM? I know, as much as you can afford...doesn't cut it as an answer. At what point is it overkill vs. required.
I'd say 8GB minimum, 16GB preferred... and the option to expand to 32GB in the future would be nice, but will bring less benefit with current software than going from 8 to 16 does.
Using an SSD as your C: drive, with operating system and your various programs, will also help a lot.
Don't store important data on an SSD, though. Have a secondary standard HDD (and preferably a backup for that), to archive anything you'd find irreplaceable. SSD are nice and fast, fine for anything you can easily reinstall or repair should it be necessary, but still a bit risky for longer term storage of critical files.
Photoshop also likes to have a separate "scratch disk" that it uses for periodic saves, history and such. It's most important that this be a "separate drive" from the one the software resides upon. Ideally, for best performance I'd make it a second, small SSD. It also can be an HDD, though... Optionally it can be a partitioned off, dedicated portion of the HDD mentioned above (100GB or more, I'd suggest), if preferred or running out of room for drives.
Get a graphics accelerator card (or two). This should have it's own separate RAM... min of 1GB and many now have 2GB or more.
Do lots and lots of research before settling on a monitor. If at all possible, spend more for a wide gamut (Adobe RGB close to 100%) graphics quality. The bigger the better, though prices go through the stratosphere for the largest. Prices range from around $400 US and up (I don't know current models, mine is about 6 or 7 years old, so I can't make a specific recommendation).
For post-processing, be sure to get a calibration suite: software and hardware device. Otherwise, even with the best monitor you'll be mis-adjusting everything. Right out of the box, virtually all monitors are too bright (which will cause you to make your images too dark).... and most aren't all that accurate in color rendition. They simply must be calibrated, if you want accurately post-processed images.
PLUS, over time all monitors change, so it's important to re-calibrate them periodically (I run calibration on mine every 60 days). If you do much printing, a calibration device such as a Datacolor Spyder, Pantone Huey, or X-Rite ColorMunki will eventually pay for itself in savings of wasted paper and ink (if you print at home) or reprints (if you outsource your printing).